Robert Tear
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Robert Tear
(b Barry, 8 March 1939). Welsh tenor.He studied at Cambridge and joined the St Paul's Cathedral Choir. He sang with the English Opera Group, notably as Quint in The Turn of the Screw; Pears's roles suited his voice well. He created Dov in Tippett's Knot Garden (1970) at Covent Garden, where his other roles have included Lensky. He sang Monteverdi's Nero with the Netherlands Opera and Loge at the Paris Opéra (1976). He is much admired for the clarity, precision and taste of his singing, which serves well in lieder and Bach's Passions.
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Robert Tear
Robert Tear, (pronounced to rhyme with "ear") CBE (8 March 1939 – 29 March 2011) was a Welsh tenor and conductor.[1][2]
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Biography
Tear was born in Barry, Glamorgan, Wales, UK, the son of Thomas and Edith Tear. He attended Barry Boys' Grammar School and during this period sang in the chorus of the first Welsh National Opera's production of Cavalleria Rusticana in April 1946. He was a choral scholar at King's College, Cambridge, where he studied under Kimbell. He was later elected an Honorary Fellow of the College.[3] In 1961 he was appointed a Vicar Choral at St Paul's Cathedral.[4]
In 1961 he married Hilary Thomas. He and his wife had two daughters, and lived in west London. One of his daughters, Lizzie Tear, would have a career in pop music.
Robert Tear's operatic début was in 1966, as Peter Quint in Benjamin Britten's The Turn of the Screw on the English Opera Group's tour in Britain and Russia.
In 1970 he made his début at the Royal Opera House, Covent Garden, in London, Covent Garden as Lensky in Tchaikovsky's Eugene Onegin.
In 1984 he was appointed CBE.
In 1985 he made his début as a conductor, in Minneapolis.
Tear was closely associated with the music of British composers Benjamin Britten and Michael Tippett. He created the role of Dov in Tippett's opera The Knot Garden. During the 1989-90 season, he made a highly successful debut with the Glyndebourne Touring Company as the tormented Aschenbach in Britten's Death in Venice. He also became well known for his duets with Benjamin Luxon, revivals of a selection of Victorian parlour songs.
Tear was an Honorary Fellow of the Royal Welsh College of Music & Drama (Coleg Brenhinol Cerdd a Drama Cymru).
He gave his farewell performance at Covent Garden in 2009, taking the rôle of Emperor Altoum in Puccini's Turandot. Shortly afterwards, he commented, "the voice is still there, but the body is no longer able to follow".[5]
Robert Tear's death (which took place in London) was announced on 29 March 2011.[6]
Recordings
Tear made over 250 records for many major recording companies. Roles he sang on disc range in diversity from Uriel in Haydn's "Creation" to the painter in Alban Berg's Lulu, and from Pitichinaccio in Offenbach's The Tales of Hoffmann to Sir Harvey in Donizetti's Anna Bolena. His many classical recordings include performances of Bach, Handel, Monteverdi, Mozart, Beethoven, Mahler, Bruckner, Stravinsky, Janáček and Messiaen. In the English canon, he also recorded songs by Edward Elgar, Ralph Vaughan Williams, Arthur Butterworth and of course Benjamin Britten.
References
- ^ Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages, ISBN 0-19-869164-5
- ^ The Welsh tenor Robert Tear has died
- ^ College website Honorary Fellow (and former choral scholar) Robert Tear dies, King's College Cambridge website, 4 April 2011
- ^ Guardian
- ^ Décès du ténor Robert Tear on Resmusica.com : « la voix est toujours là, mais le corps ne peut plus suivre »
- ^ Robert Tear, acclaimed Welsh tenor, dies aged 72
External links
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Oxford Grove Music Encyclopedia
The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.
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Mentioned in
The Canterbury Pilgrims
(1997 Album by Sir George Dyson)
Turandot (Vienna Philharmonic)
(2002 Music Film)
Death in Venice
(1973 Theater Film)
Pulcinella
(Film)
Idomeneo
(1969 Music Film)
» More