Rocketship X-M

 
Movies:

Rocketship X-M

DVD Release

  • Release Date: 2000

  • Rating: StarStarStar
  • Genre: Science Fiction
  • Movie Type: Sci-Fi Action
  • Themes: Evil Aliens, Space Travel
  • Director: Kurt Neumann
  • Main Cast: Lloyd Bridges, Osa Massen, John Emery, Noah Beery, Jr., Hugh O'Brian
  • Release Year: 1950
  • Country: US
  • Run Time: 77 minutes

Plot

Together with The Steel Helmet and Baron of Arizona, Rocketship X M is one of the best films ever turned out by the usually unimpressive Lippert Studios. Set sometime in the future, the film details the first manned space flight to the moon. John Emery plays the head of the expedition, with Lloyd Bridges, Osa Massen, Hugh O'Brian and Noah Beery Jr. in the crew. Blown off its course by a meteor shower, Rocketship X-M misses the moon and lands on Mars instead (the Mars scenes were originally tinted pink). During an exploratory expedition, the crew finds evidence of a once-mighty civilization, evidently destroyed by atomic warfare. A savage band of surviving Martians attack the earthlings, killing two and wounding a third. The survivors head back to the ship, but run out of fuel before reaching Earth. Out of this failure springs the hope that future space flights will prove successful. Generally avoiding cliches (except for the stereotypical comedy relief by Noah Beery Jr.), Rocketship X M is a reasonably intelligent outer-space yarn. While it's true that the film falters in the scientific-accuracy department, it is best to assess the film within the context of its times. Produced for $94,000, Rocketship X M reportedly grossed over a million dollars. A "restored" video version with new special effects was released in 1976 by entrepreneur Wade Williams. ~ Hal Erickson, All Movie Guide

Review

In the opening scene of this cautionary early science fiction thriller, a crew about to enter outer space is leisurely taking a press conference while a stentorian voice counts down the minutes until departure: "X minus 11 minutes," etc. No one seems hurried and, with six minutes to spare, they all calmly file into what appears to be a nice family sized station wagon that will take them the final 200 meters or so to a matte-painting rocket ship. All this, of course, is only amusing in hindsight; back in 1950, no one knew what proper behavior -- or attire, for that matter -- should be for someone about to break the barrier of the final frontier. The crew, English-accented John Emery, Danish-accented Osa Massen, faux Texas-accented Noah Beery Jr. and Hollywood B-movie-accented Lloyd Bridges and Hugh O'Brian, all go about their business with a seriousness and dedication that almost make the ensuing space flight believable. But not quite. There is a lot of mumbo-jumbo about velocity and weightlessness, but only certain articles actually do become weightless -- Beery's harmonica, for example -- while Massen's coiffure stays stubbornly in place for the duration. When the rocket ship takes a detour to Mars, that planet is tinted red, as it should be, but appears remarkably similar to California's Death Valley, which, of course, is where Kurt Neumann and crew filmed the climactic scenes (and filmed them fast, apparently). Hoping to capitalize on the excitement generated by George Pal's superior Destination Moon (1950), producer Robert L. Lippert and his team rushed Rocketship X-M through in mere weeks. With that in mind, the film is admirably well acted and produced. ~ Hans J. Wollstein, All Movie Guide

Cast


Morris Ankrum - Dr. Fleming; Patrick Aherne - Reporter; Judd Holdren; Kathryn Marlowe - Reporter; Sherry Moreland - Martian Girl

Credit

Betty Sinclair - Production Manager; Irving A. Block - Special Effects; Harry Gerstad - Editor; Ferde Grofé, Sr. - Composer (Music Score); Theobold Holsopple - Art Director; Murray Lerner - Executive Producer; Kurt Neumann - Director; Kurt Neumann - Producer; Kurt Neumann - Screenwriter; Jack R. Rabin - Special Effects; Clarence I. Steensen - Set Designer; Karl Struss - Cinematographer; Don Steward - Special Effects; Don L. Cash - Makeup

