Ronald Fair

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Fair, Ronald L. (b. 1932), novelist, short story writer, and poet. Born in Chicago in 1932, Ronald L. Fair began writing as a teenager. After graduating from public school in Chicago, Fair spent three years in the U.S. Navy (1950–1953) before attending a Chicago stenotype school for two years. While supporting himself as a court reporter and stenographer for the next decade (1955–1966), he produced his first two novels. After then working briefly as an encyclopedia writer, Fair taught for a few years—at Columbia College (1967–1968), Northwestern University (1968), and Wesleyan University (1969–1970). Fair moved to Finland in 1971 and has lived in Europe since that time. He is divorced and has three children.

Ronald Fair's first novel, Many Thousand Gone: An American Fable (1965), both fantastic tale and “protest novel,” is a satiric re-vision of the South, where, in the mythical Jacobs County, slaves were never freed after the Civil War. Exploring the twin themes of the sexual exploitation of women and the lynching of men from the African American community, the novel concludes with a messianic-like hope rooted in racial purity and revolutionary resistance.

In Hog Butcher (1966), the author's critique of racism and hypocrisy turns to the North. Set in Chicago's South Side ghetto, and drawing on Fair's experience as a court reporter, the novel centers on the police shooting of a young African American sports hero-to-be and the trial and cover-up that ensue.

Fair's third major work of fiction, World of Nothing (1970), is a pair of novellas. Jerome, his most experimental piece, revisits the fantasy genre to explore religious hypocrisy. The second novella, World of Nothing, consists of a series of bittersweet episodic sketches related by an anonymous first-person narrator.

We Can't Breathe, published in 1972, after Fair had departed for Europe, is about growing up in 1930s Chicago and is his most autobiographical and documentary work. Versions of the prologue have been frequently anthologized, as have other Fair short stories.

Fair's fiction has generally met with mixed reviews. While he has received praise for his naturalistic accounts in particular, critics have accused his works, variously, of stereotype, weak dialogue, cliché, and a lack of aesthetic unity. Despite the lukewarm critical response, Hog Butcher was eventually made into a feature film and reissued as a mass-market paperback, Cornbread, Earl, and Me in 1975. Fair also received an award for World of Nothing from the National Endowment of Letters in 1971 and a Best Book Award from the American Library Association for We Can't Breathe in 1972.

During his self-imposed exile, which began during the decline of the Black Arts movement in America, Fair has continued to explore the settings and themes of his earlier work but primarily through poetry. In addition to contributing to various periodicals, he has published two volumes of poetry: Excerpts (London, 1975) and Rufus (Germany, 1977; United States, 1980). Fair also received an award from the National Endowment for the Arts in 1974 and a Guggenheim Fellowship in 1975.

Ronald L. Fair's most significant contribution to African American literature has perhaps been the versatility and inventive synthesis of forms with which he has explored communal themes, human types, and the workings and abuses of power.

Bibliography

  • “Ronald L. Fair,” in New Black Voices, ed. Abraham Chapman, 1972, p. 106

Sheila Hassell Hughes

writer; poet

Personal Information

Born on October 27, 1932, in Chicago, IL; son of Herbert and Beulah Fair; married Lucy Margaret Jones, November 10, 1952 (divorced); married Neva June Keres, June 19, 1968; children (first marriage): Rodney D., Glen A.; (second marriage) Nile
Education: Attended Stenotype School of Chicago, 1953-55.
Military/Wartime Service: U.S. Naval Reserve, 1950-53.

Career

City of Chicago, court reporter, 1955-67; Encyclopedia Britannica, writer, ca. 1966; writer, 1967-; Columbia College, Chicago, literature instructor, 1967; Northwestern University, literature instructor, 1968; Wesleyan University, Middletown, CT, Center for Advanced Studies, visiting fellow, 1969; Wesleyan University, visiting professor, 1970-71.

Life's Work

Ronald L. Fair's body of work displays contradictory qualities. On one hand, he was a realistic chronicler of the lives of urban African Americans in the 1960s, one who captured the disillusionment of blacks who fled Southern white racism only to discover that Northern cities brought oppression and dislocation of a different kind. On the other, he was a literary experimenter, one who wrote in economical, clipped, often ironic and satirical styles quite distinct from the expansive, preacherly prose of some of his African-American contemporaries. Audiences of the 1960s and 1970s never knew quite what to make of Fair's writing; he remained less well known than other African-American writers of the period, and he eventually left the United States for Europe, never to return. Yet he had several strong advocates in the literary world, and his output, with several finished but unpublished works, seemed ripe for rediscovery in the new millennium.

