Highly praised paper engineer and author Robert Crowther has enjoyed drawing ever since he was taught by his father how to trace the Three Little Pigs. Among his many works are a series of intriguing pop-up books that includes Pop-up Olympics: Amazing Facts and Record Breakers and Incredible Animal Alphabet.
Crowther's work in Pop-up Olympics was lauded by a Publishers Weekly critic who commented that "Crowther rustles up an impressive number of Olympics-related facts and figures"; his text and illustrations reflect "genuine enthusiasm," the critic added, "and he aims high, squeezing in as much trivia and activity as will fit on a page." In a review of Incredible Animal Alphabet , another of Crowther's engineered pop-up books, another Publishers Weekly critic stated that ""P" should stand for playful in this clever compendium of concealed critters....Ina crowded field, this book definitely jumps out."
"My primary motivation is to make books that will encourage reluctant readers," Crowther once commented. "At art college, the work of Seymour Chwast influenced the way my style developed. These days, talking to the children I meet in schools and libraries influences the sort of subjects I choose to make as pop-up books.
"The creative process behind a pop-up book involves, first, coming up with a suitable theme. Then I make individual black-and-white working 'roughs' of mechanics suitable for the book. The best of these ideas are then designed into a rough dummy of the complete book, colored with felt-tip pens. After the rough is approved by the publisher, I do the art work in black line and watercolor. The mechanical pieces (usually about one hundred separate bits) are painted separately from the backgrounds.
"Mostly the subjects I've chosen have been colorful and packed with action. For example, I've used fair-grounds, building sites, and the Olympics. Otherwise I've chosen educational themes, such as alphabets or numbers."
Discussing his art, Crowther more recently noted to Something about the Author: "I'm attempting to alter my style of illustration in order to give my upcoming titles a different visual look. Instead of using a black outline for the drawings and coloring in with water-color, I am now using cut paper in a precise way. I have just finished illustrating a pop-up train book which contains 9,500 separate pieces of cut paper. These pieces are cut from pre-painted sheets of watercolor.
"After twenty-five years spent illustrating pop-up and flap books I feel it is time to try something fresh. My recent book Let's Cook, published in 2004, uses photographs rather than drawings to give a super-real feel to the images."
Career
Freelance designer, 1973-87, including work with Madame Tussaud's Group, London, England. Part-time teacher at Oxford Polytechnic, Leicester Polytechnic, Exeter College of Art, and Norwich School of Art. Freelance author and illustrator.
Member
Federation of Children's Book Groups, British Society of Authors.
Awards, Honors
Runner-up for Mother Goose Award for best newcomer to children's illustration, 1978; runner up for Parents magazine award for best novelty book, 1997; honorable mention at Bologna-Ragazzi Awards, 2000, for Deep down under Ground.
Writings
Self-Illustrated
Biographical and Critical Sources
Periodicals
Online