(b New York, 18 June 1803; d New York, 1 May 1889). Painter and teacher. By his own account he was self-taught, with the exception of a few lessons from an unknown heraldic painter named Robert Cooke. However, after exhibiting a few works that were praised by the local press, he was sent to Italy by a group of New York and Philadelphia businessmen for further studies. There he trained with Florentine history painter Pietro Benvenuti. After three years in Europe (1824-7), he returned to New York, where he quickly became a mainstay of the artistic community. In 1831 he was elected to membership in the National Academy of Design in New York, and three years later he was made instructor of drawing at the US Military Academy in West Point, New York, a post he held for the next 42 years. Most scholars agree that he was more important as a teacher than as a painter. His best-known work is the Embarkation of the Pilgrims (1837-43), which hangs in the Rotunda of the US Capitol Building in Washington, DC.
Part of the Weir family
See the Abbreviations for further details.
| Robert Walter Weir | |
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Robert Walter Weir, circa 1864 |
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| Born | June 18, 1803 New Rochelle, New York |
| Died | May 1, 1889 (aged 85) New York City, New York |
| Nationality | American |
| Field | Painting |
| Training | Self-taught |
| Movement | Realism, Hudson River School |
| Influenced | James Abbott McNeill Whistler, Seth Eastman |
Robert Walter Weir (June 18, 1803 – May 1, 1889) was an American artist, best known as an educator and as a historical painter. He is considered an artist of the Hudson River school.[1] Weir was elected to the National Academy of Design in 1829, and an instructor at the United States Military Academy. Among his better-known works are The Embarkation of the Pilgrims (in the rotunda of the United States Capitol at Washington, D.C.) and Landing of Hendrik Hudson.
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Robert Weir was born on June 18, 1803, in New Rochelle, New York to Robert and Mary Katherine (Brinkley) Weir. Weir never graduated from college and at age 18, in 1821, left a job as a mercantile clerk to pursue painting. He studied art in New York City from 1822–24, teaching himself drawing and painting, before departing in 1824 to study in Italy.[2] He remained in Florence from 1824–25, and in Rome from 1825–27, during which time he studied the works of Michelangelo, Raphael, and other Italian masters of the Renaissance. Weir returned to New York in 1827 to accompany a sick friend. He remained in New York unti1 1834 and became an integral part of its artist. He was then appointed as Teacher of Drawing, later Professor of Drawing, at the United States Military Academy at West Point, New York.[3]
Replacing the late Thomas Grimbrede, Weir was the fifth artist to hold the position of art instructor at the academy.[4] In this post for forty-two years (1834–1876), he instructed many of the future commanders of the American Civil War.[3] Notably, James Abbott McNeill Whistler and Seth Eastman were among his students. He died in New York City on May 1, 1889.[4]
His son, John Ferguson Weir (born 1841) was a painter and sculptor, and became a Member of the National Academy of Design in 1866, and was made director of the Yale University Art School in 1868. Another son, Julian Alden Weir (born 1852), studied under his father, and under J.-L. Gérôme, and became a distinguished portrait, figure and landscape painter. He was one of the founders of the Society of American Artists in 1877, and became a member of the National Academy of Design (1886) and of the Ten American Painters, New York.[5]
Weir was considered part of the Hudson River school of American art. One of his best known paintings is the The Embarkation of the Pilgrims, which hangs in the United States Capitol rotunda. He was commissioned by the United States Congress in 1837 and the painting was placed in the rotunda in 1844.[6] His canvases deal principally with historical subjects. He also painted a watercolor entitled Last Communion of Henry Clay, and several portraits.
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