Similar Movies

Destination Moon; Apollo 13; From the Earth to the Moon; Flight to Mars
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Wikipedia: Rocketship X-M
Rocketship X-M
201-rocketshipxm.jpg
Theatrical release poster.
Directed by Kurt Neumann
Starring Lloyd Bridges and Osa Massen
Distributed by Lippert Pictures
Release date(s) 1950
Country Flag of the United States United States
Language English
Budget $94,000
All Movie Guide profile
IMDb profile

Rocketship X-M (1950) was the second of the American science fiction feature films of the space adventure genre begun in the post-war era, in 1950. Because expensive special effects and production value delayed the release of Destination Moon, this black and white film was quickly shot so as to be able to make it to the cinemas first. Unlike Destination Moon, however, this one delivers an anti-nuclear message.

It was directed by Kurt Neumann and features Lloyd Bridges and Osa Massen as well as a soundtrack by American composer Ferde Grofé. The film is also known as Expedition Moon, and originally as Rocketship XM-1. The film was also one of many B-movies mocked as episodes of Mystery Science Theater 3000.

In the 1970s the rights to the film were acquired by collector Wade Williams, who set about re-shooting some of its special effects scenes in order to improve the film's look. The DVD release incorporates the re-shot footage.

Plot

Four men and a woman blast into space on mankind's first expedition to the Moon. Halfway to the moon, the engines shut down because of a problem in the fuel. Newton's laws are instantly violated as the ship comes to a dead stop. There are some tense moments (more or less) while the crew work on the problem. They solve it beyond their expectations and the ship tears off across the solar system on a new course. Incredibly, this takes them directly to Mars, which causes Dr. Karl Eckstrom to "pause and observe respectfully while something infinitely greater assumes control".

On Mars, they find evidence of a once-powerful civilization, as evidenced by an art-deco wall-hanging of a face, and a backdrop of a building shaped rather like a dynamo. There has been a planetary nuclear war. They meet a descendant of the builders of the civilization: a blind and mute woman, who is pursued by other descendants: cave-men, whom they fight off and escape (with two dead and one wounded). The return voyage is only a partial success: the ship makes it back to Earth but hasn't enough fuel for a landing. As Col. Floyd Graham and Dr. Lisa Van Horn embrace the ship crashes. The press is informed that the crew has perished, but a new ship will be built to continue the exploration of space.

Notes

The explorers wear U.S. Army-surplus clothing, with gas-masks to represent oxygen augmentation. In the first release of the film, these scenes were shot with color tinting, but the originals were lost. In the 1980s, some fans got some body-doubles to dress up the same way so that replacement, matching, shots could be taken using similar film stock at the same sites in Death Valley that were used to represent Mars in the original.

Curious particulars of this film include the trajectory that is prescribed for going to the moon. From standing on its pad, the rocket goes straight up. Once it escapes the atmosphere, it then makes a ninety-degree turn. Simultaneously with the turn, the cabin rotates within the rocket hull around a lateral axis so that the floor is always "down" — oriented as in an airplane.

The rocket design was taken from the illustrations in an article in Life magazine, January 17, 1949, though not the spacesuits. The structure of this rocket is hollow, having a ladder in the middle surrounded by slender tanks of various fictitious chemicals. It is by selecting from these chemicals in various proportions that different levels of thrust are stated as being attainable from the engine.

Several scenes involving the interaction between the sole female crewmember, scientist Dr. Lisa Van Horn, and the male crew, launch staff, and press corps provide insight to 1950s attitudes toward women, both in cultural expectations and attempts to change them. One notable scene involves Van Horn and expedition leader (and fellow scientist) Dr. Karl Eckstrom rushing to recalculate fuel mixtures after their initial problems. When they come up with different figures, expedition leader Eckstrom decides that they must proceed using his numbers. Van Horn objects to his "arbitrary" decision, but submits, and Eckstrom forgives her for "momentarily being a woman." Subsequent events prove Eckstrom to be wrong.

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