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Rose Marie

 
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Rose Marie

  • Director: W.S. Van Dyke
  • AMG Rating: starstarstar
  • Genre: Musical
  • Movie Type: Musical Romance, Operetta
  • Main Cast: Jeanette MacDonald, Nelson Eddy, James Stewart, Reginald Owen, Allan Jones
  • Release Year: 1936
  • Country: US
  • Run Time: 112 minutes

Plot

It was standard operating procedure at MGM to cast their favorite singing team of Nelson Eddy and Jeanette MacDonald in new versions of old operettas, then retain only the music, drastically altering the plotlines to conform to popular tastes. This was the treatment afforded the Rudolf Friml-Herbert Stothart-Oscar Hammerstein-Otto Harbach musical Rose Marie--and thank heaven that MGM decided to jettison the original's creaky libretto about a woman who offers her body to the villain to save the hero from a trumped-up murder charge (this chestnut seemed old-fashioned even in 1928, when Joan Crawford starred in the silent version). In lieu of this wearisome storyline, the Eddy-MacDonald version casts MacDonald as a spoiled, temperamental Canadian opera star who learns that her uncontrollable brother (James Stewart), serving a prison sentence, has escaped to a cabin in the North Woods and needs someone to tend his wounds. MacDonald travels to northern Canada incognito, where in a hilarious sequence she tries and fails to pass muster as a dance-hall girl. Upon meeting likeable mountie Nelson Eddy, who unbeknownst to her has been assigned to locate her brother, MacDonald fabricates a story about needing an escort for a rendezvous with her lover. Such latter-day parodies as Dudley Do-Right notwithstanding, the Eddy-MacDonald sequences are often deliberately played for laughs, even when Nelson is uttering such lines as "Heavy? Why, I could carry you for hours!" Gradually, Nelson and MacDonald fall in love, only to fall out of love when Nelson tracks down and captures MacDonald's brother. Despite this rift, a happy--and logical--ending is not long in coming. It might be hard to watch such Eddy-MacDonald duets as "Rose Marie" and "Indian Love Call" with a completely straight face; it is reassuring, however, to find out that the filmmakers knew that "Rose Marie" was ripe for ridicule, and decided to laugh at themselves first in order to disarm the audience. To avoid confusion with the 1955 remake, the 1936 Rose Marie was retitled Indian Love Call for TV showings. ~ Hal Erickson, All Movie Guide

Review

Many modern viewers love to poke fun at operetta films, and Rose Marie in particular comes in for ribbing. After all, this is the film that contains not only Jeanette MacDonald and Nelson Eddy but also "Indian Love Call," the song that is most often mocked when discussing operetta. And it's true that much of Rose Marie is a bit silly. But those who are willing to accept that operetta is really a genre all unto itself will find a great deal to enjoy in Rose Marie, starting with MacDonald, Eddy and that infamous love song. Yes, Eddy is a bit stiff; but every now and then he uses that to his advantage, almost as if he's winking at the audience and saying, "I am a bit of a cluck, aren't I?" And MacDonald gets the chance to play the prima donna, which she does extremely well, and then go on to demonstrate her way not only with a gag line but with moments of tenderness. And for all it's "yoo-ooo-oo-oo"-ness, "Indian Love Call" works. The score as a whole is a gem, and the two stars are in magnificent voice, with second lead Allan Jones not too shabby on those high notes either. It's also a treat to see a young James Stewart in what was really his first important role. The screenplay is total nonsense, of course, but W.S. Van Dyke keeps things moving at a nice pace, there's some impressive costumes and scenery, and a great "Totem Tom Tom" number. Those who can ignore the silliness will enjoy it quite a bit. ~ Craig Butler, All Movie Guide

Cast

Alan Mowbray - Premier; George Regas - Boniface; Robert Greig - Cafe Manager; Una O'Connor - Anna; Lucien Littlefield - Storekeeper; David Niven - Teddy; Herman Bing - Mr. Daniels; Gilda Gray - Bella; Ernie Alexander - Elevator Operator; Agostino Borgato - Opera Fan; Leonard Carey - Louis; Aileen Carlyle - Susan; David Clyde - Doorman; Jimmy Conlin - Joe the Piano Player; Edgar Dearing - Mounted Policeman; John George - Barbly; Fred Graham - Corporal; Dorothy Gray - Edith; Sam Harris - Guest; Russell Hicks - Commandant; Halliwell Hobbes - Mr. Gordon; Louis Mercier - Admirers in Hall; Milton A. Owen - Stage Manager; Lee Phelps - Barfly; Paul Porcasi - Emil the Chef; Adrian Rosley - Opera Fan; Matty Roubert - Newsboy; Rolfe Sedan - Admirer; Pat West - Traveling Salesman; Jack Pennick - Brawler; David Robel - Dancer; Delos Jewkes - Butcher at Hotel; Bert Lindley - Trapper; Jim Mason - Trapper

