Rialto

 
Artist:

Rialto

  • Genre: Rock
  • Active: '90s, 2000s
  • Major Members: Louis Eliot, Pete Cuthbert, Julian Taylor, Jon Bull, Toby Hounsham

Biography

Louis Elliot and Jonny Bull began their Brit-pop ventures in fall 1991 under the guise of Kinky Machine. With a dedicated, albeit small cult following, they broke into the U.K. Top Ten in 1992 and added a Manic Street Preachers tour to their credentials. 1993 brought a debut album and a 1995 sophomore effort, Bent; however, their style decreased in rarity as acts like Elastica exploded internationally. This, fueled by management and label woes, caused Kinky Machine to dissipate. Early in 1997 Bull and Elliot, along with the latter's old friend and bassist Julian Taylor, drummer Pete Cuthbert, and Toby Hounsham, who responded to an advertisement placed in the Melody Maker, rejoined and formed Rialto. Their unusual name is traced back to a local U.K. (now bankrupt) theater chain. This cinematic reference is consistent with Elliot's fascination with films, soundtracks and scores, as they admit to being heavily influenced by cinema. They cite industry giants such as Elvis Costello, Lloyd Cole, Leonard Cohen, Elliot Smith, Brian Wilson, Ennio Morricone and John Barry as influences and objects of their musical admiration.

Second drummer Anthony Christmas is a major contributor to this band's unusual sound, following the musical footsteps of Phil Spector and Adam and the Ants with two simultaneous, equi-balanced drummers. Given an eight-track home studio by their recording company, they emerged late in 1997 (under Bull's production talents and Elliot's lyrical guidance) with a new, innovative signature sound and contagious tunes chock full of script-like, empathetic tales.

In 1997 they produced their first singles, "When We're Together" and "Untouchable." The latter was re-released in January 1998; it quickly penetrated the Top 20 and was soon accompanied by their next single, "Dream Another Dream." Despite their proven success and much anticipated arrival of their self-titled debut album, East-West Records dropped them. China Records, the label under which Morcheeba rose to fame, released Rialto's album in July 1998. The six-track Girl on a Train followed two years later, receiving accolades from NME and Q. By the time Rialto gathered to make a second album, Hounsham had left the group. Rialto was now a four-piece and they spent most of 2001 perfecting electronic sounds for Night on Earth, which was issued in March 2002. ~ Heidi Karrenbauer, All Music Guide
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Wikipedia: Rialto
Rialto
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Rialto

Rialto is an area of the San Polo sestiere of Venice, Italy, known for its markets and for the Rialto Bridge.

The area was settled by the ninth century, when a small area in the middle of the Realtine Islands either side of the Rio Businiacus was known as the Rivoaltus. Soon, the Businiacus became known as the Grand Canal, and the district became the Rialto, referring to only the area on the left bank.

The Rialto became an important district in 1097, when Venice's market moved there, and in the following century a boat bridge was set up across the Grand Canal providing access to it. This was soon replaced by the Rialto Bridge.

The market grew, both as a retail and as a wholesale market and warehouses were built. Meanwhile, shops selling luxury goods, banks and insurance agencies appeared and the city's tax offices were located in the area. The city's abattoir was also in the Rialto.

Most of the buildings in the Rialto were destroyed in a fire in 1514, the sole survivor being the Church of San Giacomo di Rialto, while the rest of the area was gradually rebuilt. The Fabriche Vecchie dates from this period, while the Fabbriche Nuove is only slightly more recent, dating from 1553. The statue Il Gobbo di Rialto was also sculpted in the 16th century.

The area is still a busy retail quarter, with the daily Erberia greengrocery market, and the fish market on the Campo della Pescheria.

The Rialto is also mentioned in works of literature, notably in The Merchant of Venice (Act I, Scene III).

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