Born: Feb 27, 1903 in Wimbledon, Surrey, England, UK
Died: Jul 07, 1980 in Westwood, California
Occupation: Actor
Active: '30s-'60s
Major Genres: Comedy, Musical
Career Highlights: The Great Dictator, The Dolly Sisters, Sweet Rosie O'Grady
First Major Screen Credit: A Damsel in Distress (1937)
Biography
The son of an insurance man who'd aspired to appear onstage but never had the chance, British-born actor Reginald Gardiner more than made up for his dad's unrealized dreams with a career lasting 50 years. Graduating from the Royal Academy of Dramatic Art, Gardiner started as a straight actor but drifted into musical revues, frequently working in the company of such favorite British entertainers as Bea Lillie. His Broadway bow occurred in the 1935 play At Home Abroad, and though he'd made his film debut nearly ten years earlier in Hitchcock's silent The Lodger (1926), he suddenly became a "new" Hollywood find. Handsome enough to play romantic leads had he so chosen (he gets away with it in the 1939 Laurel and Hardy comedy Flying Deuces), Gardiner preferred the sort of kidding-on-the-square comedy he'd done in his revue days. His turn as a traffic cop who imagines himself a symphony conductor in his first American film Born to Dance (1936) was so well received that he virtually repeated the bit--this time as a butler who harbors operatic aspirations--in Damsel in Distress (1937). For most of his film career, Gardiner played suave but slightly untrustworthy British gentlemen; a break from this pattern occurred in Charlie Chaplin's The Great Dictator (1940), in which Gardiner played a fascist military man who turns his back on dictator "Adenoid Hinkel" to cast his lot with a community of Jews. Devoting his private life to the enjoyment of classical music, rare books, painting, and monitoring the ghost that supposedly haunted his Beverly Hills home, Reginald Gardiner flourished as a stage, film and television actor into the 1960s; one of his latter-day assignments was his weekly dual role in the 1966 Phyllis Diller sitcom, Pruitts of Southampton. ~ Hal Erickson, All Movie Guide
He also recorded a curious and eccentric classic called "Trains" which was regularly played on a British radio program called Children's Favourites during the 1950s. This consisted of Gardiner, sounding slightly tipsy, reciting a monologue about steam railway engines (which he claimed were 'livid beasts') and impersonating both the engines themselves and the sound of trains running on the track. This latter he famously characterised as 'diddly-dee, diddly-dum' to mimic the sound pattern as the four pairs of bogie wheels ran over joins between the lengths of track. (A sound no longer heard since welded rail joins were introduced.) "Trains" was released as a 78 and 45 by English Decca Records (F 5278) which remained on catalogue into the 1970s. At the end of the record, Gardiner signs off with "Well folks, that's all: back to the asylum."