S.O.S. Titanic

S.O.S. Titanic
Directed by	William Hale
Produced by	Lou Morheim
Written by	James Costigan
Starring	David Janssen Cloris Leachman Susan Saint James David Warner Ian Holm
Music by	Howard Blake
Cinematography	Christopher Challis
Editing by	Rusty Coppleman
Distributed by	EMI Films
Release date(s)	September 23, 1979
Running time	Original TV Cut 144 Min. Edited DVD & European Version 109 min.
Country	United States/ United Kingdom
Language	English

S.O.S. Titanic is a 1979 television movie that depicts the doomed 1912 voyage from the perspective of three distinct groups of passengers in First, Second, and Third Class, and respectively in a historically inaccurate fashion. The script was written by James Costigan and the film was directed by William Hale.

First Class passengers include a May-December couple, John Jacob Astor IV and his new wife Madeleine Talmage Force; their friend, the notorious "unsinkable" Molly Brown; another pair of honeymooners, Daniel and Mary Marvin; and Benjamin Guggenheim, returning to his wife and children after a scandalous affair.

Perhaps the most moving plot line is the tentative shipboard romance of two cautious, reflective schoolteachers, Lawrence Beesley (played by David Warner, who would go on to appear in the 1997 film Titanic) and the fictional Leigh Goodwin (played by Susan Saint James). Both are saved.

In steerage, the plot focuses on the experiences of ten or so Irish immigrants, who are first depicted approaching the ship from a tender in the harbor of Queenstown, Ireland. These characters, all based on real people, include Katie Gilnagh, Kate Mullens, Mary Agatha Glynn, Bridget Bradley, Daniel Buckley, Jim Farrell, Martin Gallagher, and David Chartens. During the voyage, Martin Gallagher falls for an unnamed "Irish beauty." Although the ship does strike the iceberg, there is little damage and the crew and passengers proceed to sing and dance. The film concludes with the passengers awakening from their short sleep after a night of dancing to appear in New York Harbor.

Themes

One of the film's major themes is class distinctions to foretell this event. Second Class passengers Beesley and Goodwin discuss their ambiguous position "in the middle" and debate whether class distinctions are uniquely British. Goodwin briefly encourages Beesley to pursue his apparent attraction to a young Irish beauty in Third Class, but he rejects this advice. The Third Class passengers, mostly from poor backgrounds, show no resentment at their meager accommodation—Katie Gilnagh comments that sleeping four-to-a-room is far more comfortable than the situation she knew in her overcrowded childhood home—but on the night of the sinking, they struggle to evade the efforts of ship's personnel to keep them below decks and away from the lifeboats. Led by Jim Farrell, the successfully sneak up to the First Class restaurant, where Farrell persuades the Sergeant-at-Arms to allow the women—but only the women—to pass up to the boat deck.

Another major theme is the gay, hectic atmosphere aboard ship. Young Mary Marvin comments that many of the First Class passengers are honeymooners, and that she does not want to land, but simply to go on sailing and dancing forever. In much simpler surroundings, the Third Class passengers also engage in music, dancing, and whirlwind romances. Meanwhile, Beesley and Goodwin toy with the possibility of embarking on an illicit affair in an empty cabin but decide not to. Goodwin comments that shipboard romances, like shipboard friendships, are meant to end with the voyage.

A third theme is who deserved, or accepted, responsibility for the wreck of the RMS Titanic. Captain Smith, a veteran White Star captain nearing retirement, is depicted as a masterful leader who nevertheless failed to slow down in spite of being well aware that he was traveling into ice-laden waters. Shipbuilder Thomas Andrews radiates an almost saintly quality, seeing to the final details of construction and repairs himself, tenderly looking after passengers and crew, and even conversing with a young stewardess about their common hometown of Belfast. He fully understands the implications of the collision, and his knowledge that he cannot save the ship clearly breaks his heart. Meanwhile, White Star Line owner J. Bruce Ismay wavers between a stance of command and an unwillingness to take responsibility for the sinking. Identifying himself as a passenger, he defiantly boards a lifeboat, only to experience a nervous breakdown aboard the RMS Carpathia. Ismay is the only one of these three men who survives, and it is clear that he will never fully recover from the sinking.

Locations

• Several of the scenes on the exterior decks, as well as those in the ship's wheelhouse, were filmed on board the RMS Queen Mary in Long Beach, California.
• Some interior scenes were filmed at the Waldorf in London.

Historical Inaccuracies

The film does correctly portray the band playing ragtime tunes on deck during the sinking. Most historians agree that the then popular style is most likely what the band would have played on deck in the dark, improvised and confusing conditions. While the exact tunes played during the sinking might never be known, the ones heard in the film are mostly Scott Joplin's works. The historically accurate music is segued into the dance number.

• John Jacob Astor and his wife Madeline actually boarded the Titanic at Cherbourg, France, not at Southampton, England as depicted in the film.

• When it is finally April 14, 1912, it says "Day 5: 12 April, 1912". This was possibly an error by the filmmakers themselves, as they were unable to correct the mistake after the movie was released.

Version History

SOS Titanic was originally shown on two nights on ABC television beginning on September 29, 1979. Combined, the two parts ran 150 minutes.

In 1980, the film was edited to 103 minutes and released in Europe.

The European version was released on DVD globally. The full version has never been commercially available, although it is shown on TV occasionally.

Controversy

Some critics of the movie asserted that the television movie was offensive because it depicted the Titanic's sinking as fictional or at the very least exaggerated. The film ends with a dance number similar to that of the original Casino Royale starring Peter Sellers. Some of the remaining survivors of the Titanic's sinking sued but to no avail; the case was thrown out because of artistic liberty.^[1] Breakfast Television's television critic Andrew Gaunce commented that the inclusion of the dance number sparked a wave of surrealism in future EMI films and this may have contributed to the resurgence of popularity in British Comedy.^[2]

Main cast

See also

• RMS Titanic
• Titanic (1997 film)

References

External links

• S.O.S. Titanic at the Internet Movie Database
• S.O.S. Titanic at Allmovie