Artist:
Robyn Hitchcock
Born:
Mar 03, 1953 in London
Representative Songs:
"Madonna of the Wasps," "So You Think You're in Love," "Heaven"
Representative Albums:
Gotta Let This Hen Out!, Fegmania!, I Often Dream of Trains
Similar Artists:
The Cells,
The Decemberists,
R.E.M.,
Pixies,
Bob Mould,
The Mekons,
John Wesley Harding,
The Flaming Lips,
The Feelies,
The Fall,
The Dukes of Stratosphear,
Julian Cope,
The Church,
The Chameleons UK,
Camper Van Beethoven,
The Breeders,
Billy Bragg
Influences:
Pink Floyd,
Captain Beefheart,
Lothar & the Hand People,
John Lennon,
Bob Dylan,
The Doors,
The Byrds,
Big Star,
The Beatles,
Syd Barrett
Followers:
Black Medicine,
Nobody & Mystic Chords of Memory,
Mystery Jets,
Gelbison,
The Decemberists,
Kid Icarus,
El Niño Gusano,
Arlo Leach,
I Am Kloot,
Hong Kong Dragon Club,
Shecky,
The Original Brothers and Sisters of Love,
Baby Ray,
Tom Alford,
Poverty Stinks,
Rex Daisy,
Anton Barbeau,
Nilon Bombers,
Grant Lee Phillips,
Twenty Seven Various,
A House,
Close Lobsters
A Member of the Group:
Worked With:
Morris Windsor,
Matthew Seligman,
Kimberley Rew,
Andy Metcalfe,
Pat Collier
- Genre: Rock
- Active: '80s, '90s, 2000s
- Instruments: Vocals, Guitar, Bass
Biography
Robyn Hitchcock is one of England's most enduring contemporary singer/songwriters and live performers, although he's been branded eccentric and quirky during the course of his long career. Hitchcock started his recording career with the Soft Boys, a punk-era band specializing in melodic pop merged with comedic lyrics. His voice veers between John Lennon and Syd Barrett, helping to nurture his madman reputation, but his true influences lie more in English folk-rock; his guitar and vocal style and lyrical inanities recall the Incredible String Band or Roy Harper. Hitchcock's solo debut, 1981's Black Snake Diamond Role, helped consolidate his reputation as an oddball and was followed by the psychedelia of Groovy Decay in 1982 and the all-acoustic I Often Dream of Trains in 1984. By 1985, his penchant for zaniness and songsmithing coalesced with Fegmania! Three years later, Hitchcock landed his first major U.S. label contract with A&M Records and released Globe of Frogs in 1988 and Queen Elvis in 1989. He sustained and probably even grew his career; however, by this time, critical approval had fallen off for his work. It wasn't until the 1996 release of Moss Elixir that Hitchcock returned to form and fully embraced his folk roots. Storefront Hitchcock, the soundtrack to the Jonathan Demme-directed concert film, followed in 1998.Upon release from his contract with Warner Bros., Hitchcock self-released A Star for Bram (Editions PAF!, 2000), a collection of outtakes and leftover recordings from the Jewels for Sophia sessions. In 2002 he released Robyn Sings, a double-disc collection of Bob Dylan songs culled from various venues in America and abroad during 1999-2000. The stripped-down Luxor followed in 2003. The following year saw the prolific artist taking a bit role in Jonathan Demme's remake of The Manchurian Candidate, as well as releasing Spooked, a collaboration with Gillian Welch and David Rawlings recorded over a period of six days in Nashville. A Japanese compilation featuring new, live, and rare recordings called Obliteration Pie arrived at the beginning of 2006, followed by This Is the BBC, a Hux Records collection of tunes recorded for the network during the mid-'90s. Later that year Hitchcock released Olé! Tarantula with the Venus 3, featuring Peter Buck, Scott McCaughey, and Bill Rieflin from the Minus 5, a collection of new tracks that echoed his psychedelic heyday with the Soft Boys. The EP Sex, Food, Death and Tarantulas followed in early 2007. ~ Denise Sullivan, All Music Guide
