Richard James Burgess is a studio drummer, music-computer programmer, recording artist, record producer, composer, author, manager, marketer and inventor. He was the producer for Spandau Ballet's first two albums.
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Education
He was educated at Berklee College of Music in Boston and the Guildhall School of Music and Drama in London. He also had private lessons with such teachers as Alan Dawson, Peter Ind, Tony Oxley, James Blades, and David Arnold. He also studied movement with Bruno Tonioli and drama with Uta Hagen.
Producer
In the early eighties he emerged as a producer of the New Romantic movement, producing Spandau Ballet's first two gold albums and first six hit singles. He won a Music Week magazine sales award as a producer and has created 24 charted singles and 14 hit albums.[1]
Other productions include Adam Ant, King, New Edition, Melba Moore, Colonel Abrams, America, Kim Wilde, Five Star, Tony Banks of Genesis, and Fish of Marillion), Living in a Box, Princess, Virginia Astley, Errol Brown of Hot Chocolate, When In Rome, Shriekback, Shock, Barbie Wilde. He was also an ambient pioneer in producing the British group Praise. He produced, engineered and mixed albums by Rubicon and X-CNN under the pseudonym Caleb Kadesh and did several mixes using the pseudonym Cadillac Jack.
Musician
Burgess co-produced, co-wrote, programmed, sang and played drums for the European electronica group Landscape, whose album From The Tearooms Of Mars To The Hellholes Of Uranus yielded the international hits "Einstein A Go Go" and "Norman Bates". His studio-drumming career includes albums such as Adam Ant's Strip and The Buggles’ The Age of Plastic. As a Capitol Records solo artist he charted singles on the Billboard Hot Dance Club Play chart reaching No. 1 on the New York Dance Music Report chart. He also recorded with the British National Youth Jazz Orchestra and jazz musicians Neil Ardley, Ian Carr and Nucleus and played with Graham Collier OBE.
Mixes and compositions
Burgess’s mixes and remixes include tracks for the movies 9½ Weeks, About Last Night and artists Thomas Dolby, Lou Reed, Youssou N'Dour, Luba and many others.
Innovations
He defined the computer programmers’ and samplers’ role in modern music via his work in the seventies with the Roland MC-8 Microcomposer and with Fairlight CMI[2] firsts such as Kate Bush's Never Forever album and Visage's single "Fade To Grey". He conceptualized and co-designed the first standalone electronic drum-set, the ground-breaking hexagonal shaped SDS5. He appeared three times on the BBC TV program Tomorrow's World demonstrating his prototype of this invention; use of the Roland MC-8 Microcomposer computer in pop music; and the world's first digital sampling machine the Fairlight CMI. He coined the name for the New Romantic movement of the early nineteen-eighties.[3][4][5] His NYC production of Colonel Abrams' which yielded the gold singles "Trapped" and "I'm Not Gonna Let" are widely considered to have been the precursor to the House Music phenomenon.[6]
Awards and achievements
With the avant-garde electronic group Accord he was featured on BBC Radio 3 programs "Music In Our Time" and "Improvisation Workshop". He was selected to play in the British National Youth Jazz Orchestra, won the Greater London Arts Association’s Young Jazz Musicians award, the Vitavox Live Sound award and was chosen for the British Arts Council’s prestigious Park Lane Group Purcell Room concert series. He is featured in The A to Z of Rock Drummers.
Educator and marketer
His book The Art of Music Production [1] is in its third edition. He has written many articles for technical and music magazines. He has lectured on the subject of record production and the music business in the United States and in the United Kingdom. He wrote and presented the BBC World Service radio series "Let There Be Drums". He taught drums at the Annapolis Music School in Maryland [2] and currently teaches classes on record production at The Omega Studios' School Of Applied Recording Arts And Sciences.[7]
Burgess is also Director of Marketing and Sales for Smithsonian Folkways Recordings and Smithsonian Global Sound, runs his own artist management company, Burgess Worldco in the Washington, D.C. area. He has been a Governor for the Washington DC Chapter of the National Academy of Recording Arts and Sciences and is the co-chair for both the DC Chapter of the Producer and Engineer Wing, and the national Producer Compensation Committee. He also produces and plays drums for the blues band Electrofied.
References
- ^ The Art of Music Production published by Omnibus Press (ISBN 1844494314)
- ^ Tony Fazio, The Annapolis Guitar School
- Guinness Book of British Hit Singles 7th Edition - 1988
- Guinness Book of British Hit Albums 1st Edition - 1982
- Guinness Book of Rock Stars 3rd Edition - ISBN 0-85112-722 3 - 1994
- The Book of Hit Singles ISBN 0-87930-666 1 - 1994, 1996, 2001
- Music Sales
- Trouser Press
- madtheory - What is a record producer? Article by Tomás Mulcahy, based on Richard's book
- www.softshoe-slim.com
- www.shriekback.com
- Blitz Kids/New Romatics articles
- Smithsonian Folkways Recordings
- discogs.com
- Starpolish.com
- Guardian.co.uk
- Housegroove.net/history-of-house-music
- The Omega Studios' School Of Applied Recording Arts And Sciences
- Guardian.co.uk
- Discogs.com/
- The Independent LiveJournal.com
- Artrocker
External links
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