Credit

Cedric Gibbons - Art Director, Edwin B. Willis - Art Director, Joseph C. Wright - Art Director, Chester Hale - Choreography, William von Wynetal - Choreography, Adrian - Costume Designer, W.S. Van Dyke - Director, Blanche Sewell - Editor, Rudolf Friml - Composer (Music Score), Herbert Stothart - Composer (Music Score), Herbert Stothart - Musical Direction/Supervision, William H. Daniels - Cinematographer, Hunt Stromberg - Producer, Douglas Shearer - Sound/Sound Designer, Frances Goodrich - Screenwriter, Albert Hackett - Screenwriter, Alice Duer Miller - Screenwriter, Rudolf Friml - From Musical by, Oscar Hammerstein II - From Musical by, Otto Harbach - From Musical by, Herbert Stothart - Play Author
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Wikipedia: Rose Marie (films)
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Rose Marie

1936 film poster
Directed by W.S. Van Dyke
Produced by Hunt Stromberg
Written by Frances Goodrich
Albert Hackett
Starring Jeanette MacDonald
Nelson Eddy
Allan Jones
Reginald Owen
James Stewart
Music by Rudolf Friml
Herbert Stothart
Cinematography William H. Daniels
Editing by Blanche Sewell
Distributed by Metro-Goldwyn-Mayer
Release date(s) February 1, 1936
Running time 102 minutes
Country United States
Language English

The 1924 Broadway musical Rose Marie has been the basis of three MGM films of the same title. The best-known film adaptation was released in 1936; however, a silent version was released in 1928 and another film was released in 1954. All three versions are set in the Canadian wilderness. Portions of Rudolf Friml and Herbert Stothart's original score for the Broadway musical are utilized in the 1936 and 1954 films.

Joan Crawford starred in the 1928 version, alongside James Murray. This version was filmed on location at Yosemite National Park. Crawford later remarked, "Rose Marie was surprisingly good without the music, but I felt uneasy as a French Canadian, but the critics didn't notice."[citation needed]

The best known film version was the 1936 version, which starred Jeanette MacDonald and Nelson Eddy. Although the original plot was changed, and most of the songs were dropped, it was a huge success and became MacDonald and Eddy's best-known film.

The 1954 Eastmancolor version in Cinemascope more closely followed the original plot, but it still dropped most of Friml's songs. This version starred Ann Blyth, Howard Keel and Fernando Lamas, with Bert Lahr and Marjorie Main as comic relief. It was choreographed by Busby Berkeley.

Contents

1936 Version

Production

While footage of the Mounties in boot camp was filmed in Canada, location filming with the lead actors was at Lake Tahoe. The film was originally slated to be in color but makeup man Fred Phillips explained that when this was dropped, the studio ordered him to change Eddy's makeup for the worse. Phillips stated that orders came from Louis B. Mayer, who was angry at Eddy for his personal involvement in MacDonald's life.[1]

Synopsis

Marie de Flor (Jeanette MacDonald) is a Canadian soprano starring in Roméo et Juliette, singing opposite a young tenor (Allan Jones). After the show, she refuses to see her rich suitor, Teddy (David Niven as "David Nivens"), declaring to her maid Roderick (Una O'Connor) that all men are silly, except her brother Jack (James Stewart) who is in prison. Her manager Myerson (Reginald Owen) tells her the Premier of Canada (Alan Mowbray) has asked her to sing for him, and she invites him and his family to dinner in her hotel suite, hoping she can persuade him to pardon her brother. She sings "Pardon Me, Madame" for them, and soon the hotel guests, staff, and even passersby are singing with her. The premier is moved by her song and assures her he will listen to her request, not yet knowing what it is. A strange man called Boniface (George Regas) brings her an unexpected message. Jack was wounded as he escaped from prison and has killed a Mountie. Knowing such a crime is unpardonable, she leaves for the Canadian wilderness with Boniface to find Jack.

In the mountains, Sergeant Bruce (Nelson Eddy) and "The Mounties" are drilling. Sergeant Bruce reports to headquarters and receives his latest mission: he must find Jack Flowers, a desperate criminal hiding near Lake Chibougam who shot a Mountie. Sergeant Bruce sets off after him.

Marie and Boniface reach an outpost near Lake Chibougam, where Boniface disappears with Marie's purse. A shopkeeper advises Marie to report the theft to Sergeant Bruce, but Marie resolves not to speak to the Mounties lest they discover she is Jack's sister. Marie hears a woman singing in a cafè and asks the owner if she could get a job singing there. The owner tells her that the singers aren't paid but can keep the tips they are given. Marie agrees to sing, but is not used to singing faster, popular songs and sings "Dinah" somewhat poorly. The piano player (James Conlin) encourages her and she sings "Some of These Days". Sergeant Bruce enters the cafè and he begins to pay attention to Marie's singing. Belle (Gilda Gray), the usual cafè singer, is jealous and sings "Some of These Days" in her own sexy style. Marie cannot compete with Belle's physical interpretation and leaves the cafè.

