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Rudiments: The Billy Cobham Anthology

 
Album Review: Rudiments: The Billy Cobham Anthology

  • Artist: Billy Cobham
  • Rating: StarStarStarStarHalf Star
  • Release Date: July 03, 2001
  • Type: Compilation (best of)
  • Genre: Jazz

Review

If ever anybody deserved a two-disc anthology of his offerings as a solo artist it's fusion drummer Billy Cobham. After making his stellar debut with John McLaughlin's Mahavishnu Orchestra, Cobham made eight records for Atlantic from 1973-1978. To varying degrees, these recordings were true statements on the state of jazz-rock fusion. Many blame Cobham for being a member of the technical-expertise-is-everything school, and to a degree it may be true. But the tracks collected here by Barry Benson and Nick Sahakian provide evidence of something else entirely: that along with technical expertise in spades, Cobham had soul, groove, and a handle on how powerful rock & roll could contribute to jazz improvisation if harnessed in the right way. And every single track on these two discs does exactly that and more. For starters there's the majority of Cobham's classic debut, Spectrum, that featured contributions from guitarists Tommy Bolin (speaking of rock & roll), John Scofield (as he has never been heard since), and John Tropea as well as Jan Hammer from the Mahavishnu band. Spectrum's two finest tracks, "Quadrant 4" and "Stratus," are screaming jazz-rock with just the right hints of funk and groove that would become the hallmarks of Cobham's records after that. Also on "Stratus" it's interesting to note that Cobham and Frank Zappa were going for the same keyboard sounds simultaneously, and not just sonics, but phrasing. The sounds were perhaps derived from the two using the same session players including George Duke, the Brecker Brothers, and Alfonso Johnson among others. All of disc one is pure gold; there's not a weak second on it. And for that matter, disc two is solid as well; it's just that by the time these sets were recorded, Cobham's musical focus had shifted from jazz-rock to jazz-funk. The same tom-tom rolls are there, the constant rim shifts, and shaking, thunderous bass drum blasts and pops. Because of the exhilaration on disc one what comes across clearer on the second set is just how intricate and compelling Cobham is as a composer. These are scripted roles, with plenty of room for improvisation in the middle and often at the beginning and end; they are wonders of musical sophistication and raw gritty funky soul. In addition to almost three hours of crushingly innovative music, the liner notes are chock full of an extensive bio, critical, and session notes, a few outtakes and unreleased cuts and a cool clear plastic slipcase. This set is a document from a classic time in the evolution of both rock and jazz, and should be regarded as an essential purchase by fans not only of Cobham's but Bolin's, Scofield's, Miles Davis' electric era, the Breckers', and of course Mahavishnu's. Zappa fans from the era would also appreciate much of the material here. ~ Thom Jurek, All Music Guide

Tracks



CD 1

Track TitleComposersPerformersTime
Quadrant 4 Billy Cobham Billy Cobham (4:31)
Stratus Billy Cobham Billy Cobham (9:51)
Anxiety/Taurian Matador Billy Cobham Billy Cobham (4:49)
Snoopy's Search/Red Baron Billy Cobham Billy Cobham (7:43)
All 4 One [#][Outtake] Billy Cobham Billy Cobham (4:15)
The Pleasant Pheasant Billy Cobham Billy Cobham (5:22)
Spanish Moss Billy Cobham Billy Cobham (4:10)
Flash Flood Billy Cobham Billy Cobham (5:12)
Solarization: Solarization/Second Phase/Crescent Sun/Voyage/Solari ... Billy Cobham Billy Cobham (11:10)
Lunarputians Billy Cobham Billy Cobham (2:32)
Moon Germs Billy Cobham Billy Cobham (4:57)
Total Eclipse Billy Cobham Billy Cobham (5:58)


CD 2

Track TitleComposersPerformersTime
Shabazz Billy Cobham Billy Cobham (13:49)
Some Skunk Funk Randy Brecker Billy Cobham (5:10)
A Funky Thide of Sings Billy Cobham Billy Cobham (3:40)
Panhandler Billy Cobham Billy Cobham (4:07)
Neu Rock N' Roll [#][Outtake] Billy Cobham Billy Cobham (6:27)
Life and Times Billy Cobham Billy Cobham (7:01)
29 Billy Cobham Billy Cobham (2:35)
Earthlings John Scofield, Billy Cobham Billy Cobham (5:07)
Hip Pockets Billy Cobham George Duke, Billy Cobham (7:10)
Juicy George Duke George Duke, Billy Cobham (6:53)
Do What Cha Wanna George Duke George Duke, Billy Cobham (5:00)
Arroyo Billy Cobham Billy Cobham (4:17)

Credits

John Scofield (Guitar), Tommy Bolin (Guitar), Tom "Bones" Malone (Trombone), Steve Hodge (Mixing), Randy Brecker (Arranger), Sue Evans (Marimba), Jimmy Douglass (Engineer), Walt Fowler (Trumpet), Billy Cobham (Vocals (Background)), Tom "Bones" Malone (Piccolo), Dan Hersch (Remastering), Mark Meyerson (Producer), Billy Cobham (Orchestration), John "Buddy" Williams (Bass (Acoustic)), George Duke (Vocals), George Duke (Keyboards), Alfonso Johnson (Chapman Stick), Billy Cobham (Synthesizer Drums), Billy Cobham (Moog Synthesizer), George Duke (Producer), Jimmy Douglass (Mixing), Allan Zavod (Organ), Jan Hammer (Moog Synthesizer), Michael Brecker (Sax (Tenor)), Jan Hammer (Piano (Electric)), Garnett Brown (Trombone), Roy Segal (Mixing), Maria Villar (Design), Hugh Brown (Art Direction), Billy Cobham (Producer), Alfonso Johnson (Bass), Alex Blake (Bass), Randy Brecker (Trumpet), Amy Utstein (Project Assistant), Glenn Ferris (Trombone (Bass)), Jan Hammer (Piano), Dawilli Gonga (Keyboards), Cheryl Fugate (Discographical Annotation), Alfonso Johnson (Vocals (Background)), Randy Perry (Project Assistant), John "Buddy" Williams (Bass (Electric)), Billy Cobham (Arranger), A. Scott Galloway (Liner Notes), Milcho Leviev (Keyboards), David Earle Johnson (Conga), Lee Pastora (Latin Percussion), Cornell Dupree (Guitar), Vanessa Atkins (Editorial Supervision), Doug Rauch (Bass), Glenn Ferris (Trombone), Roy Segal (Engineer), Maria Villar (Art Direction), Michael Brecker (Saxophone), Billy Cobham (Synthesizer), John Abercrombie (Guitar (Electric)), Michael Brecker (Woodwind), Larry Schneider (Saxophone), Charles Garrett (Editorial Research), Hugh Brown (Photography), Alex Blake (Bass (Electric)), John Abercrombie (Guitar), Bill Inglot (Producer), Steve Woolard (Discographical Annotation), Barry Benson (Compilation Producer), Billy Cobham (Percussion), Michael Brecker (Sax (Soprano)), Randy Brecker (Flugelhorn), Leland Sklar (Bass (Electric)), Glenn Ferris (Trombone (Tenor)), Michael Brecker (Flute)
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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more