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Robert E. Brown

 
Artist: Robert E. Brown

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  • Born: April 18, 1927, Utica, NY
  • Died: November 29, 2005, La Mesa, CA
  • Active: '50s, '60s, '70s, '80s, '90s, 2000s
  • Genres: World
  • Instrument: Engineer

Biography

Ethnomusicologist Robert E. Brown is widely credited with coining the phrase "world music" as a catchall for the melodies and rhythms indigenous to cultures outside the industrialized Western Hemisphere. Robert Edward Brown was born in Utica, NY, on April 18, 1927. After beginning his education in a one-room schoolhouse in nearby Clinton, he later learned timpani, bass drum, double bass, and cello, and while in high school formed a dance band dubbed the One Meatball. After studying music theory and piano under George Budasheim at the Utica Conservatory, Brown served a stint in the U.S. Navy, resuming his education at Ithaca College and Cornell University before earning a doctorate in ethnomusicology from UCLA, funding research for his dissertation, "The Mrdanga: A Study of Drumming in South India," with both Fulbright and Ford Foundation grants.

In 1962 Brown obtained a teaching position at Wesleyan University in Middletown, CT -- there he developed pioneering new undergraduate, master's, and doctoral programs that also created academic positions for musicians from across the globe. To emphasize the unique approach and scope of the curriculum, Brown introduced the term "world music," the English equivalent of the German "weltmusik," first cited in print in 1906. Upon exiting Wesleyan in 1971, Brown relocated to the West Coast, where he developed a similar world music program at the California Institute of the Arts. He was also an instrumental force behind the 1974 opening of Berkeley's Center for World Music.

During this time Brown also worked with the New York-based Nonesuch Explorer recording label, producing a series of groundbreaking albums documenting the gamelan music of Java and Bali -- when astronomer Carl Sagan helped NASA launch a kind of interstellar time capsule in 1977, it included musical selections from Bach, Chuck Berry, and Blind Willie Johnson alongside samples of the Javanese court music originally recorded by Brown. During the late '70s he also chaired the music department at San Diego State University, remaining with the school until retiring in 1993. In his later years, Brown annually visited Istanbul to oversee research of traditional Turkish arts and culture, and regularly traveled the globe lecturing on the musical culture of South India. He died at his home in La Mesa, CA, on November 29, 2005. ~ Jason Ankeny, All Music Guide
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Wikipedia: Robert E. Brown
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Bob Brown circa 2004

Robert E . "Bob" Brown (18 April 1927 - 29 November 2005) was an ethnomusicologist who is credited with coining the term "world music" [1]. He was also well known for his recordings of music from Indonesia. Many of these recordings, among the first widely distributed and commercially available in the United States, inspired a generation of musicians to study and perform Indonesian gamelan music.

Brown grew up in Clinton, New York. He had a very extensive background in music while still young. He played timpani and bass drum in a band, double bass and cello in the school orchestra and accompanied the school chorus on piano. A sponsor enabled him to study music theory at the Utica Conservatory with Johannes Magendanz and study piano with Clara Magendanz. He performed the first movement of the Schumann piano concerto with the high school orchestra during his sophomore year.

The same year, he held the job of organist at Hamilton College. He also performed popular music with his own band, Bobby Brown and His Swingsters. During his undergraduate years at Ithaca College and his graduate studies at Cornell University he continued to work as an organist.

Bob Brown started his doctoral studies at UCLA as a piano major in 1953. After Mantle Hood began teaching at UCLA the following year, Brown switched to ethnomusicology and became Hood's first teaching assistant. Brown received his doctorate in ethnomusicology from UCLA. His dissertation was titled The Mrdanga: A Study of Drumming in South India (1965). He studied and played the mridangam.

Brown began teaching at Wesleyan University in 1961[2]. He founded the world music/ethnomusicology program at Wesleyan. It was here that Brown first used the term "world music" to describe the ethnomusicology program.

Bob Brown followed the philosophy advocated by Mantle Hood, who could be considered the father of gamelan music education in the USA: that students become bi-musical. Bob Brown's own "World Music" programs from the 1960s onwards were built on the ideal of bi-musicality, which was an innovative approach to music education at the time. It proposed that students, after acquiring competence in the music of their native culture, study with master musicians from another culture, and thereby acquire competence in the musical performance and theory of that culture too. The result would be a person with musical competence in two cultures: bi-musicality.

Brown was one of the organizers of the American Society for Eastern Arts (ASEA). In 1973, Brown founded the Center for World Music. He remained president of the organization until his death. Thinking about how much musical experience was available to him in high school motivated him to start the "Music in the Schools program" for the Center for World Music.

Brown began teaching at San Diego State University in 1979. He served as the Chair of the School of Music for three years from 1979 to 1982. He retired in 1992. Brown also was the owner of Girikusuma or Flower Mountain, a center for traditional Balinese performing arts located in Bali.

In 2006, The University of Illinois at Champaign-Urbana announced that Brown had bequeathed his extensive collection of instruments, recordings, books, paintings and artifacts and to the school's world music center. The Center, which opened in April 2008, was named in his honor.[3]

Recordings

Brown produced five of the early recordings from Indonesia in the "Explorer Series" released on Nonesuch Records. Two of the recordings were from Bali, and three were from Java:

Also, he recommended the recording "Jaat Kahan Ho" in Raga Bhairavi by Surashri Kesarbai Kerkar for inclusion on the Voyager disc, since he believed it to be the finest recorded example of Indian classical music.

  • Java: Court Gamelan, Volume II (1977)
  • Java: Court Gamelan, Volume III (1979)

References


 
 
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