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Roland Topor

 
Writer: Roland Topor
  • Died: Apr 16, 1997 in Paris, France
  • Occupation: Writer, Actor
  • Active: '70s-'80s
  • Major Genres: Comedy, Science Fiction
  • Career Highlights: Nosferatu the Vampyre, The Tenant, Marquis
  • First Major Screen Credit: Les Malheurs d'Alfred (1971)

Biography

Much-loved in Europe but little-known in the United States, iconoclastic Roland Topor utilized different media in which to share his absurdist and often disturbing view of the world. An illustrator, graphic designer, author, playwright, filmmaker, song writer, actor, and creator of innovative television programming, he was at his best when upsetting life's apple cart. As an illustrator/graphic artist, Topor was responsible for the odd visual style of the Czech/French animated sci-fi feature La Planete Sauvage (Fantastic Planet) (1973), which won the Prix Special at Cannes that year and has since become a cult favorite. As an author, he was known for combining surrealism with black humor. Roman Polanski's The Tenant (1976) is based on Topor's Le Locataire Chimerique. As a screenwriter, Topor penned a number of stories, including the silent comedy La Fille du Garde Barriere (1975) and the surreal Marquis (1989), a recounting of the Marquis de Sade's involvement in the French Revolution in which the protagonists' true characters were represented by animal masks. Topor's movie posters, notably his European one for The Tin Drum, were frequently controversial. Topor's offbeat puppet show Telechat ran for two years on French station Antenne 2 with 234 episodes. The show's main characters were a cat, an ostrich, and a fork. Topor the playwright's productions were like his stories and incorporated plenty of dark absurdism. Occasionally, as with the play Ubu Roi, he would design the sets and costumes too. Topor had acted before and was at his best playing Renfield in Werner Herzog's remake of F.W. Murnau's Nosferatu (1979). As a songwriter, Topor provided tunes for Jerome Savary's Grand Magic Circus. He was also respected as a popular and prolific painter who created hundreds of works. When not creating, Topor was thinking and he frequently came up with pithy bits such as, "Imagine an ancient typewriter in which all the keys have disappeared, save for three tiny letters: f, i, n." During the 1960s, he involved himself with Panique, a group involved with Dadaism. Other group members included Fernando Arrabal and fellow cult figure, expatriate Chilean filmmaker and kindred spirit to Topor, Alejandro Jodorowsky. Topor was an incurable bon vivant. And despite the cynicism inherent in his work, he seemed to live life to its fullest. Still, on April 16, 1997, the 59-year-old avant garde artist died in a coma. Doctors were unsure whether the coma resulted from an aneurysm or a cerebral hemorrhage. ~ Sandra Brennan, All Movie Guide
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Wikipedia: Roland Topor
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Roland Topor
Born 7 January 1938(1938-01-07)
Paris
Died 16 April 1997 (aged 59)
Paris
Occupation Designer, painter, fiction writer
Nationality French
Writing period 1964-1969
Genres Psychological, Horror, Low fantasy, Satire, Surrealism
Notable work(s) The Tenant (novel)

Roland Topor (January 7, 1938 – April 16, 1997), was a French illustrator, painter, writer and filmmaker, known for the surreal nature of his work. He was of Polish Jewish origin and spent the early years of his life in Savoy where his family hid him from the Nazi peril.

Contents

Literature

Roland Topor wrote the novel The Tenant (Le Locataire chimérique, 1964), which was adapted to film by Roman Polanski in 1976. The Tenant is the story of a Parisian of Polish descent, a chilling exploration of alienation and identity, asking disturbing questions about how we define ourselves. The later novel Joko's Anniversary (1969), another fable about loss of identity, is a vicious satire on social conformity.

A new presentation of The Tenant by Roland Topor was released in October, 2006. The book has Topor's original novel, a new introduction by Thomas Ligotti, a selection of short stories by Topor, a representation of Topor's artwork and an essay on the famous Roman Polanski film version. There is a working possibility of having Mr. Polanski write a new foreword to this edition.

Thomas Ligotti's introduction clocks in at 3500 words and concerns the affirmative themes of world-renowned authors, focusing on Luigi Pirandello, with the negationist themes of Roland Topor's The Tenant.

Songs

Roland Topor wrote two songs for Megumi Satsu, "Je m'aime" and "Monte dans mon Ambulance"

Cinema

With René Laloux, Topor made "The Dead Times" ("Les Temps morts", 1964), "The Snails" ("Les Escargots", 1965) and their most famous work, the feature length La Planète Sauvage (1973).

Topor also worked as an actor, his most famous part being Renfield in Werner Herzog's Nosferatu: Phantom der Nacht (1979).

Chronology

"Pour Laura" - Roland Topor

Topor published several books of drawings, including Dessins panique (1965) Quatre roses pour Lucienne (1967) and Toporland (1975). Selections from Quatre roses pour Lucienne were reprinted in the English language collection Stories and Drawings (1967). His carefully detailed, realistic style, with elaborate crosshatching, emphasises the fantastic and macabre subject matter of the images.

1962 - Creates the Panic Movement (mouvement panique), together with Alejandro Jodorowsky and Fernando Arrabal.

1961 to 1965 - Contributes to French satirical magazine Hara-Kiri.

1965 - Creates, with partner René Laloux, the animated short film "Les Escargots." The movie won Special Jury Prize at the Cracow Film Festival.

1966 - Illustrates Daniel Spoerri's An Anecdoted Topography of Chance (Re-Anecdoted Version) published by the Something Else Press.

1971 - Creates the drawings for the bizarre introduction of Fernando Arrabal's film Viva la muerte.

1973 - Topor designs and René Laloux directs La Planète sauvage, a 72-minute long animated film, based on a novel by Stefan Wul.

1974 - Topor has a cameo in Dusan Makavejev's Sweet Movie

1976 - Roman Polanski directs a movie version of Topor's book The Tenant.

1979 - Plays the role of Renfield in Werner Herzog's movie Nosferatu the Vampyre.

1983 - Creates with Henri Xhonneux the popular French TV series Téléchat, a parody of news broadcasts featuring puppets of a cat and an ostrich.

1989 - With Henri Xhonneux co-writes the screenplay for the film Marquis, loosely based on the life and writings of Marquis de Sade. The cast consisted of actors in period costumes with animal masks, with a separate puppet for de Sade's anthropomorphised "bodily appendage."

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