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Rocket from the Tombs

 
Artist: Rocket from the Tombs

Group Members:

Tom Foolery, Gene "Cheetah" OConnor, Johnny "Madman" Madansky, Glen "Thunderhand" Hach, Craig Bell, Peter Laughner, David Thomas, Stiv Bators

Similar Artists:

Formal Connection With:

  • Genres: Rock
  • Representative Albums: "The Day the Earth Met the Rocket from the Tombs," "Rocket Redux," "Life Stinks"

Biography

Not to be confused with San Diego-based alternarockers Rocket from the Crypt, Rocket from the Tombs was a mid-'70s Cleveland ur-punk outfit best known as the band that split into two better-known Cleveland punk bands, Pere Ubu and the Dead Boys. Rocket was formed by a reporter for the weekly Cleveland entertainment newspaper The Scene who went by the name of Crocus Behemoth. A portly man with a mound of wild hair, Behemoth had the perfect name, and a reputation as a wild, completely unpredictable stage performer, which in the early days of the group consisted of wrapping his considerable girth in aluminum foil, wearing Kiss-style makeup, and spray-painting his hair. After numerous musicians came and went, Behemoth met Peter Laughner, a guitarist/songwriter who played at many of the same clubs as RFTT as a member of the band Cinderella Backstreet, a now-infamous Cleveland band of which Pretender Chrissie Hynde was briefly a member. Laughner became a fan of Rocket and occasionally joined the band for a song or two. Before long, Laughner and Behemoth became partners, and with the addition of guitarist Gene O'Connor, bassist Craig Bell, and drummer Johnny "Madman" Madansky, Rocket from the Tombs became a fairly stable unit.

Playing high-energy rock influenced by the Stooges and Lou Reed (Laughner's hero), RFTT made a name for itself in the Cleveland club scene, as well as opening for touring thud-rock has-beens like Iron Butterfly. The songs were sharp and acerbic, a worm's-eye view of an entropic Cleveland, an urban area that was then a dying industrial city. Songs like "Life Stinks" and "Thirty Seconds Over Tokyo" (both later recorded by Pere Ubu) were indicative of the boredom, anomie, and restlessness felt by the city's pre-punk punks. A mercurial band given to constant internal conflict, Rocket from the Tombs was a group always at odds with itself. One example was the Crocus Behemoth issue; outside of Laughner, no one else in the band could stand his singing (or non-singing, as the case may be). Compounding this were Laughner and Behemoth's arty proclivities, which clashed with the hard rock/heavy metal direction preferred by the rest of the band. In 1975, a scrawny, Iggy-worshipping kid from Youngstown, Ohio named Stiv Bators came to Cleveland and was tried out as lead singer, but he didn't last. Laughner, meanwhile, had met and become friendly with influential rock scribe and fellow gonzo Lester Bangs after sending Bangs a Rocket demo tape that he reviewed favorably for Creem. Soon Laughner was writing for Creem and traveling to New York for a first-hand look at the punk scene at CBGB's. Blown away by Patti Smith and especially Television, Laughner returned to Cleveland only to find that the issue of musical direction was tearing RFTT apart. Within weeks, the band was no more.

Laughner and Behemoth (who at this point was going by his birth name, David Thomas) began Pere Ubu, while Gene O'Connor (now called Cheetah Chrome) and Johnny Madansky (now Johnny Blitz) had wisely remembered to keep Stiv Bators' phone number; they called him up and formed the wonderfully scuzzy Dead Boys. Laughner's time as a member of Pere Ubu was short, and by 1976, he was fronting a series of new bands, among them Friction, the Finns, and Peter and the Wolves. Despite this flurry of creativity, which included a good chunk of writing for Creem, Laughner was fueling a substance abuse problem that had reached critical mass, and in 1977 he was dead of liver failure at the age of 25. Both Pere Ubu and the Dead Boys went on to have respectable careers (Ubu more so than the Boys), but the sad legacy of Rocket from the Tombs is that of Peter Laughner, an extremely talented man who didn't live long enough to see his talent rewarded. Over 25 years after their initial demise, the surviving members -- bolstered by Television's Richard Lloyd, Laughner's replacement -- defied the odds by regrouping for an exhilarating June 2003 tour, documented on Rocket Redux. ~ John Dougan, All Music Guide
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Wikipedia: Rocket from the Tombs
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Rocket From the Tombs
Also known as RFTT
Origin Cleveland, OH, USA
Genres Rock, Proto-Punk, Garage
Years active 1974-1975
2003-present
Associated acts Dead Boys
Pere Ubu
Television
Members
David Thomas (vocals, saxophone)
Richard Lloyd (guitar)
Cheetah Chrome (guitar, vocals)
Craig Bell (bass, vocals)
Steve Mehlman (drums)
Former members
Chris Cuda (guitar)
Peter Laughner (guitar, vocals)
Glen "Thunderhand' Hach (guitar)
Charlie Weiner (bass)
Tom Foolery (drums)
Johnny Blitz (drums)

