Revolutions

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  • Artist: Jean-Michel Jarre
  • Rating: StarStarStar
  • Release Date: 1988
  • Total Time: 16:23
  • Genre: Electronica

Review

While it can be easy to dislike and dismiss some cookie-cutter electronic music, the challenge lies in finding reasons to listen to it again. Such is the case with Revolutions by Jean Michel Jarre. One reviewer wrote, simply, "(This) is not revolutionary." That is true; Jarre breaks no new ground with the release of this album. He does, however, continue to create original music in his own style. He is often imitated and that is the sincerest form of flattery. This album features ten short pieces (five minutes and 22 seconds is the longest) of pop influenced e-music. This disc neither challenges nor offends the listener. It has its moments but it neither soars nor plunges. Of course, die-hard Jarre fans will love this disc. Fans of Synergy, Char-El, Klaus Schulze, and Ashra will like it. ~ Jim Brenholts, Rovi

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Wikipedia on Answers.com:

Revolutions (Jean Michel Jarre album)

Top
Revolutions
Studio album by Jean Michel Jarre
Released August 1988
Genre Electronica, world music, synthpop, electro
Length 44:24
Label Disques Dreyfus
Producer Jean Michel Jarre
Jean Michel Jarre chronology
Rendez-Vous
(1986)
Revolutions
(1988)
Waiting for Cousteau
(1990)
Professional ratings
Review scores
Source Rating
Allmusic 2.5/5 stars [1]

Revolutions is the sixth overall studio album by Jean Michel Jarre, first released in 1988. The album spans several genres, including symphonic industrial, Arabian inspired, light guitar pop and ethnic electro jazz. The album reached number #2 in the UK charts, Jarre's best chart position since Oxygène. The Destination Docklands concert in London coincided with the release of the album.

Contents

Instruments

The majority of the album was played with a Roland D-50 synthesizer, with the majority of sound programming gathered from custom sound banks, compiled into a single bank and later released for French Keyboards magazine.[citation needed]

Tracks

There are two versions of the album, each containing a different version of the track "Revolutions". On the original release, the introduction to the tune is played on a Turkish flute, whereas the later reissue of the album uses an Arabian string orchestra for the introduction. This version also has a different vocal accompaniment, as sung by an Arabian vocalist.[citation needed] "Revolutions" contains reworked samples of an unpublished composition by Turkish Kudsi Erguner, which Jarre had acquired from ethnologist Xavier Bellenger. Erguner took his case to court and won a modest indemnity.[2] Jarre removed the ney flute part from new releases of the record and from live performances.

The song "London Kid" was a collaboration with Hank Marvin. Hank was living in Perth, Australia at the time and he and Jean Michel composed the song with each other over the phone.

As noted in the liner notes, the track "September" is named after and dedicated to South African ANC activist Dulcie September, who was assassinated in Paris on 29 March 1988.

Track listing

1988 Original Release

  1. "Industrial Revolution" - 16:33
    1. Overture – 5:20
    2. Part 1 – 5:08
    3. Part 2 – 2:18
    4. Part 3 – 3:47
  2. "London Kid" – 4:34
  3. "Revolutions" – 5:01
  4. "Tokyo Kid" – 5:22
  5. "Computer Weekend" – 5:00
  6. "September" – 3:52
  7. "The Emigrant" – 3:56

1994 Re-issue Release

  1. "Industrial Revolution" Overture – 5:20
  2. "Industrial Revolution" Part 1 – 5:08
  3. "Industrial Revolution" Part 2 – 2:18
  4. "Industrial Revolution" Part 3 – 4:47
  5. "London Kid" – 4:34
  6. "Revolution, Revolutions" – 4:55
  7. "Tokyo Kid" – 5:18
  8. "Computer Weekend" – 4:38
  9. "September" – 3:52
  10. "The Emigrant" – 4:05

Personnel

References

Notes
Bibliography

External links


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