Richard Doyle

 
Fairy Tale Companion:

Richard Doyle

Doyle, Richard (1824–83), English humorous artist, cartoonist, and fairy illustrator, affectionately referred to as ‘Dicky’ Doyle. A highly skilled draughtsman, he worked from an early age for the satirical magazine Punch and designed its famous front cover, used for over a century and depicting a procession of tiny fairy figures. Praised for his over 500 decorative illustrations, Doyle was also criticized for being too kindly in his caricatures, and he eventually resigned from Punch for its anti‐papal sentiments. His critically acclaimed illustrations of famous children's stories and fairy tales such as Dickens's Christmas Books (1845–6) and The Cricket on the Hearth (1846), selected Grimms' fairy tales in The Fairy Ring (1846), John Ruskin's The King of the Golden River (1851), and J. R. Planché's An Old Fairy Tale: The Sleeping Beauty (1865) made him a household name. In his late work he concentrated on fairy paintings, drawing heavily on the Grimms' fairy tales for inspiration. Critical judgement is divided on the quality of his large watercolours such as Snow White and Rosy Red (1871), but The Enchanted Fairy Tree: Or a Fantasy based on ‘The Tempest’ by Wm. Shakespeare (painted 1845, exhibited 1868) is a masterwork, typical of his incredibly detailed scenes depicting the antics of wicked elves and the romance of fairy maidens and their knights. His most celebrated book is In Fairyland (1870), a series of 16 watercolour scenes of fairyland, which accompanied a poem by William Allingham and, in the 1884 reissue, a specially written fairy tale by Andrew Lang, ‘The Princess Nobody’.

Bibliography

  • Engen, Rodney, Richard Doyle (1983).
  • ——Richard Doyle and his Family (1984).
  • Hambourg, Daria, Richard Doyle: His Life and Work (1948).
  • Martineau, Jane (ed.), Victorian Fairy Painting (1997).
  • Peppin, Brigid, Fantasy Book Illustration 1860–1920 (1975).

— Karen Seago

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Columbia Encyclopedia: Doyle, Richard,
1824–83, English caricaturist, water colorist, and illustrator. He was the son and pupil of John Doyle, a popular caricaturist. His Journal (British Mus.), a book of sketches done at the age 15, shows his extraordinary precocity. He worked on the staff of Punch (1843–50), and drew the famous cover design. Doyle illustrated some of Thackeray's works.
 
Wikipedia: Richard Doyle (illustrator)
An illustration from In Fairyland 1870
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An illustration from In Fairyland 1870

Richard "Dickie" Doyle (September 1824 - December 11, 1883) was a notable Victorian illustrator. His work frequently appeared, amongst other places, in Punch magazine; he drew the cover of the first issue, and designed the magazine's masthead, a design that was used for over a century.[1]

The son of John Doyle (known as 'H.B'), a noted political caricaturist, he had two brothers James and Charles, who were also both artists. The young Doyle had no formal art training other than his father's studio, but from an early age displayed a gifted ability to depict scenes of the fantastic and grotesque. Throughout his life he was fascinated by fairy tales. He joined the staff of Punch in 1843 aged 19, remaining there for seven years until resigning in order to concentrate on book illustration and painting.

Doyle collaborated with John Leech, W.C. Stanfield and other artists to co-illustrate three Dickens Christmas books, The Chimes' (1844), The Cricket on the Hearth (1845) and The Battle of Life (1846).[2]

In 1846 Doyle's illustrations for The Fairy Ring (a new translation of Grimm's tales), first made his name as a fairytale illustrator. Following this in 1849 he produced Fairy Tales from All Nations (compiled by 'Anthony R. Montalba' (i.e. Anthony Whitehall), which proved a tremendous success. Doyle was able to fully explore his love of fairy mythology with his many illlustrations and borders filled with elves, pixies and other mythical creatures.

Following this success Doyle illustrated a string of fantasy titles: The Enchanted Doll by Mark Lemon (1849), The Story of Jack and the Giants (1850), and John Ruskin's The King of the Golden River (1850), which went through three editions in its first year of publication.

His masterpiece is undoubtably In Fairyland, a series of Pictures from the Elf World, with a poem by William Allingham, printed by Edmund Evans and published by Longman in time for Christmas 1869 (dated 1870). In the 16 colour plates and 36 line illustrations plus title page, Doyle was given a completely free hand. The folio was richly bound in green cloth, and has been described as one of the finest examples of Victorian book production (Richard Dalby, The Golden Age of Children's Book Illustration, 1991 p.12).

He was the uncle of Sir Arthur Conan Doyle, author of the Sherlock Holmes stories.[3]

References

  1. ^ Richard Doyle. Catholic Encyclopedia. Retrieved on 2007-02-17.
  2. ^ Richard Doyle. Spartacus. Retrieved on 2007-02-17.
  3. ^ Christopher Roden. ARTHUR CONAN DOYLE A BRIEF BIOGRAPHICAL STUDY. Retrieved on 2007-02-17.

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Fairy Tale Companion. The Oxford Companion to Fairy Tales. Copyright © 2000, 2002, 2005 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Richard Doyle (illustrator)" Read more

 

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