- Release Date: June 06, 2002
- Genre: Adventure
- Style: Third-Person Graphic Adventure
- Similar Games: Scooby-Doo and the Cyber Chase (Game Boy Advance), Dexter's Laboratory: Deesaster Strikes (Game Boy Advance)
Game Description
Based on the 2002 summer movie starring Freddy Prinze Jr. and Sarah Michelle Gellar, theAs either Scooby or
As players explore their surroundings, which are detailed in an overhead map viewable from the menu screen, they will eventually confront monsters, puzzles, and other dangers. Certain situations call for the talents of specific characters, as each member of the Scooby Gang possesses distinct abilities to help overcome a problem or enemy.
Players can freely switch between the characters (after finding them) to take advantage of their traits.
The adventure also offers four mini-games, each of which can be played in a separate mode. Unlock the Chest involves rotating three rings so the same colors are aligned, while Repair the Pipes has players fitting together pipe pieces to drain water. The other two games are the maze-like Lights Out and note-matching game Musical Mayhem. Progress is automatically saved after completing an objective or moving to another Spooky Island locale.
~ Scott Alan Marriott, All Game Guide
Review: Overall
The first game based on the 2002 live-action movie, Scooby-Doo forThe three-quarter perspective makes navigating the environments relatively painless (only walking through doorways can be a bit awkward), but the lack of detail means players can't actually spot clues by looking at the scenery. Instead, the developers simplified the process by having players find question mark icons at various spots within the area, usually at the farthest points on the map. The result is an adventure game that relies on rather tedious exploration, rather than thinking, to advance.
Each area is broken down into a series of objectives, nearly all of which involve finding a person, object, or clue icon. Surprisingly, there aren't any slider puzzles (such as moving furniture) or traditional switch-pulling exercises found in the main game. In their place are a number of simple mini-games that aren't very taxing on the gray matter but are nonetheless a welcome diversion from the tedium of walking through the large areas looking for a symbol or two.
The best puzzles involve switching on lights and fixing leaky pipes, both of which borrow from previous puzzle games and require some decision-making skills on the part of the player to solve within the time allotted. The sliding lock puzzle is too easy and requires little thought -- just rotate one of three rings left or right and the lock will open. A music game also exists, which can be difficult since the songs are relatively long. Both the music and lock games earn players coins, which really aren't needed since they are primarily used for purchasing health-restoring foods already available along the ground.
Scooby-Doo avoids a big "Scooby-Don't" by incorporating each character's abilities in a meaningful way.
The biggest problem with the game is its repetitiveness. Subsequent chapters revisit areas you've already been through, and there's zero interactivity within the locales. While there are hotel patrons roaming through the halls, they'll say useless things like "Some vacation" or "I gave up lambada for this." You'll learn to avoid them like the enemies after the first five minutes. Another gripe is that players have to complete an objective before the game automatically saves progress, which can be irritating during some lengthy exploring sessions when you want to take a break.
Scooby-Doo earns points for being faithful to the movie and providing something different to fans other than a cookie-cutter platform game or traditional graphic adventure (like Scooby-Doo! Classic Creep Capers). Including mini-games was a step in the right direction, as was the ability to use each character for their unique talents. Yet the environments need more pizzazz and gameplay should be more involving than completing a scavenger hunt. Like
~ Scott Alan Marriott, All Game Guide
Review: Enjoyment
The game involves performing the same tasks in each chapter: find a missing member of the gang, find three clues, and/or talk to a specific person.~ Scott Alan Marriott, All Game Guide
Review: Graphics
The perspective is a nice change of pace from most~ Scott Alan Marriott, All Game Guide
Review: Sound
An excellent rendition of the theme song opens the game and each area offers its own creepy music. Some voice clips would have been nice, but the sound effects are solid.~ Scott Alan Marriott, All Game Guide
Review: Replay Value
Each of the mini-game puzzles can be played apart from the main adventure, but they aren't very challenging.~ Scott Alan Marriott, All Game Guide
Review: Documentation
The manual explains the story, power-ups, characters, and controls in an appealing layout.~ Scott Alan Marriott, All Game Guide
Production Credits
Company 1: Helixe; Game Design: John Beauchemin, Jeff Dixon, Sean Moyer; Lead Programmer: Jeff Dixon; Programming Director: Michael Seegers, Rafael Baptista, Peter Lin; Lead Artist: Sean Moyer; Animator: John Beauchemin; Audio: Mashi Hasu; Dialogue: Anna Bunyik, Sande Chen; Office Manager: Karen Campbell; Company 2: THQ; Producer: Anna Bunyik; Assistant Producer: Dana Dispenza, Adam Danielski; Executive Producer: Carolina Beroza; V.P. Product Development: Michael Rubinelli; Lead Tester: Erik Hernandez; Tester: Cary Adams, Mike Korpi, Ryan Winterholler, Charlie Maranan, Yoshi Florida, Jason Thompson; Q.A. Technical: Mario Waibel; Q.A. Database Administrator: Jason Roberts; Q.A. Manager: Monica Vallejo; Director of Qulaity Assurance: Jeremy S. Barnes; Product Marketing Manager: Kevin Hooper; Associate Product Marketing Manager: Paul Naftalis; Group Marketing Manager: John Ardell; V.P. Marketing: Peter Dille; Director Creative Services: Howard Liebeskind; Senior Manager Creative Services: Kathy Helgason; Associate Creative Services Manager: Melissa Roth; Packaging Design & Layout: Price Design Team; Manual Text: Claudia Piaseckyj; Company 3: Warner Bros. Corporate Promotions; Vice President: Erika Callahan, Xochitl Ruiz; Company 4: Mosaic Media Group And Atlas Entertainment; Staff: Charles Roven, Raja Gosnell, Alan Glazer, Richard Suckle, Kelley Smith-Wait, Sheryl Benko, Hillary Fine, Kurt Williams, Peter Crosman; Company 5: Warner Bros. Interactive Entertainment; Producer: Heidi Behrendt; Executive Producer: Brett Skogen; V.P. of Interactive Entertianment: Philippe Erwin; Director of Interactive Entertainment: Scott Johnson; Marketing Team: Jim Molinaro, Sue Montague
~ Keith Adams, All Game Guide





