Play (Rosamunde, Fürstin von Zypern) by Helmina von Chézy (1823) for which Schubert wrote incidental music (entr′actes, ballets and vocal numbers). The overture used was one he had written in1822for the opera Alfonso und Estrella; the one now known as Rosamunde overture was composed for Die Zauberharfe (1820).
The Rosamunde incidental music Op. 26 (D. 797) was composed by Franz Schubert for an 1823 play by Helmina von Chézy. The full name of that play was Rosamunde, Fürstin von Zypern ("Rosamunde, Princess of Cyprus"); it premiered in Vienna's Theater an der Wien on 20 December, 1823.[1]. The play, it seems, was a failure and has been permanently lost, but the music —scored for soprano, chorus, and orchestra; rescued in 1867 by George Grove and Arthur Sullivan— remains. Some of its excerpts remain among Schubert's most famous pieces.
Excerpts from the Rosamunde music are frequently played, but the complete score, lasting a full hour, is seldom heard. It has been recorded several times, notably by Kurt Masur and Claudio Abbado.
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The music consists of an overture and ten numbers. There are two overtures associated with Rosamunde. The one actually played in the production was originally written for Schubert's opera Alfonso und Estrella. The overture usually associated with Rosamunde (though it apparently had nothing to do with it), is that to Die Zauberharfe (The Magic Harp), presumably because that overture was originally published with the incidental music. This overture is in C minor and major.
The other numbers are:
A melody of the Rosamunde incidental music was re-used by Schubert in chamber music, notably in the Rosamunde string quartet and in the Impromptu Op. 142 No. 3, in B flat major, where it is the theme for a set of 5 piano variations.
The Overture was used for a ballet sequence in the 1952 Samuel Goldwyn film Hans Christian Andersen, starring Danny Kaye. [2] The ballet sequence was danced by Zizi Jeanmaire. Another one of its excerpts was incorporated into the Christmas carol Mille cherubim in coro, a song made popular by Luciano Pavarotti on his 1980 Christmas special. [1]
The piece is also played in Marvel's The Avengers in the German opera house scene.
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