Rocky IV

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Plot

The third sequel to Sylvester Stallone's boxing blockbuster combines the ringside sports melodrama of the previous installments with the Cold War patriotism of the star/director's other motion picture series of the 1980s, the Rambo saga. Stallone is back as Rocky Balboa, the heavyweight champion of the world and now good friend of his one-time nemesis, Apollo Creed (Carl Weathers). Creed is brutally slaughtered in the boxing ring during a lop-sided exhibition match against the superhuman Russian boxer Ivan Drago (Dolph Lundgren), an event that Rocky takes personally. Vowing revenge against Drago in the name of Creed and the United States, Rocky is invited to the Soviet Union for a matchup and hires Creed's former manager (Tony Burton) to get him in shape. While Drago trains using the latest technology, Rocky's ascetic preparations are a low-key affair of carrying logs up hills through knee-deep Russian snow. ~ Karl Williams, Rovi

Cast

Tony Burton - Duke; Michael Pataki - Nicoli Koloff; R.J. Adams - Sports Announcer; Dominic Barto - Russian Government Official; Daniel Brown - Rocky, Jr.'s Friend; Mark de Alessandro - Russian Cornerman; Lou Filippo - Las Vegas Referee; Bob Giovanne - Reporter; Ray Glanzmann - Reporter; James "Cannonball" Green - Manual Vega; Rocky Krakoff - Rocky Jr.; Sylvia Meals - Mrs. Creed; Leslie Morris - Reporter; Stu Nahan - Commentator #1; Leroy Neiman - Ring Announcer; Patrick Pankhurst - Reporter; Jeff Austin - Reporter; Al Bandiero - American Commentator; Gerald Berns - Reporter; Richard Blum - Reporter; Jim Bullock - Reporter; Rose Mary Campos - Maid; Jack Carpenter - KGB Driver; Frank D'Annibale - Reporter; Marty Denkin - Russian Referee; Robert Doornick - Sico the Robot; Rose Dursey - Reporter; Dean Hammond - Interviewer; Julio Herzer - Reporter; Jim Hodge - Reporter; Julie Inouye - Reporter; Rick Kelley - Reporter; Sergei Levin - Russian Ring Announcer; Anthony Maffatone - KGB Agent; Dwayne McGee - Limo Driver; George Pipaski - Caretaker; George Rogan - Igor Rimsky; Craig Schaefer - Reporter; George Spaventa - Reporter; Jean Thoreau - Reporter; Barry Tompkins - American Commentator; Rolf Williams - Reporter; Warner Wolf - Commentator in Las Vegas; James Brown - Godfather of Soul

Credit

Michael McKensie - Choreography, Tom Bronson - Costume Designer, Sylvester Stallone - Director, John W. Wheeler - Editor, Don Zimmerman - Editor, Arthur Chobanian - Executive Producer, James D. Brubaker - Executive Producer, Bill Conti - Composer (Music Score), Vince DiCola - Composer (Music Score), Steve Abrams - Makeup, Leonard Engelman - Makeup, Stephen Abrums - Makeup, Bill Kenney - Production Designer, Bill Butler - Cinematographer, Robert Chartoff - Producer, Irwin Winkler - Producer, Rick T. Gentz - Set Designer, Howard Jensen - Special Effects, Sylvester Stallone - Screenwriter, Frank Warner - Supervising Sound Editor

Previous:Rocky III (1982 Film), Rocky II (1979 Film)
Next:Rocky Marciano (1999 Film), Rocky Marciano: A Life Story (2004 Film)
AMG AllMusic Guide: Pop Albums:

Rocky 4 [Soundtrack]

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  • Artist: Original Soundtrack
  • Release Date: 1985
  • Total Time: 39:24
  • Type: Soundtrack, Lyrics are included with the album
  • Genre: Soundtrack

Review

Quite simply, Rocky IV was a movie for the ages. The story of a man who had it all, only to lose so much overnight. Revolving around tension and alienation on the personal, political, spiritual and athletic levels, Sylvester Stallone's portrayal of Rocky Balboa in Rocky IV was without question the most multi-dimensional role of his career. This isn't to shirk the original Rocky, which dealt with questions of class, ethnicity, and overcoming obstacles to victory -- but Rocky IV was more of a movie to be related to on a universal scale.

