Kiley, Richard [Paul] (1922–99), actor and singer. A native Chicagoan, he played in summer stock before assuming the role of Stanley Kowalski in a road company of A Streetcar Named Desire in 1950. New Yorkers first saw him as Joey Percival in a 1953 revival of Shaw's Misalliance, then as the Caliph in Kismet (1953). Kiley would comfortably shift from dramas to musicals throughout his stage career, giving such memorable performances as the suspicious Major Harry Cargill in Time Limit! (1956), the sleuthing Tom Baxter in Redhead (1959), the young senator Brig Anderson in Advise and Consent (1960), novelist David Jordan in No Strings (1962), the dual roles of Cervantes and Don Quixote in Man of La Mancha (1965), various characters in The Incomparable Max (1971), the stuffy businessman Ronald Brewster‐Wright in Absurd Person Singular (1974), and Joe Keller in All My Sons (1987).
Career Highlights: The Phenix City Story, Gunsmoke: The Last Apache, Looking for Mr. Goodbar
First Major Screen Credit: The Mob (1951)
Biography
Richard Kiley trained for a theatrical career at the Barnum Dramatic School. Just before his World War II service, Kiley played small roles in several Chicago-based radio programs. He relocated to New York in 1947, making his Broadway debut in a 1953 revival of Shaw's Misalliance (which earned him a Theatre World Award). He spent the next two decades alternating in "straight" plays and musicals: his credits in the latter category include Kismet, Redhead, No Strings and, of course, his Tony-winning dual performance as Cervantes and Quixote in Man of La Mancha. In films from 1950, Kiley was often cast as a menace, never more so than in 1953's Pickup on South Street, in which he commits the heinously antisocial act of murdering Thelma Ritter. He was more sympathetic as the alcoholic teacher in The Blackboard Jungle (1955), whose faith in his abilities is irreparably damaged when his juvenile delinquent students wantonly destroy his valuable record collection. On television, Kiley starred in the original 1956 staging of Rod Serlings Patterns and was Emmy-nominated for his work in The Thorn Birds (1983), Do You Remember Love? (1988), Separate But Equal (1990),and his own starring series A Year in the Life (1989). He finally won the Emmy for a 1994 guest appearance in Picket Fences. Ironically, the most successful film endeavor with which Richard Kiley was associated was one in which only his voice is heard; he's the fellow who explains the cloning process in the opening animated sequences of Jurassic Park (1993). ~ Hal Erickson, All Movie Guide
Patricia Ferrier (1968-1999)
Mary Bell Wood (1948-1967)
Richard Paul Kiley (March 31, 1922 – March 5, 1999) was an American stage, television, and film actor. He is best known for his voice work, as narrator of various documentary series, and for having played Don Quixote in the original 1965 production of the Broadway musical Man of La Mancha. Kiley was the first who sang and recorded The Impossible Dream, the hit song from the show. In the 1953 hit musical Kismet, he played the Caliph, and introduced the song Stranger in Paradise.
Kiley was born in Chicago, Illinois and raised Roman Catholic. He graduated from Mt. Carmel High School in 1940, and after a year at Loyola University Chicago[1] he left to study acting at Chicago's Barnum Dramatic School. Following a stint in the Navy, he returned to Chicago working as an actor and announcer on radio before moving to New York City.
He won Tony Awards as Best Actor in a musical for the first two. The dual role of the middle-aged Miguel de Cervantes and Don Quixote is one of the few musical roles which is both a character actor role and a leading man at the same time, rather than the conventional handsome hero who wins the girl, and Kiley, who had gone on record as saying that he had grown tired of the regular "leading man" role, was always grateful for having been given the chance to play it.[citation needed]
Kiley died of an unspecified bone marrowdisease in Warwick, New York in 1999. He was interred in Warwick. The lights on Broadway theaters were turned off in his honor.