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retsina

 
Dictionary: ret·si·na   (rĕt'sĭ-nə, rĕt-sē') pronunciation

n.
A Greek white or rosé wine flavored with pine resin.

[Modern Greek, probably from Italian resina, resin, from Latin rēsīna. See resin.]


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Food and Nutrition: retsina
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Greek dry white wine, with a strong resinous flavour due to the addition of pine resin as a preservative.

[reht-SEE-nah] Made for more than 3,000 years, this traditional Greek wine has been resinated-treated with pine-tree resin. The resin gives the wine a distinctively sappy, turpentinelike flavor that, according to most non-Greeks, is an acquired taste. Retsinas are either white or rosé and should be served very cold.

[reht-SEE-nah] Made for more than 3,000 years, this traditional Greek wine is resinated-treated with pine-tree resin. This process gives the wine a distinctively sappy, turpentine-like flavor, which, according to most non-Greeks, is an acquired taste. In Greece, the word retsina (Greek for "resin") is synonymous with wine. Retsinas can be either white (labeled "Retsina") or rosé (labeled "Kokineli"); both should be served very cold. The Savatiano grape is the main variety used in retsina, although it's usually blended with either Rhoditis or Assyrtiko grapes.

Wikipedia: Retsina
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A bottle of Retsina from the Greek producer Kourtaki
Bottle caps of some retsinas - Malamatina and Georgiadi

Retsina (Ρετσίνα in Greek) is a Greek white (or rosé) resinated wine that has been made for at least 2000 years. Its unique flavor is said to have originated from the practice of sealing wine vessels, particularly amphorae, with Aleppo Pine resin in ancient times. Before the invention of impermeable glass bottles, oxygen caused many wines to spoil within the year. Pine resin helped keep air out, while at the same time infusing the wine with resin aroma. The Romans began to use barrels in the 3rd century AD, removing any oenological necessity for resin, but the flavor itself was so popular that the style is still widespread today.

Contents

History

The earliest recorded mention of using resin with wine amphorae is by the first-century Roman writer Columella, who detailed in his work De Re Rustica (13.20-14) the different type of resin that could be used to seal a container or be mixed into the wine. He recommended, however that the very best wines should not be mixed with resin because of the unpleasant flavor introduced thereby. His contemporary, Pliny the Elder, does recommend the use of adding resin to the fermenting wine must in his work Naturalis Historia (14.124) with the resin from mountainous areas having a better aroma than those that come from lower lands (16.60).[1]

The Roman settlements in Illyria, Cisalpine Gaul and Gallia Narbonensis did not use resin coated amphorae due to the lack of suitable local pine trees and began to develop solid, less leak prone wooden barrels in the 1st century AD. By the 3rd century, barrel making was prevalent throughout the Roman Empire. The exception was the eastern empire regions of Byzantium which had developed a taste for the strong, pungent wine and continued to produce resinated wine long after the western Roman empire stopped. The difference in taste between the two empires took center stage in the work of the historian Liutprand of Cremona work Relatio de Legatione Constantinopolitana. In 968, Liutprand was sent to Constantinople to arrange a marriage between the daughter of the late Emperor Romanos II and the future Holy Roman Emperor Otto II. According to Liutprand, he was treated very rudely and undignified by the court of Nikephoros II being served goat stuffed with onion and served in fish sauce and "undrinkable" wine mixed with resin, pitch and gypsum-very offensive to his western tastes.[1]

Pilgrims and Crusaders to the Holy Land during the Middle Ages would record their experiences with the strong, resin wines of the Greek islands. Pietro Casola, an Italian noble who traveled to Jerusalem in 1494, wrote about the wines and cuisines of the places he stopped at along the way. In one of his entries, about his visit to Modone on Peloponnese, he wrote about the bounty of good quality wines made from Malmsey, Muscatel and Rumney varieties. Everything he tried was pleasing, except the strong, resin with an unpleasant odor.[1]

Anecdotal history

Popular anecdotes about the evolution of retsina stem from the Roman conquest of Greece. Stories claim that the Romans plundered the wines of Greece, angering the citizens who turned to pine resin as a way of extending their store of wine and as a deterrent to their thirsty conquerors. The harsh flavor was said to put off the Romans, who refused to drink the bitter ferment. Another anecdote claims that an excess of undiluted retsina was lethal for King Eric I of Denmark and Sigurd I of Norway.[2]

Wine regions

Pine resin

In Greece, local Retsina is produced throughout the country. Major production centers around Attica, Boeotia and Euboea. The European Union treats the name "Retsina" as a protected designation of origin and traditional appellation for Greece and parts of the southern regions of Cyprus. An Australian wine style made in South Australia can be called "resinated wine" but not "Retsina".[1]

Grapes and winemaking

Today the traditional grape for Retsina is Savatiano with Assyrtiko and Rhoditis sometimes blended in, as well as other grape varieties throughout Greece. On the island of Rhodes, Athiri is the main grape. Modern Retsina is made following the same winemaking techniques of white wine or rosé with the exception of small pieces of Aleppo Pine resin added to the must during fermentation. The pieces stay mixed with the must, and elute an oily resin film on the liquid surface; at racking the wine is clarified and the solids and surface film are removed from the finished wine.[1] Nowadays, protecting the new wine from oxidation is easy to do with far simpler means and a lot less resin is used for retsina than traditionally called for. Such wines lack the pungent "whiff of turpentine" streak of old, and are considered ideal accompaniments of strong-tasting local cuisine morsels as pastırma or garlic dips.

See also

References

  1. ^ a b c d e J. Robinson (ed) "The Oxford Companion to Wine" Third Edition pg 568-569 Oxford University Press 2006 ISBN 0198609906
  2. ^ Christopher Tyerman, "God's War" pg 251 Belknap Press 2006 ISBN 0674023870

 
 
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Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.  Read more
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