This indomitable spirit is best exemplified by the album's lead-off track "Burning Heart". The logical sequel to Survivor's epic, instantly recognizable and painfully unforgettable sports anthem "Eye of the Tiger" finds the central protagonist a bit more mature and refined; world-weary from his battles and exponentially more introspective than he was in his burning youth. This torch is then passed to John Cafferty; whom soundtrack fans will no doubt recognize from his work on Eddie & the Cruisers, Eddie & the Cruisers 2: Eddie Lives and Eddie & the Cruisers: The Unreleased Tapes. Here, Cafferty has replaced his Beaver Brown Band with the urgent, yet mildly dated synthesizer work of Vince Dicola.

Decidedly pacing the album's soundtrack as well as setting the calm before the storm, the soundtrack producers wisely teamed up Kenny Loggins and Gladys Knight for "Double Or Nothing." This combination was no doubt inspired by a similar pairing of blue-eyed soul boy George Michael with the legendary R&B diva Aretha Franklin, would hit the top of the charts with their fantastic duet "I Knew You Were Waiting for Me" (which is, sadly, not included here).

Perhaps the soundtrack's second most popular tune (second only to "Eye of the Tiger" which makes a return appearance for good sales, no doubt), "Living in America" perfectly sums up the decadence, extravagance, and sheer bloated pompousness of the '80s.

Composer Vince DiCola makes another appearance by quietly stealing the show with ""Training Montage." Easily a proto-jock rock jam, this ranks up there with some of the finest sports anthems ever. And while it doesn't have the accessibility of Queen's "We Will Rock You," or Gary Glitter's "Rock & Roll Part Two," it's emotional peaks and valleys set the perfect contrast to what's on-screen.

Balboa's struggle to gain the advantage, both physically and psychologically, and win the fight is beautifully scored by Dicola's "War/Fanfare from Rocky." Easily the weaker of the two pieces, this still complements the movie's climax and eventual denouement with grace and class. The final song not mentioned on this soundtrack belongs to one-hit wonder Touch. Finding a suitable Journey soundalike in the 2000s being a near impossible chore, Scotti Bros. and Stallone made the decision to go with Touch's stirring rendition of the song. The decision paid off in spades, as it still remains one of the best songs in the entire Rocky soundtrack catalog. ~ Rob Theakston, Rovi

Previous:Rocky & Roger (Album by Rocky & Roger)
Next:Rocky 4, 3, 2, 1 (1986 Album by The Beat Street Band)
Rocky IV

Theatrical release poster
Directed by Sylvester Stallone
Produced by Robert Chartoff
Irwin Winkler
Written by Sylvester Stallone
Starring Sylvester Stallone
Talia Shire
Burt Young
Carl Weathers
Tony Burton
Brigitte Nielsen
Dolph Lundgren
Music by Vince DiCola
Themes by
Bill Conti
Cinematography Bill Butler
Editing by John W. Wheeler
Don Zimmerman
Studio United Artists
Distributed by MGM/UA Entertainment Co.
Release date(s)
  • November 27, 1985 (1985-11-27)
Running time 90 min.
Country United States
Language English
Russian
Budget $28 million[1]
Box office $300,473,716

Rocky IV is a 1985 American film written by, directed by, and starring Sylvester Stallone. It is the fourth and most financially successful entry in the Rocky franchise.[2] In the film, Rocky Balboa plans to retire from boxing after regaining his title from Clubber Lang in Rocky III while an amateur boxer from the Soviet Union, Ivan Drago (played by Dolph Lundgren), makes a bid to enter professional boxing.