Born in Chicago on October 27, 1932, Fair was the son of Herbert and Beulah Hunt Fair, Mississippi farmworkers who took pride in their African heritage. Fair attended public schools in Chicago. He started writing as a teenager as a way of questioning the world in which he found himself and of expressing angry feelings. He was inspired by the example of Richard Wright, one of his prime influences, and a black English teacher encouraged him to keep writing. Fair joined the U.S. Navy in 1950 and served for three years as a hospital worker. He married while he was in the Navy and had two children, but that marriage ended in divorce.

Back home, Fair attended a business college, the Stenotype School of Chicago. He got a job as a court reporter after finishing school in 1955 and remained in that profession for 12 years. Fair kept writing outside of work hours, and he published various short writings in the Chicago Defender, Ebony, Chat Noir, and other publications. His first novel, Many Thousand Gone: An American Fable, was issued by Harcourt in 1965.

Fair's first novel covered a span of a century, from the Civil War to the 1960s, in 120 terse pages. It presented a fictional town called Jacobsville, Mississippi, whose residents remained unaware that slavery was no longer in existence. Against this backdrop, Fair unfolded the various forms of governmental and extralegal horrors that befell African Americans beginning in the Reconstruction era. Reviewers praised the unique bitter tone of Fair's descriptions of rape and lynching, but many failed to appreciate the symbolism of the novel's plot, which was directed toward the idea that African Americans had to wake up to the repression under which they lived.

Fair worked as a writer for a year as an Encyclopedia Britannica writer while readying his second novel, Hog Butcher, for publication. Hog Butcher remains perhaps the best known of Fair's writings. In 1975 it was made into a film called Cornbread, Earl and Me, featuring future superstar Laurence Fishburne as the ten-year-old protagonist and narrator, and it was published in paperback under that title. The book tells the story of a police coverup intended to conceal a mistaken fatal shooting of budding basketball star "Cornbread" Maxwell. Rich with detail about the lives of transplanted Southern blacks in Chicago and about the myriad ways in which the city's government and society were stacked against them, Hog Butcher, in the words of Bernard W. Bell in The Contemporary Afro-American Novel, showed "the continuing appeal of traditional realism and naturalism to some contemporary black novelists."

In 1967, Fair took a job teaching literature at Chicago's Columbia College. He moved on to Northwestern University the following year and also married his second wife, Neva June Keres, with whom he had one more child. With the help of awards and fellowships that included a stint at Wesleyan University's Center for Advanced Studies in 1969 and an Arts and Letters Award the following year, Fair became a full-time writer. He taught at Wesleyan as a visiting professor in the 1970-71 academic year.

Despite his new freedom from a nine-to-five workday, Fair's productivity as a writer slowed down somewhat. His next book, World of Nothing, did not appear until 1970. True to form, Fair changed direction and confounded expectations yet again with that book, which consisted of two short novellas, both with elements of pointed, edgy satire. The story that gives this book its title is a picturesque but sharp and partly surreal portrait of a group of black Chicagoans whose lives interact, while "Jerome" dealt with sexual abuse in the Catholic church and, like several of Fair's earlier works, featured a youthful central character.

In 1971 Fair went to Europe. Later in life he would bemoan the lack of opportunities available to African-American writers, but he was drawn to Europe while he was still riding high career-wise. Like many black creative figures before him, Fair felt liberated in Europe from American racial tensions. He and his wife spent several months in Sweden with support from that country's government culture ministry, and then enjoyed six months in 1972 in a French villa on an academic house exchange. Fair, according to From Harlem to Paris author Michel Fabre, announced a plan to "buy a house over here and return HOME to France." Later, however, despite having disliked Sweden's cold climate, he moved to Finland and remained there.

The book Fair considered his supreme effort, We Can't Breathe, was published in 1972. Another realistic tale, it followed five Chicago friends, one of whom becomes a writer by the book's end. Strongly autobiographical, We Can't Breathe won the American Library Association's Best Book award in 1972 but was criticized, to use the words of New York Times critic George Davis, as "not as well shaped as his previous books." We Can't Breathe sold well at first, but sales eventually tailed off.

Fair continued writing after this setback. He won a Guggenheim fellowship in 1975 and worked on an epic novel called The Migrants, which traced a large cast of characters through black America's Great Migration from South to North. He published two collections of poetry and several short stories in the late 1970s.The Migrants remained unpublished, however, and Fair grew disillusioned. "I'm still writing--seven books looking for a publisher, perhaps that will happen again....Sorry I can't be more helpful, but I don't care to talk about many of these things, ..." he told Dictionary of Literary Biography contributor R. Baxter Miller in the early 1980s. "[S]orry they haven't published more of my books, but you know...they cut off the Black writer...they really cut him off."

