Born: Sep 04, 1933 in Bronx, New York City, New York
Died: Dec 10, 1988
Occupation: Actor
Active: '60s-'80s
Major Genres: Crime, Drama
Career Highlights: Lovers and Other Strangers, Honor Thy Father, Night of the Juggler
First Major Screen Credit: Lovers and Other Strangers (1970)
Biography
American actor Richard Castellano spent the bulk of his career playing character roles on-stage, but he occasionally ventured into feature films and has also appeared on television. He began his career with the New Yiddish Theater in the early '60s. Prior to that, Castellano ran a construction company. In 1964, he starred in Arthur Miller's off-Broadway production of A View From the Bridge. The heavy-set and swarthy Castellano specialized in playing "ethnic" roles and was particularly good at playing Italian-Americans. In 1970, he received an Academy Award Best Supporting Actor nomination for reprising his Tony-nominated Broadway role in Lovers and Other Strangers. His television work includes starring roles in two short-lived series: The Super (1972) and Joe and Sons (1975-1976). In both, he played blue-collar working men. At the time of his death, Castellano and his wife, Ardell Sheridan, were penning a history of method acting. ~ Sandra Brennan, All Movie Guide
Richard Salvatore Castellano (September 4, 1933 – December 10, 1988) was an American actor.
Castellano was born in the Bronx. His greatest fame came from playing the part of Peter Clemenza, in The Godfather. His most famous quote from the film is "Leave the gun. Take the cannoli" which he ad-libbed.[1] He also appeared on television, playing the lead roles of Joe Girelli in the TV sitcom The Super and Joe Vitale in Joe and Sons.
He did not reprise his role in The Godfather Part II due to Castellano's and his agent insisting that they have control over the characters dialog. Francis Ford Coppola explains how as the director this was untenable and therefore he was not in the movie. His omission from the movie was written in that the character had died at sometime between the end of the first movie and the start of the second.
^Sheridan-Castellano, Ardell (2003). Divine Intervention and a Dash of Magic... Unraveling The Mystery of "The Method" + Behind the Scenes of the original Godfather film. Trafford Publishing. p. 183-184. ISBN 1553698665.