Contents

Plot

In 1985, Ivan Drago (Dolph Lundgren), a highly intimidating 6-foot 5 inch, 261-pound Soviet boxer, arrives in America with his wife Ludmilla (Brigitte Nielsen), and a team of trainers from the USSR and Cuba. His manager, Nicolai Koloff (Michael Pataki), takes every opportunity to promote Drago's athleticism as a hallmark of Soviet superiority. Motivated by patriotism and an innate desire to prove himself, Apollo Creed (Carl Weathers) challenges Drago to an exhibition bout. Rocky (Sylvester Stallone) has reservations, but agrees to train Apollo, who enters the ring in an over-the-top patriotic entrance with James Brown performing Living in America. It soon turns serious though, as Drago beats Apollo mercilessly. Apollo is in dire straits and taking the worst beating of his life as the first round ends. Rocky and Apollo's trainer Duke (Tony Burton) plead with him to give up, but Apollo refuses to do so, and tells Rocky not to stop the fight. The second round doesn't go any better, and despite Duke begging Rocky to throw in the towel, he honors Apollo's wish. This turns out to have fatal consequences as Drago beats Apollo so badly that he dies from his injuries. In the immediate aftermath, Drago displays no sense of remorse commenting to the assembled media: "If he dies... he dies."

Incensed by Drago's cold indifference and feeling a deep sense of guilt, Rocky decides to avenge Apollo's death by agreeing to relinquish his title and fight Drago in Russia on Christmas Day in an unsanctioned 15-round bout. He flies to the USSR without Adrian, setting up his training base in Krasnoyarsk with only Duke and brother-in-law Paulie (Burt Young) to accompany him. To prepare for the fight, Drago uses very high-tech equipment with (implied) use of anabolic steroids and a team of trainers and doctors monitoring his every fiber. Rocky, on the other hand, throws heavy logs, chops down trees, pulls an overloaded snow sleigh, jogs in heavy snow and treacherous icy conditions and climbs a mountain. Adrian (Talia Shire) shows up unexpectedly to give Rocky her support after initially refusing to travel to Russia because of her doubts on his fighting chances, resulting in Rocky's training having an added focus.

Drago is introduced with an elaborate, patriotic ceremony that puts the Russian crowd squarely on Drago's side, as Rocky is booed by all in attendance. In contrast to his fight with Apollo, Drago immediately goes on the offensive and Rocky takes a fierce pounding. Rocky comes back toward the end of the second and silences the Russian crowd by landing a strong right hook that cuts Drago just below his left eye. While Drago is visibly shaken, Rocky is fired up and assaults Drago, which continues even after the bell rings. While Duke and Paulie cheer Rocky for his heroism, they remind him that Drago is not a machine, but a man. Ironically, Drago comments that Rocky "is not human, he is like a piece of iron" with his own corner reprimanding him for being "weak" in comparison to the "small American."

The two boxers continue to hit each other over the next dozen rounds, with Rocky holding his ground despite Drago's powerful punches. His resilience rallies the previously hostile Soviet crowd to his side, which unsettles Drago to the point that he shoves Koloff off the ring for berating his performance. Rocky finally takes out Drago in the 15th and last round to the shock of the Soviet Politburo watching the fight. A bloody and battered Rocky gives a victory speech, acknowledging the initial and mutual disdain between himself and the once hostile crowd as much as the disdain between Russians and Americans generally, and how they've come to respect and admire each other during the course of the fight which he also says is better than war between their two countries. He finishes by saying that everybody can "change." The Soviet General Secretary stands and passionately applauds Rocky and his aides follow suit. Rocky ends his speech by wishing his son a Merry Christmas, and throws his arms into the air in victory as the crowd applauds.

Cast

Production

Wyoming doubled for the frozen expanse of the Soviet Union. The small farm where Rocky lived and trained was in Jackson Hole, and the Grand Teton National Park was used for filming many of the outdoor sequences in Russia. The PNE Agrodome at Hastings Park in Vancouver, British Columbia, served as the location of Rocky's Soviet bout.

Sylvester Stallone has stated that the original punching scenes filmed between him and Dolph Lundgren in the first portion of the fight are completely authentic. Stallone wanted to capture a realistic scene and Lundgren agreed that they would engage in legitimate sparring. One particularly forceful Lundgren punch to Stallone's chest slammed his heart against his breastbone, causing the heart to swell and his breathing to become laboured. Stallone, suffering from labored breathing and a blood pressure over 200, was flown from the set in Canada to St. John's Hospital in Santa Monica and was forced into intensive care for eight days. Stallone later commented that he believed Lundgren had the athletic ability and talent to fight in the professional heavyweight division of boxing.[3]