Fair finally dropped completely off the literary radar screen, even disappearing from directories of creative artists. He announced a new commitment to Christianity in 1980, and he was reported to have taken up sculpture. Fair's unusual life and his unique body of work awaited serious consideration by researchers as the importance of Chicago writers in black cultural history became apparent in the early 2000s.

Awards

National Institute of Arts and Letters, Arts and Letters Award, 1970, for World of Nothing; American Library Association, Best Book Award, 1972, for We Can't Breathe; National Education Association fellowship, 1974; Guggenheim Foundation fellowship, 1975.

Works

Selected works

  • Many Thousand Gone: An American Fable (short novel), Harcourt, 1965.
  • Hog Butcher (novel), Harcourt, 1966; republished as Cornbread, Earl and Me, Bantam, 1975.
  • World of Nothing: Two Novellas, Harper, 1970.
  • We Can't Breathe (novel), Harper, 1972.
  • Excerpts (poetry), Paul Breman, 1975.
  • Rufus (poetry), P. Schlack (Germany), 1977; 2nd ed. Lotus Press, 1980.

Further Reading

Books

  • Bell, Bernard W., The Afro-American Novel and Its Tradition, University of Massachusetts Press, 1987.
  • Davis, Thadious M., ed., Dictionary of Literary Biography, Volume 33: Afro-American Fiction Writers After 1955, Gale, 1984.
  • Fabre, Michel, From Harlem to Paris: Black American Writers in France, 1840-1980, University of Illinois Press, 1991.
Periodicals
  • Christian Science Monitor, February 4, 1965, p. 11.
  • Los Angeles Times, September 4, 1966, p. 129.
  • New York Times, January 10, 1965, Book Review, p. 27; February 6, 1972, Book Review, p. 6.
  • Washington Post, February 6, 1972, p. BW8.
On-line
  • Mootry, Maria K., "Post-World War II African-American Literature in Illinois," Northern Illinois University Library, www.lib.niu.edu/ipo/il960136.html (August 6, 2004).
  • "Ronald L. Fair," Contemporary Authors Online, www.galenet.galegroup.com/servlet/BioRC (August 6, 2004).

— James M. Manheim

Top
Ronald Fair
Born (1932-10-27) October 27, 1932 (age 79)
United States Chicago, Illinois
Occupation Writer, Sculptor

Ronald L. Fair (born October 27, 1932 in Chicago, Illinois) is an Afro-American writer known for his experimental and versatile literary forms. He is best known for his 1966 novel "Hog Butcher", set in 1960s Chicago, which was filmed as the 1975 movie Cornbread, Earl and Me. Relocating In Finland he began making sculpture in 1977. In December 1980 he was "born again" thereafter becoming a "Christian Writer" and Founder of the International Orphans' Assistance Association.

Contents

List of publications

English

  • 1959-63 SHORT STORIES: The Chicago Defender and Literary reviews
  • 1965 MANY THOUSAND GONE; Novel: Harcourt Brace & World
  • 1966 HOG BUTCHER; Novel: " " " "
  • 1970 WORLD OF NOTHING; Two novellas: Harper & Row
  • 1971 WE CAN'T BREATHE; Novel: " " "
  • 1972 MANY THOUSAND GONE; Paperback edition: Bantam Books
  • 1973 EXCERPTS; Poetry: Paul Breman Ltd., London
  • 1973 HOG BUTCHER; Paperback edition: Bantam Books; several printings
  • 1975 CORNBREAD, EARL & ME; Paperback edition: (after movie)
  • 1975 HOG BUTCHER, Movie, entitled Cornbread, Earl & Me.
  • 1975 RUFUS; Poetry: Peter Schlack Verlag; Stuttgart, Germany
  • 1980 RUFUS; Poetry: Lotus Press; Detroit.
  • 1980s Short fictions and excerpts from a 253-page epic poem THE AFRICAN-AMERICANS, and other poems: The Black American Literary Forum; Indiana University
  • 1980s MANY THOUSAND GONE, Special library edition,
  • 1989 BLESS THOSE THAT BLESS ISRAEL, IOAA: Bible Verses; Finnish & English
  • 1990 PEKKA'S BOXES; Finnish, English; Ristin Voitto & The IOAA
  • 1991 SO SAYS PEKKA; a novel: Pub. the IOAA
  • 1992 WALKING WITH THE HOLY SPIRIT: Letters published monthly. IOAA Autobiography & teachings; English & Finnish
  • 1994 THE BLESSINGS OF ABRAHAM; Edited. Bible verses: English & Finnish, Pub. IOAA.
  • 1994 IN DUE SEASON, English Bible Verses, Light of Life, Bombay
  • 1998 FROM DUST TO GLORY; Eeva's story (by) as told to Ronald Fair
  • 2002 IN DUE SEASON, (2nd printing) Bombay
  • 2010 THE JOGGERS, Finland