Sergeant Bruce follows her and reassures her that she is a good singer. He has heard about the robbery and insists that she report the crime. He asks her name, and she calls herself Rose. He has recognized her voice, though, and marvels that he never knew such a famous opera singer's real name is 'Rose' Marie Le Flor. He asks why she has come to the mountains, and she tells him she is going to meet someone. Sergeant Bruce says they will surely find Boniface at the Indian ceremony that night. They row across the lake to the festival, and Sergeant Bruce asks what kind of man she is going to meet. Marie says he is an Italian tenor. Sergeant Bruce admits to not being Italian, but sings "Rose Marie" to her to prove he can sing. She tells him his composition is remarkable, and he begins a reprise, accidentally beginning "Oh, Caroline" intead of "Rose Marie". He admits that almost any girl's name can fit in his song, and he has sung it to many girls before.

Marie and the Sergeant watch the "Totem Tom-Tom" at the Indian festival. Sergeant Bruce questions the Indians about Jack Flower as Marie corners Boniface and threatens to turn him in to Sergeant Bruce unless he takes her to her brother. She arranges to set off with him in an hour.

Back at her hotel, Marie promises Sergeant Bruce to wait for him there until he is off-duty. Though Marie just hopes to get rid of him, she instead inspires him to sing "Just For You" at her window. Sergeant Bruce bids her goodbye and returns to headquarters, where he describes his new love to an old friend. He realizes that his Rose Marie's last name--de flor--is Flower in English, and realizes she must be related to Jack Flower. He returns to Marie's hotel to question her, but finds she is gone.

As Boniface and Marie travel on horseback, he gives her a map that leads to in his mother's house near Hayman's Landing where Jack is hiding. Marie, amused by an the echoing cliffs, sings a round of "Three Blind Mice" with herself. Sergeant Bruce hears her from across the valley. Boniface and Marie come to a river and Marie insists on crossing it to save time even though she has never ridden across a river before. She is swept off her horse into the river, and Boniface tries to save her. Sergeant Bruce arrives, and Boniface runs into the forest from the Mountie as the Sergeant rescues her.

Marie haughtily refuses the Sergeant's help until nightfall, insisting Boniface will come back for her. When she realizes he will not return, she accepts the food he offers her and runs to his arms when a sound in the forest frightens her. Sergeant Bruce tells her an Indian legend of star-crossed lovers. Their spirits still inhabit that place, and when a lover gives their call, they echo it until it reaches the one he loves. Rose Marie sings the "Indian Love Call", and the Sergeant echos it. That night, the Sergeant tries to find Marie's map in her clothes hanging over the fire, but she keeps it with her inside the tent.

Marie cannot find a new guide until she reaches Hayman's Landing, so she and the Sergeant travel together for the next three days. On their last night travelling together, Marie asks him how he can dedicate his life to hunting down fugitives. She asks him to become a singer with her, and he declines. They admit that they love each other, singing "Indian Love Call" again, and she asks him to come if she ever calls him. He sharply returns to reality and they continue on their way. When they reach Hayman's Landing, he insists that she will not care about him when she returns to the city, and will see him as only a policeman.

Rose Marie finds Jack in the cabin and tries to persuade him to reform. She gives him the money necessary to start over, and he tells her he is considering moving to China. Sergeant Bruce appears with a gun and handcuffs Jack. Marie begs him to let her brother go, but the Sergeant is unmoved by her plee, even as she sings the "Indian Love Call". He takes Jack with him on horseback.

Marie is performing as an opera star again, this time playing the title role in the opera Tosca opposite the same tenor who played Romèo. She keeps hearing "Indian Love Call" throughout the opera and collapses onstage. Marie retires to a mountain lodge and refuses to sing for six months. Her manager Myerson visits and tells her how disappointed he is not to hear her voice again. After he leaves, she begins "Indian Love Call". Myerson urges Sergeant Bruce, who had been hiding in the foyer, to join her, and they sing together.

Songs

  • Overture: "Indian Love Call" and "Rose Marie"
  • Scenes from Romèo et Juliette (music by Charles Gounod, libretto by Jules Barbier and Michel Carréby)
  • "Pardon Me, Madame"
  • "The Mounties"
  • "Dinah" (music by Harry Akst, lyrics by Sam Lewis and Joe Young)
  • "Some of These Days" (Shelton Brooks)
  • "Rose Marie"
  • "Totem Tom-Tom"
  • "Just For You"
  • "Three Blind Mice"
  • "Indian Love Call" (sung four times)
  • Act III of Tosca, from Tosca's entrance (music by Giacomo Puccini, libretto by Giuseppe Giacosa and Luigi Illica)
  • "Indian Love Call (reprise)"

Principal Cast

Footnotes

References

External links


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