Additionally, Stallone claimed that Lundgren nearly forced Carl Weathers to quit in the middle of filming the Apollo versus Drago exhibition fight. In one take for the Creed-Drago fight scene, Lundgren tossed Weathers into the corner of the boxing ring. Weathers shouted profanities at Lundgren while leaving the ring and announcing that he was quitting the movie and calling his agent. Only after Stallone forced the two actors to reconcile did the movie continue. This event caused a four day work stoppage while Weathers was talked back into the part and Lundgren had to be forced into toning down his aggressiveness.[3]

Casting

Sportscaster Stu Nahan makes his fourth appearance in the series as commentator for the Apollo/Drago fight. Warner Wolf replaces Bill Baldwin, who died following filming for Rocky III, as co-commentator. For the fight between Rocky and Drago, commentators Barry Tompkins and Al Bandiero portray themselves as USA Network broadcasters.

Apollo Creed's wife Mary Anne (Sylvia Meals) made her third and final appearance in the series, the first being Rocky II, although the character was mainly featured in "Rocky II". Stallone's then-wife, Brigitte Nielsen, appeared as Drago's wife, Ludmilla.

The Soviet premier in the sky box during the Rocky-Drago match strongly resembles contemporary Soviet leader Mikhail Gorbachev. Actor David Lloyd Austin later played Gorbachev in The Naked Gun and played Russian characters in other films.

Other media

Novelization

A novelization was published by Ballantine Books in 1985. Sylvester Stallone was credited as the author[4].

Soundtrack

The soundtrack for the movie included "Living in America" by James Brown; the film's music was composed by Vince DiCola (who also composed the soundtrack for The Transformers: The Movie that same year), and also included songs by John Cafferty ("Hearts on Fire", featuring Vince DiCola), Survivor, Kenny Loggins, and Robert Tepper. Go West wrote "One Way Street" for the movie by request of Sylvester Stallone. Europe's hit "The Final Countdown", written earlier in the decade by lead singer Joey Tempest, is often incorrectly stated as being featured in the film - no doubt due to its similarity to DiCola's "Training Montage." However, Europe's track was not released as a single until late 1986.

DiCola replaced Bill Conti as the film's composer. Conti, who was too busy with the first two Karate Kid films at the time, would return for Rocky V and Rocky Balboa. Rocky IV is the only film in the series not to feature original music by Conti. However, it does features arrangements of themes composed by Conti from the previous film in the series such as "The Final Bell".

Conti's famous piece of music from the Rocky series, "Gonna Fly Now", does not appear at all in Rocky IV (the first time in the series this happened), though a few bars of it are incorporated into DiCola's training montage instrumental.

According to singer Peter Cetera, he originally wrote his best-selling solo single "Glory of Love" as the end title for this film, but was passed over by United Artists, and instead used as the theme for The Karate Kid Part II.

Release

Box office performance

Rocky IV made $127.8 million in United States and Canada and $300 million worldwide, the most of any Rocky film. It was the highest-grossing sports film of all time until 2009's The Blind Side which grossed $309 million (albeit unadjusted for inflation).

Critical reception

The film received a "rotten" 44% approval rating from Rotten Tomatoes, indicating mixed reviews.[5] Dolph Lundgren received acclaim for his performance as Ivan Drago. He won the Marshall Trophy for Best Actor at the Napierville Cinema Festival.[6] Rocky IV also won Germany's Golden Screen Award.

Analysis

The film has generated scholarly analysis and speculation.

Paulie's Robot, an item that through the years has enjoyed a cult following of its own, was created by the International Robotics Inc. in New York City. The robot's voice was the company's CEO Robert Doornick. The robot is identified by robotic engineers as "SICO" and is/was a member of the Screen Actors Guild and toured with James Brown in the 1980s.[7] Rocky IV has been interpreted as a commentary on the power struggle between technology and humans, illustrated by both Paulie's Robot and the technology utilized by Drago.[8] The infamous robot has also been characterized as a "pleasure-bot" to service the needs of Paulie was also performing the duty of watching Balboa's son while he and Adrian are in Moscow.[9]

The film is recognized as being ahead of its time in its demonstration of groundbreaking high-tech sporting equipment, some of which was experimental and twenty years from public use.[10][11]

Rocky IV has been noted as a prime example of propaganda through film, with both the stark culture contrast of Apollo's patriotic showing in Las Vegas and Drago's cold, subdued performance in the USSR and the ubiquitous yet ineffective KGB officers stationed around Balboa's cabin outside Krasnoyarsk.[12]

Rocky IV is one of the few sport movies that applies genuine sound effects from actual hits, bonafide training methods created by consultants and a bevy of special effects that in turn creates a film that has grown in popularity.[13] One prominent film critic has noted not only the increase in popularity of the film over the years, but that Stallone felt (much to his chagrin) his creative powers peaked at this chapter of the saga.[14] Stallone has also been quoted as saying the enormous financial success and fan following of Rocky IV once had him envisioning another Rocky movie devoted to Drago and his post-boxing life (although Stallone acknowledged he was in better shape, he was excommunicated from his country), with Balboa's storyline parallel. However, he noted the damage both boxers sustained in the fight made them "incapable of reason" and thus planned Rocky V as a showcase of the results, though the film failed to resolve the saga.[15]

Scholars have examined Rocky IV and note the film's strong, yet formulaic structure that emphasizes the power of the individual, particularly an idealistic American.[16] One author has noted the totalitarian regime Ivan Drago represents, his power demonstrated when he topples an arrogant opponent, and his subsequent defeat by the inventive, determined foe.[17]

At Comic-Con 2010, Sylvester Stallone and Dolph Lundgren accepted the Guinness World Record for the ‘Most Successful Sports Movie Franchise’ for Rocky.

References

  1. ^ Harmetz, Aljean (November 29, 1985). "At the Movies". The New York Times. http://www.nytimes.com/1985/11/29/movies/at-the-movies.html. Retrieved June 13, 2011. 
  2. ^ "Rocky Movies". Box Office Mojo. Box Office Mojo, LLC.. Archived from the original on 2007-06-07. http://web.archive.org/web/20070607221410/http://boxofficemojo.com/franchises/chart/?id=rocky.htm. Retrieved 2007-09-17. 
  3. ^ a b "Stallone Interview With Ain't It Cool News". AICN. http://www.aintitcool.com/node/30932. Retrieved 2007-01-25. 
  4. ^ http://www.worldcat.org/title/rocky-iv/oclc/12923839
  5. ^ http://www.rottentomatoes.com/m/rocky_iv/
  6. ^ "Rocky IV: Award Wins and Nominations". IMDb.com. http://www.imdb.com/title/tt0089927/awards. Retrieved September 3, 2010. 
  7. ^ [1]
  8. ^ The Frankenstein myth in contemporary cinema. JH Rushing, TS Frentz - Critical Studies in Media, 1989
  9. ^ Can 'The Fighter' beat communism? PopWatch Rewind looks back at Rocky IV. Entertainment Weekly Darren Franich. Keith Staskiewicz.[2]
  10. ^ Von Hoff D: Rocky IV-Fight Medicine, Medical Grand Rounds presented at University of Texas Health Science Centre
  11. ^ Boxing and medicine R.C. Cantur - 1995 - Human Kinetics Publishers
  12. ^ Politics and Film: Propaganda and Its Influence During the Cold War. H Bullis - hti.math.uh.edu
  13. '^ It's in the game': sport fans, film and digital gaming. G Crawford - Sport in Society, 2008
  14. ^ “I could've been a contender”;: The boxing movie's generic instability. T Williams - Quarterly Review of Film and Video, 2001
  15. ^ Acting His Age? The Resurrection of the 80s Action Heroes and their Aging Stars. P Gates. Quarterly Review of Film and Video, 2010. Routledge.
  16. ^ Rocky IV, Rambo II, and the Place of the Individual in Modern American Society. SC LeSueur, D Rehberger.Journal of American Culture Volume 11, Issue 2, pages 25–33, Summer 1988.
  17. ^ Rocky IV Meets La Grande Illusion: Pedagogy and Theory in Popular Culture Study.The Americanization of the global village: essays in comparative popular culture. Roger B. Rollin.Popular Press, 1989.

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Mentioned in

Rocky VI (1986 Film)
Greatest Soundtrack Hits, Vol. 1 (1997 Album by Original Soundtrack)
The Defender (2004 Action Film)
The Russian Specialist (2005 Action Film)
Rocky IV [Bonus Track] (2006 Album by Original Soundtrack)