Finnish

  • 1983 ETSIJÄ; Novel: Ristin Voitto, Vantaa, Finland
  • 1984 ELÄINTEN JOULUYÖ; Children's book: Ristin Voitto;
  • 1984 ELÄINTEN JOULUYÖ; Cassette of book plus Christmas Drama
  • 1985 KAHDESTI ARMAHDETTU; Biography: (Finnish woman imprisoned in Thailand); Ristin Voitto
  • 1986 VIHELTÄJÄ; Children's book: Ristin Voitto
  • 1987 KIRJE SUOMESTA, LETTER FROM FINLAND ABOUT JESUS; Children's book: Ristin Voitto
  • 1987 KIRJE SUOMESTA, LETTER FROM FINLAND ABOUT JESUS; Cassette of Book: IOAA
  • 1989 BLESS THOSE THAT BLESS ISRAEL; Published by The INTERNATIONAL ORPHANS' ASSISTANCE ASSOCIATION; Bible Verses; Finnish & English
  • 1990 PEKAN PAKETIT, PEKKA'S BOXES; Children's book: Finnish and English; Ristin Voitto & INTERNATIONAL ORPHANS' ASSISTANCE ASSOCIATION
  • 1992 PYHAN HENGEN MATKASSA, WALKING WITH THE HOLY SPIRIT; IOAA; monthly episodes
  • 1992 JOHANNEKSEN EVANKELIUMI, THE GOSPEL OF JOHN; Produced. Audio cassette. Read by Ritva-Tuutti Freeman
  • 1994 ABRAHAMIN SIUNAUKSET, THE BLESSINGS OF ABRAHAM; piippo press for IOAA
  • 1994 PEKAN PUHEITA, SO SAYS PEKKA, Young adult book, IOAA
  • 1994 KIRJE SUOMESTA, LETTER FROM FINLAND ABOUT JESUS; Video, Filming of Book with audio cassette and some additional music
  • 1995 ABRAHAMIN SIUNAUKSET, THE BLESSINGS OF ABRAHAM; 2nd printing
  • 1996 PYHAN HENGEN MATKASSA, WALKING WITH THE HOLY SPIRIT; piippo-fair press
  • 1997 HÖLKÄLLÄ, THE JOGGERS; piippo-fair press & Christian Media Association (CMA)
  • 2003 PEKKA'S DREAM; IOAA

Norwegian

  • 1987 EVA; Rex Forlag.

Swedish

  • 1978 Gudskelov För snön (THANK GOD IT SNOWED); 6/78 BLM, Bonniers Litterära Magasin, December 1978; Arg. 47 Nr 6.

Portuguese

  • 2002 CORRENDO PARA A VIDA (1st printing) Brazil
  • 2010 CORRENDO PARA A VIDA (2nd printing) Finland

Spanish

  • 2010 CORRIENDO HACIA LA VIDA (1st printing) Finland

Lyrics for Recordings

  • 1980 A NEW KINDA DAY; Frendz, Music, H. Silvenoinen; Lyrics, Ronald Fair
  • 1980 FINAL AWAKENING; Frendz, Music, H. Silvenoinen; Lyrics, Ronald Fair
  • 1980 DANCING PEOPLE; Frendz, Music, H. Silvenoinen; Lyrics, Ronald Fair

Movies

  • 1968 AN AMERICAN HERO, Film script for Dino Delaurentes, Hollywood
  • 1971 HOG BUTCHER, Two drafts. Producer had two heart attacks and sold the rights to someone else
  • 1975 CORNBREAD, EARL & ME, from HOG BUTCHER
  • 1994 KIRJE SUOMESTA, Music video, Directed by R. Ampuja
  • 1995 WHO IS YOUR NEIGHBOR, Mumbai (Bombay), India; P.K. Rajhuns Director. Written and Co-Produced
  • 2000 THE TRUTH by P.K. Rajhuns; Co-produced

Plays performed

  • 1968 The Emperor's Parade, or, Our Boy Dick; A Political Satire (Chicago)
  • 1968 & 69 Sails and Sinkers; comedy; (Chicago; Middletown, Conn Weslayan University.)
  • 1988 Animal Christmas, A musical (Helsinki)
  • 2002 Animal Christmas, Jyväskylä, Finland
  • 2003 Animal Christmas, Kankaanpää, Finland
  • 2008 Animal Christmas; Hyderabad, India
  • 2009 Animal Christmas; Hyderabad, India

Some sculptures

External links


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