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Sean Scully

 
Art Encyclopedia: Sean Scully

(b Dublin, 30 June 1945). American painter of Irish birth. He moved to England with his family in 1949. Scully studied at Croydon College of Art (1965-7), and then studied and taught at the University of Newcastle upon Tyne (1967-71), and in the USA at Harvard University, Cambridge, MA (1972-3). In 1975 he was awarded a Harkness Fellowship and established his studio in New York, where he settled, becoming an American citizen in 1983. His early paintings were identified with the vigorous debates of the early 1970s about art and language. In Orange Slide (1972) and Amber (1972-3; both London, Mayor Rowan Gal.) elaborately meshed grid structures challenged critical response with their insistent syncopated rhythm and vibrant impact. From the early 1980s Scully's increasing awareness of the arid effect of formal abstraction led to a simplification of means with greater breadth of handling and pictorial construction. Paintings integrated irregular panels superimposed to produce central motifs of vertical stripes within broad bands of contrasting hues. Scully's progress was distinguished by a remarkable and sometimes unfashionable commitment to the fundamental concerns of abstract art.

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Sean Scully
Born June 30, 1945 (1945-06-30) (age 64)
Dublin, Ireland
Nationality American
Field Painting and Printmaking
Training Croydon College, Newcastle University and Harvard University

Sean Scully (born Dublin, