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Ebertfest: Roger Ebert's Film Festival, originally known as Roger Ebert's Overlooked Film Festival but commonly referred to as simply Ebertfest, is an annual film festival held every April in Champaign, Illinois, United States, organized by the College of Media at the University of Illinois. Roger Ebert is a native of the adjoining town of Urbana, Illinois and is an alumnus of the University.
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Unlike typical film festivals, Ebertfest[1] does not accept submissions. Roger Ebert, the TV and Chicago Sun-Times film critic selects films for the festival which in his opinion are excellent, but have been overlooked by the public or by film distribution companies. All films are selected from those that Ebert sees in the course of his normal reviewing work.
The original purpose of the Overlooked Film Festival, as reflected in the name, was to showcase films that had not been given enough attention by the public, film critics, or even distributors. Ebert has cheerfully admitted that he can bend the definition of "overlooked" to accommodate any film that he would like to include, since entire genres and formats can be overlooked as well as individual films. The selection philosophy is expected to continue, but with the name change there will no longer be a need to come up with a pretext for including any film.
In most years the festival has included a film in the 70 mm format. The films may be major releases, like 2001: A Space Odyssey or Patton, or less well-known, like 2005's showing of the French film Play Time. These films were all chosen primarily due to their use of the 70mm process, which Ebert feels is overlooked.
Each year a silent film is shown with live orchestral accompaniment. The films selected are generally well-known (for example, Nosferatu), but Ebert feels that silent films in general are overlooked by the majority of moviegoers. The festival also strives to include a musical film for the same reason. Performers providing live accompaniment have included the Champaign Urbana Symphony Orchestra and the Alloy Orchestra.
At the festival before each screening Roger Ebert will make a few introductory remarks. After the film is shown he will have a discussion on stage with the filmmakers or others connected with the film, sometimes hosting a brief panel discussion.
Twelve to fourteen films are presented at each festival, opening with a single film on a Wednesday night and concluding with a single movie the following Sunday. On each day during the interim four films are presented.
In recent years, due to Roger Ebert's loss of his speaking voice, his wife Chaz has taken on many of the hosting duties. Post-show panels are led by his "Far-Flung Correspondents" or other respected film professionals, such as film historian David Bordwell and film critic Christy Lemire.
Festival goers can purchase tickets to individual shows or full-festival passes. As passholders do not necessarily attend every show, it is often possible to obtain tickets at the last minute after empty seats are counted.
Ebertfest is held at the Virginia Theatre, an old-time movie palace in Champaign now owned by the Champaign Park District. Ebert often speaks of having attended films at the Virginia while growing up in Champaign-Urbana and attending the University.
The festival is a direct descendant of a program put on at the University of Illinois at Urbana-Champaign in 1997 called Cyberfest which used the supposed birthday of HAL (the computer in the 2001 film) to highlight the University's involvement in the history of computers and computing. The film was to be shown as part of Cyberfest, Roger Ebert had agreed to host and actor Gary Lockwood was a special guest. It was suggested that the film should ideally be shown as it was originally, in 70 mm format. The original plan was to have the screening at the University's performing arts center but time constraints vs. the need to install projection equipment and elaborate six channel sound made this impossible. Someone suggested looking at the Virginia Theatre, as 70 mm films had been shown there in the past. At this point the theatre was in the hands of a local live theatre group and had not run films since sold by a theatre chain. All concerned were pleasantly surprised to learn the chain had left behind not only what is reputed to be the finest 35/70 mm projector made but also the screen and speakers. The rest of the equipment was brought in for the special showing which went perfectly.
Since that time, through generous donations, the Virginia has been able to fully equip its projection and sound system with a second projector, the latest in digital sound equipment and top quality lenses.
Instrumental in these upgrades has been notable Chicago-based projection expert James Bond who doubles as one of the projectionists during the festival. The other projectionist is Steven Kraus, whose primary occupation is running a private screening room in Chicago used by studios to preview films for critics.
The following is an incomplete list of films presented at Ebertfest.
| Title | Director | Year | Starring | Notes |
|---|---|---|---|---|
| Joe Versus the Volcano | John Patrick Shanley | 1990 | Tom Hanks, Meg Ryan, Lloyd Bridges, Abe Vigoda | Post-film Q&A included Stephen Goldblatt (director of photography) |
| The Truth About Beauty & Blogs (short) | Rosalyn Coleman Williams | 2011 | Kelechie Ezie | Post-film Q&A included Kelechie Ezie, also writer and co-producer |
| Phunny Business: A Black Comedy | John Davies | 2011 | Raymond Lambert | Post-film Q&A included John Davies, Reid Brody (producer), Raymond Lambert (also writer and producer), Ali LeRoi (comedian featured in film) |
| Big Fan | Robert Siegel | 2009 | Patton Oswalt, Kevin Corrigan, Michael Rapaport | Post-film Q&A included Robert Siegel. Patton Oswalt was scheduled to attend, as well as introduce a public screening of Kind Hearts and Coronets, but was detained by filming commitments. |
| Kinyarwanda | Alrick Brown | 2011 | Hassan Kabera, Edouard Bamporiki, Cassandra Freeman | Post-film Q&A included Alrick Brown, Ishmael Ntihabose (actor and executive producer), Darren Dean (producer), Tommy Oliver (producer), Deatra Harris (producer) |
| Terri | Azazel Jacobs | 2011 | Jacob Wysocki | Post-film Q&A included Azazel Jacobs and Jacob Wysocki |
| On Borrowed Time | David Bradbury | 2011 | Paul Cox | Paul Cox |
| Wild AND Weird: The Alloy Orchestra Plays 10 Fascinating and Innovative Films 1906-1926 | 1906-1926 | Alloy Orchestra played live accompaniment. | ||
| A Separation | Asghar Farhadi | 2011 | Peyman Mouadi, Leila Hatami, Sareh Bayat, Shahab Hosseini, Sarina Farhadi | Peyman Mouadi was scheduled to attend but did not. The post-film Q&A, moderated by blogger Nell Minow, included Paul Cox, blogger Omer Mozaffar and distributor Michael Barker of Sony Pictures Classics. |
| Higher Ground | Vera Farmiga | 2011 | Vera Farmiga, Joshua Leonard, Norbert Leo Butz, Donna Murphy | Post-film Q&A included writer Carolyn S. Briggs, who based the film on her memoir This Dark World, with blogger Nell Minow. |
| Patang (The Kite) | Prashant Bhargava | 2011 | Seema Biswas, Nawazuddin Siddiqui | Post-film Q&A included Prashant Bhargava, Vijay Bhargava (executive producer), James Townsend (writer), Seema Biswas, Nawazuddin Siddiqui |
| Take Shelter | Jeff Nichols | 2011 | Michael Shannon, Jessica Chastain | Post-film Q&A included Jeff Nichols, Michael Shannon, distributor Michael Barker of Sony Pictures Classics |
| Citizen Kane | Orson Welles | 1941 | Orson Welles, Joseph Cotten, Dorothy Comingore, Ruth Warrick | The film was shown using Roger Ebert's commentary track, recorded in 2006 (before Ebert lost his voice). The post-show Q&A featured scholar David Bordwell with audio commentary producer Jeffrey Lerner. Chaz Ebert was visibly moved, stating that although she had seen the movie, she had never heard the commentary track, and felt lucky to hear her husband's voice again in the Virginia Theatre. |
| Title | Director | Year | Starring | Notes |
|---|---|---|---|---|
| Metropolis | Fritz Lang | 1927 | Brigitte Helm, Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge | 2010 restoration. Alloy Orchestra played live accompaniment. |
| Natural Selection | Robbie Pickering | 2010 | Rachael Harris | Post-film Q&A included Robbie Pickering and Rachael Harris. |
| Umberto D | Vittorio De Sica | 1952 | Carlo Battisti | Post-film Q&A included Ignatiy Vishnevetsky and Omer Mozaffar. |
| My Dog Tulip | Paul Fierlinger and Sandra Schuette Fierlinger | 2010 | Christopher Plummer (narrator) | Post-film Q&A included Paul Fierlinger and Sandra Schuette Fierlinger. |
| Tiny Furniture | Lena Dunham | 2010 | Lena Dunham, Laurie Simmons, Grace Dunham, Alex Karpovsky, David Call | Post-film Q&A included David Call and distributor Ryan Werner. |
| 45365 | Turner Ross and Bill Ross | 2009 | Townspeople of Sidney, Ohio | Post-film Q&A included Turner Ross and Bill Ross. |
| Me & Orson Welles | Richard Linklater | 2009 | Christian McKay, Claire Danes, Zac Efron | Post-film Q&A included Richard Linklater. |
| Only You | Norman Jewison | 1994 | Robert Downey Jr., Marisa Tomei, Bonnie Hunt | Post-film Q&A included Norman Jewison. |
| A Small Act | Jennifer Arnold | 2010 | Chris Mburu, Jane Wanjiru Muigai, Hilde Back | Post-film Q&A included Jennifer Arnold, Hilde Back and producer Patti Lee. |
| Life Above All | Oliver Schmitz | 2010 | Khomotso Manyaka, Keaobaka Makanyane, Harriet Lenabe | Post-film Q&A included Oliver Schmitz, Khomotso Manyaka and distributor Michael Barker. |
| Leaves of Grass | Tim Blake Nelson | 2009 | Edward Norton, Tim Blake Nelson, Susan Sarandon | Post-film Q&A included Tim Blake Nelson. |
| I Am Love | Luca Guadagnino | 2010 | Tilda Swinton, Flavio Parenti, Edoardo Gabbriellini, Marisa Berenson | Post-film Q&A included Tilda Swinton and Michael Barker. |
| Louder Than a Bomb | Jon Siskel and Greg Jacobs | 2010 | Kevin Coval, Adam Gottlieb, Elizabeth Graf, Kevin Harris and other students | Post-film Q&A included Jon Siskel, Greg Jacobs, founder and artistic director Kevin Coval and Steinmetz High School poets Lamar Jorden, Charles Smith, She'Kira McNight, Kevin Harris and Jésus Lark. |
In April 2007 it was announced that beginning in 2008 with the tenth festival "overlooked" would be dropped from the name and subsequent events would simply be known as "Ebertfest - Roger Ebert's Film Festival." This does not necessarily indicate any change in the philosophy or theme but will simply eliminate the need to explain when current or even unreleased films are included which has sometimes been the case. They have sometimes been jokingly referred to as "pre-overlooked."
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