Rocket From the Tombs (or RFTT) was an American rock music band originally active from mid-1974 to mid-1975 in Cleveland, Ohio.

Heralded as an important protopunk group, they were little known during their lifetime, though various members later achieved renown in Pere Ubu and the Dead Boys. Billy Bob Hargus wrote, however, that "The sound of the Rockets is much more ferocious than Ubu or the Dead Boys." [1]

Contents

Band history

In 1974, the original line-up included Chris Cuda, Peter Laughner, and Glen "Thunderhand" Hach sharing guitar duties; Charlie Weiner on bass and other implements; and Tom Foolery (né Clements) on drums.

There was some fluctuation of the group's personnel, but the classic lineup included David Thomas (then known as "Crocus Behemoth"[2]), Peter Laughner, Craig Bell, Gene O'Connor (a.k.a. Cheetah Chrome), and Johnny Madansky (presently known as "Johnny Blitz").

When RFTT disbanded, the personnel split and formed two different musical groups:

  • O'Connor and Madansky joined with singer Stiv Bators (who made a guest appearance on-stage at the last RFTT show) to form Frankenstein, which later morphed into the Dead Boys, a more straightforward punk rock group.
  • Laughner and Thomas went on to form the more experimental Pere Ubu with bassist Tim Wright (RFTT's soundman). Laughner died in 1977, of acute pancreatitis brought on by years of drinking and drugging.

Both groups used songs first written or performed by Rocket From The Tombs as parts of their repertoires: the Dead Boys were known for "Ain't It Fun," "What Love Is," "Down in Flames," "Caught With the Meat in Your Mouth" (done by RFTT as "I'm Never Gonna Kill Myself Again") and "Sonic Reducer"; Pere Ubu went on to reinterpret "Final Solution," "Life Stinks" and "30 Seconds Over Tokyo."

Rocket From The Tombs never recorded an album in their lifetime, but various live recordings and demos circulated occasionally as bootlegs. Most of these were collected on a single CD by Smog Veil records, and titled The Day the Earth Met the Rocket from the Tombs (2002).

Reunion

The Smog Veil Records CD rekindled interest in Rocket From The Tombs, and they reformed in 2003 with original members Thomas, Chrome, and Bell, joined by Richard Lloyd (guitar), and Steve Mehlman (drums). Some claim that decades earlier, when Lloyd briefly quit the New York-based band Television, Laughner was seriously considered as his replacement. However, on his website richardlloyd.com, Richard Lloyd asserts that Laughner "was never even close to being in Television, unless I was way out of town for a month, and I don't think so."[3]

On June 10, 2003 they played their first live radio concert since the '70's (when two shows live from the Agora club aired on WMMS) on Brian Turner's program on WFMU [4].

In 2004, Smog Veil and Morphius released Rocket Redux, consisting of Rocket From The Tombs originals performed in studio by the 2003 lineup. It received mostly positive reviews; Joe Tangari declares that Redux "never sounds like a complacent reunion record, and in a way, I suppose it's not really a reunion record in the first place so much as it's a debut album, played with all the hunger and fire of a band eager to make their mark on the world."[5]

In 2006, Thomas announced that the band had again reunited, this time to work on new material. The band toured the US in the summer of 2006 and debuted some new songs, but no further activity occurred until 2009 when the band contributed a song to the Mark Mulcahy tribute album Ciao My Shining Star.

Discography

  • The Day the Earth Met the Rocket from the Tombs (2002)
  • Rocket Redux (2004)

External links

References

  • Clinton Heylin, From the Velvets to the Voidoids: A Pre-Punk History for a Post-Punk World (1993), Penguin Books, ISBN 0-14-017970-4

 
 
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