Career Highlights: To Kill a Mockingbird, The Thing, Rio Bravo
First Major Screen Credit: Rustler's Valley (1937)
Biography
California-born Russell Harlan broke into movies as a bit player and stuntman in western movies. But he had a hankering to enter the technical end of the business, so he was given his first opportunities as a cinematographer on Paramount's Hopalong Cassidy series. Harry "Pop" Sherman, producer of the Cassidy pictures, liked what he saw and retained Harlan for his bigger-budgeted productions of the '40s, including Silver Queen (1942) and American Empire (1943). Harlan began his fruitful association with director Howard Hawks on Red River (1948). Hawks again utilized Harlan's talents on The Thing (1951), The Big Sky (1952), Land of the Pharoahs (1955), Rio Bravo (1959) and Hatari (1962). Facing up to any and all challenges in his five-decade career (including conveying the rich colors of Van Gogh's canvases in Lust for Life [1955] using only the muddy hues of Eastmancolor) Russell Harlan retired in 1970 after finishing work on Blake Edwards' Darling Lili. ~ Hal Erickson, All Movie Guide
Born in Los Angeles, California, Russell Harlan witnessed the city's development from the construction of its first film studio to being the center for motion picture production in the United States. Harlan embarked on a career in film as an actor and stuntman but by the early 1930s was pursuing his interest behind the camera as an assistant. He performed as the cinematographer for the first time in 1937 on a Hopalong Cassidywestern film that led to a career spanning more than thirty years. He received six nominations for the Academy Award for Best Cinematography, including two in 1962 alone when he worked on Hatari! and To Kill a Mockingbird.