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Rudy Van Gelder

 
Artist: Rudy Van Gelder
Rudy Van Gelder

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Phil Ramone, Toninho Barbosa, Arnaldo DeSouteiro

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Greg Marvin
  • Born: November 02, 1924, Jersey City, NJ
  • Active: '50s, '60s, '70s, '80s, '90s, 2000s
  • Genres: Jazz
  • Instrument: Engineer, Mixing, Mastering

Biography

Rudy Van Gelder is, quite simply, the greatest recording engineer in jazz history. He was responsible for just about every session on the Blue Note label from 1953 to 1967 (among thousands of others), encompassing some of jazz's most groundbreaking and enduring classics. The signature of a Van Gelder recording lies in the rich, natural tone of each instrument and the clearly defined separation between them, ensuring that every sonic detail is audible. What's more, Van Gelder had an uncanny knack for capturing sonic textures that supported whatever mood the musicians and producers were aiming at. Exactly how he did all that is a mystery. Van Gelder, a modest and unassuming man in many ways, was fiercely protective of his techniques, from the placement of microphones and musicians in the room to the type of mic itself. Whatever the source of his alchemy, Van Gelder was responsible for preserving some of America's greatest music in the most sympathetic settings possible.

A one-time ham radio operator, Van Gelder was initially an optometrist by day; as a hobby, he set up a studio in his parents' living room in Hackensack, NJ, and began recording local jazz musicians. In 1953, saxophonist Gil Mellé introduced Van Gelder to Blue Note founder Alfred Lion, who was immediately impressed with Van Gelder's capabilities and began a 14-year association with him. Van Gelder's crystal-clear recordings helped make Blue Note's reputation as an elite jazz label despite its relatively small size. In 1959, he finally quit his day job and moved his studio to a new facility in Englewood Cliffs, NJ, where he has remained ever since. He broke off with Blue Note in 1967 amid the label's post-sale overhaul, later becoming the house engineer at Creed Taylor's CTI label in the early '70s. Van Gelder still freelances for a variety of labels and in 1999, Blue Note began reissuing 24-bit Van Gelder re-masters of some of the label's greatest albums. ~ Steve Huey, All Music Guide
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Rudy Van Gelder (born 2 November 1924, Jersey City, New Jersey) is an American recording engineer specializing in jazz.

Frequently regarded as one of the most important recording engineers in music history,[1] Van Gelder is one of the legendary behind-the-scenes figures in jazz, recording several hundred jazz sessions, including many widely recognized as classics. Bringing an unprecedented clarity to jazz recording, Van Gelder has recorded many of the great names in the genre, including Miles Davis, Thelonious Monk, Sonny Rollins, Joe Henderson, Grant Green, Wayne Shorter, John Coltrane, and many others. He worked with many record companies, but he is most closely associated with Blue Note Records, now a division of EMI.

Van Gelder's recording techniques are often admired for the warmth and presence he brings to the end result. Some critics however have also expressed a distaste for the thin and recessed sound in the instruments, mainly the piano. Richard Cook for example noted that the manner in which Van Gelder recorded piano was often as distinctive as the pianists' playing. Blue Note president and producer Alfred Lion often noted that Rudy was sometimes a little heavy on the reverb and would jokingly note that on the tape box as a "Rudy special". [2]

Contents

Early career

Van Gelder's interest in microphones and electronics can be traced to a youthful enthusiasm for amateur radio. A longtime jazz fan (his uncle, for whom Rudy was named, had been drummer for Ted Lewis's band in the mid-1930s), Van Gelder first recorded friends in his parents' Hackensack, New Jersey, living room, while working during the day as an optometrist. The house in Hackensack had been designed and built so that it could also be used as a recording studio. One of Van Gelder's friends, baritone saxophonist Gil Melle, introduced him to Blue Note Records producer Alfred Lion around 1952. The meeting led to the start of a second career, and as a result, Van Gelder is closely associated with the Blue Note label.

Within a few years Van Gelder was in demand by many other independent labels based around New York, including Prestige Records and Savoy Records.

Full-time career as recording engineer

In the summer of 1959, Van Gelder moved his operations to a larger studio in Englewood Cliffs, a few miles south east of the original location. The structure was inspired by the work of Frank Lloyd Wright and bore some resemblance to a chapel, with high ceilings and fine acoustics. Only in 1959 did he leave optometry in favor of recording full-time.

In the mid-1950s, Monk composed a tribute to Van Gelder called "Hackensack." It was in Englewood Cliffs where John Coltrane recorded his legendary A Love Supreme album for Impulse! Records in 1964. Other labels, such as Verve Records, made use of the new facility while Blue Note and Prestige continued their associations with Van Gelder for several years.

Van Gelder was secretive about his recording methods, leading to much speculation among fans and critics about particular details.

Associations decline and later career

In 1967, Alfred Lion retired from running Blue Note, and the company's owners, Liberty Records (from 1965), began to use other engineers more regularly. Prestige, too, had started to use other studios a few years earlier. Van Gelder remained active in music, most notably as the engineer for most of Creed Taylor's CTI Records releases, a series of proto-smooth jazz albums that were financially successful but not always well-received by critics.

Though his output slowed, Van Gelder still remains active as a recording engineer. Since 1999, he has been busy remastering the analog Blue Note recordings he made several decades ago into 24-bit digital recordings in its ongoing RVG Edition series,[3] and also for a similar series of re-masters featuring some of the Prestige albums he recorded for its current owners, Concord Records.

Van Gelder still resides in Englewood Cliffs.[4]

References

  1. ^ "Rudy Van Gelder" by Steve Huey for allmusic.com; URL accessed 31 July 2007
  2. ^ Cook, Richard. Blue Note Records: The Biography. Boston: Justin Charles, 2003; ISBN 1932112103
  3. ^ Rudy Van Gelder Series
  4. ^ The State of Jazz: Meet 40 More Jersey Greats, The Star-Ledger, September 28, 2004

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