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Roberto Devereux

 
Music Encyclopedia: Roberto Devereux

Opera in three acts by Donizetti to a libretto by Cammarano after F. Ancelot's Elisabeth d′Angleterre (1837, Naples).



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Roberto Devereux (or Roberto Devereux, ossia Il conte di Essex [Roberto Devereux, or the Earl of Essex]) is a tragedia lirica, or tragic opera, by Gaetano Donizetti. Salvadore Cammarano wrote the Italian libretto after François Ancelot's tragedy Elisabeth d'Angleterre.

It is loosely based on the life of Robert Devereux, 2nd Earl of Essex, an influential member of the court of Queen Elizabeth I of England. The plot of Roberto Devereux was hardly original, mainly derived from Felice Romani's libretto Il Conte d'Essex of 1833, originally set by Saverio Mercadante. Romani's widow charged Cammarano with plagiarism, although the practice of stealing plots was very common between rival Italian opera houses. It is one of a number of operas by Donizetti which deal with the Tudor period in English history and include Anna Bolena (named for Henry VIII's second wife, Anne Boleyn), Maria Stuarda (named for Mary, Queen of Scots) and Il castello di Kenilworth. The lead female characters of the operas Anna Bolena, Maria Stuarda, and Roberto Devereux are often referred to as the "Three Queens." They earned some degree of fame in the 1970s, when the American soprano Beverly Sills tried to promote them as a series. Robert Devereux was the subject of at least three French plays: Le Comte d'Essex by Thomas Corneille, Le Comte d'Essex by La Calprenede, and the source of this opera Elisabeth d'Angleterre by François Ancelot.

There are many historical inaccuracies in the libretto but it makes for an excellent drama.

Contents

Performance history

Roberto Devereux was first performed on 29 October 1837 at the Teatro San Carlo, Naples.

Roles

Role Voice type Premiere Cast, 29 October 1837
(Conductor: - )
Elisabetta, Queen of England soprano Giuseppina Ronzi de Begnis
The Duke of Nottingham baritone Paul Barroilhet
Sara, Duchess of Nottingham mezzo-soprano Almerinda Manzocchi Granchi
Roberto Devereux, Earl of Essex tenor Giovanni Basadonna
Lord Cecil tenor Timoleone Barattini
Sir Gualtiero Raleigh bass Anafesto Rossi
A page contralto Giuseppe Benedetti
A servant of Nottingham bass
Lords of the parliament, knights, squires, pages, guards of Nottingham

Music

Though the opera is rarely performed today, it contains some of Donizetti's best vocal writing. The opera is raw and emotional; it is a powerful vehicle for the soprano. Some of the highlights include the Act I duet between Elizabeth and Robert Nascondi, frena i palpiti. The final scene is one of the most dramatic and difficult in bel canto opera. As Elizabeth is going mad with the death of her lover, Quel sangue versato pushes romantic opera to the limits of melodic expression.

Synopsis

Place: London, England
Time: The reign of Queen Elizabeth I

The story revolves around a love quadrangle involving Elizabeth, Queen of England; Robert Devereux, Earl of Essex; the Duke of Nottingham; and Sara, the Duchess of Nottingham. Robert and Sara had been lovers, but while Robert was fighting in Ireland, the Queen forced Sara to marry Nottingham. Elizabeth has given Robert a special ring to guarantee his safety. The Queen is in love with Robert and is willing to forgive his treachery to the throne of England if he pledges his love to her. He is arrested with incriminating evidence including a blue scarf that belongs to Sara. Robert refuses to name his secret lover. This enrages Elizabeth who orders him sent to the Tower of London and executed.

Robert refuses to betray Sara and further enrages Elizabeth and Nottingham. While in the Tower of London, Robert sends Sara his ring and tells her to beg Elizabeth for mercy. Nottingham stops Sara and imprisons her to enact his revenge on Robert.

Elizabeth is mournful about the pending death of her lover and wonders where Sara is. Finally, Sara arrives disheveled and gives Elizabeth the ring. The Queen in vain tries to stop the execution but then hears the cannons announcing Robert's death. She demands to know why Nottingham prevented this evidence from being given to her and he says, "Blood I wanted, and blood I got!" Elizabeth is haunted by the headless corpse of Robert. She longs for her own death and for James' accession to her throne. The opera ends with Elizabeth kissing Robert's ring to her lips.

Recordings

Year Cast
(Elisabetta, Sara, Nottingham, Roberto)
Conductor,
Opera House and Orchestra
Label
1964 Leyla Gencer,
Anna Maria Rota,
Ruggiero Bondino,
Piero Cappuccilli
Mario Rossi,
Teatro San Carlo orchestra and chorus
Audio CD:
Cat:
(Live performance)
1968 Montserrat Caballé,
??
Piero Cappuccilli,
??
Carlo Felice Cillario Audio CD:
Cat:
(Live performance)
1969 Beverly Sills,
Beverly Wolff,
Peter Glossop,
Robert Ilosfalvy
Sir Charles Mackerras,
Royal Philharmonic Orchestra
and the Ambrosian Opera Chorus
Audio CD:
Cat:
1970 Beverly Sills,
Susanne Marsee,
Plácido Domingo,
Louis Quilico
Julius Rudel,
New York City Opera orchestra and chorus
Audio CD: HRE
Cat: HRE-374-3
1994 Edita Gruberová,
Delores Zeigler,
Ettore Kim,
Don Bernardini
Friedrich Haider
Orchestre Philharmonique de Strasbourg
and the Opéra du Rhin chorus
Audio CD: Nightingale
Cat: 190100-2
1998 Alexandrina Pendatchanska,
??
Giuseppe Sabbatini
Roberto Servile
Alain Gungal
Teatro San Carlo orchestra and chorus
DVD: Image Entertainment
Cat:
2002 Nelly Miricioiu,
Sonia Ganassi,
Roberto Frontali,
Jose Bros
Maurizio Benini
Royal Opera House, Covent Garden orchestra and chorus
Audio CD: Opera Rara
Cat: ORC24
2006 Edita Gruberová,
Jeanne Piland,
Albert Schagidullin,
Roberto Aronica
Friedrich Haider
Bayerische Staatsorchester and chorus
DVD: Deutsche Grammophon
Cat: 073 418-5

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Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Roberto Devereux" Read more