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Samudragupta

 
Biography: Samudragupta

Samudragupta (reigned 350-375) was the second emperor of the Gupta dynasty of India. His reign ushered in the Golden Age of India, and he is remembered both as a benevolent imperial conqueror and as a patron of the arts and letters.

A detailed record of the reign of Samudragupta is preserved in the shape of an inscription - a prasasti, or panegyric, composed by the poet Harisena and engraved on the same pillar on which Emperor Asoka, centuries before, had had an edict carved. The two inscriptions make a contrasting reading: Asoka's, written in simple Pali, speaks of peace and righteousness; Samudragupta's, written in elegant and classical Sanskrit, glorifies war.

At the time of his accession, Samudragupta's territories comprised present-day north Bihar and north and west Bengal. Acting on his father's dying behest, the young ruler embarked upon digvijaya, a lofty Hindu political ideal to conquer the four quarters of the Aryan universe. The prasasti divides Samudragupta's opponents into four categories: rulers slain, whose dominions Samudragupta annexed out-rightly; rulers defeated, but reinstated as tributaries; "frontier" kings, who were forced to pay homage; and "distant" kings, who acknowledged Samudragupta as an emperor by sending him embassies. Among the first were independent potentates of the Gangetic Basin; their extermination made Samudragupta the ruler of all territories from the Ravi in the west to the Brahmaputra in the east, and from the Himalayan foothills in the north to the Narbada in the south. In the second category were 12 potentates with territories between the Mahanadi and the Godavari. In the third category came more than a dozen tribal leaders of Assam, Malwa, Gujarat, and western Punjab and Rajputana. Lastly, Saka satraps of western India and Kushan rulers of northwest India and Afghanistan seem to have paid him homage. The ruler of Ceylon sent an embassy to secure privileges for Sinhalese monks at Bodhgaya. About 365 Samudragupta offered the horse sacrifice, the traditional symbol of lordship over Aryan India.

Samudragupta issued gold dinars: they weigh as much as 123 grains and have a gold content of 87 percent. One shows him performing the horse sacrifice; another shows him playing a harp. He was a gifted musician, a poet, and a person who took part in religious discussions. None of the many buildings he appears to have erected has survived. Though personally a Hindu, he extended his patronage to other religions, and one of his chief courtiers appears to have been the great Buddhist philosopher Vasubandhu. Not much is known of his administrative system, but he must have been an ideal ruler as is evidenced by the introductory portion of a late Javanese text, the Tantri Kamandaka, which refers to him in eloquent terms.

Further Reading

The best biography is Balkrishna Govind Gokhale, Samudra Gupta: Life and Times (1962). Information is also in John F. Fleet, ed., Inscriptions of the Early Gupta Kings and Their Successors (1888; rev. ed. 1963).

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Wikipedia: Samudragupta
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Samudragupta
Gupta Emperor
Samudracoin1.jpg
Coin of Gupta period depicting Samudragupta playing the veena.
Reign 335 - 380 CE
Predecessor Chandragupta I
Successor Chandragupta II
Consort Dattadevi
Royal House Gupta dynasty
Religious beliefs Vedic Hindu

Samudragupta, ruler of the Gupta Empire (c.AD 335 – 380), and successor to Chandragupta I, is considered to be one of the greatest military geniuses in Indian history, and sometimes also called the 'Napoleon of India' [1]. His name is taken to be a title acquired by his conquests (Samudra referring to the 'oceans'). Samudragupta is believed to have been his father's chosen successor even though he had several older brothers. Therefore, some believe that after the death of Chandragupta I, there was a struggle for succession in which Samudragupta prevailed into.

The Empire

The main source of Samudragupta's history is an inscription engraved on one of the rocks set up by him in Allahabad. In this inscription Samudragupta details his conquests. This inscription is also important because of the political geography of India that it indicates by naming the different kings and peoples who populated India in the first half of the fourth century AD. The inscription or more aptly the eulogy to the Great Gupta's martial exploits states that its author is Harishena, who was an important poet of Samudragupta's court.

The beginning of Samudragupta's reign was marked by the defeat of his immediate neighbours, Achyuta, ruler of Ahichchhatra, and Nagasena. Following this Samudragupta began a campaign against the kingdoms to the south. This southern campaign took him south along the Bay of Bengal. He passed through the forest tracts of Madhya Pradesh, crossed the Orissa coast, marched through Ganjam, Vishakapatnam, Godavari, Krishna and Nellore districts and may have reached as far as Kancheepuram. Here however he did not attempt to maintain direct control. After capturing his enemies he reinstated them as tributary kings. This act prevented the Gupta Empire from attaining the almost immediate demise of the Maurya Empire of Ashoka and is a testament to his abilities as a statesman. The details of Samudragupta's campaigns are too numerous to recount here. These can be found in the first reference below. However it is clear that he possessed a powerful navy in addition to his army. In addition to tributary kingdoms, many other rulers of foreign states like the Saka and Kushana kings accepted the suzerainty of Samudragupta and offered him their services.

Patronage

Much is known about Samudragupta through coins issued by him. These were of eight different types and all made of pure gold. His conquests brought him the gold and also the coin-making expertise from his acquaintance with the Kushana. Samudragupta is also known to have been a man of culture. He was a patron of learning, a celebrated poet and a musician. Several coins depict him playing on the Indian lyre or Veena. He gathered a galaxy of poets and scholars and took effective actions to foster and propagate religious, artistic and literary aspects of Indian culture. Though he favoured the Hindu religion like the other Gupta kings, he was reputed to possess a tolerant spirit vis-a-vis other religions. A clear illustration of this is the permission granted by him to the king of Ceylon to build a monastery for Buddhist pilgrims in Bodh Gaya.


References

Regnal titles
Preceded by
Chandragupta I
Gupta Emperor
375 – 414
Succeeded by
Chandragupta II
  1. ^ Smith V.A. Early History of India. 4th Ed. Oxford, 1924.

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