Richard Ansdell

 
Art Encyclopedia:

Richard Ansdell

(b Liverpool, 11 May 1815; d Farnborough, Hants, 20 April 1885). English painter. He was the son of an artisan and in 1835 entered the Liverpool Academy Schools, where he later became president (1845-6). One of his earliest and largest dated works is the Waterloo Coursing Meeting (1.4*2.4 m, 1840; Liverpool, Walker A.G.). This canvas demonstrates his considerable skill as a portrait painter and creates a detailed record of a major sporting event of the period which was attended by many members of the local aristocracy, some of whom, notably the 3rd Earl of Sefton, were his patrons. It was engraved and published in 1843, and other works were similarly popularized. Shooting Party in the Highlands (1840; Liverpool, Walker A.G.) was the first of 149 works exhibited at the Royal Academy. It shows huntsmen with their horses and dogs resting after a good day's sport, a theme that Ansdell often depicted. He also portrayed other rural scenes such as gamekeepers or shepherds with domestic and wild animals, often in historical settings. All are painted with precision and sensitivity and without sentimentality. Although based in London from 1847 until 1884, Ansdell owned houses in Lancashire and Scotland and found inspiration in northern landscape. He travelled to Spain with the painter John Phillip in 1856 and alone in 1857 and produced several works of Spanish inspiration, for example Feeding Goats in the Alhambra (Preston, Harris Mus. & A.G.). He also collaborated with William Powell Frith and Thomas Creswick in rural genre scenes. Ansdell was commercially successful and was elected ARA in 1861 and RA in 1870. His animal subjects often rival those of Landseer, both in execution and composition, and place him in the forefront of Victorian sporting art. The contents of Ansdell's studio were sold at Christie's, London, 19 March 1886.

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Richard Ansdell (11 May,1815, Liverpool - 20 April1885, Frimley) was an English painter who specialised in oil paintings of animal and sporting subjects.

He first exhibited at the Liverpool Academy in 1835, reaching its presidency in 1845, and resigning in 1852 in protest over an award of the £50 prize to William Holman Hunt for the then controversial Valentine Rescuing Sylvia from Proteus.

In 1841, he married Maria Romer.

He first achieved a reputation around Liverpool for commissions featuring landowners and their animals, and from the 1840s travelled in Northern England and Scotland painting hunting and agricultural scenes.

He first exhibited at the Royal Academy in 1840, and was elected ARA in 1861 and RA in 1870. His best known works include Stag at Bay (1846), The Combat (1847), and Battle of the Standard (1848).

His subject matter was compared to that of Edwin Landseer, though critical opinion was that, though popular, his works lacked the latter's emotional impact. His reputation was as a hardworking but occasionally over-proud artist; for instance, he received no royal commissions after refusing to paint Queen Victoria's dogs unless they were brought to his studio.

During part of his career he lived at Lytham, in the borough of Fylde, where a district, Ansdell, is named after him.

Many of Richard Ansdell's works are owned by Fylde Borough Council, and from September 2007 a collection of these paintings will be on display in a permanent art gallery at a new Booths supermarket in Lytham.[1]

References

  • Judy Egerton, "Ansdell, Richard (1815–1885)", Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 18 June 2007
  1. ^ Fylde art set for permanent home, BBC News online, 17 August 2007. Accessed 21 Aug 2007
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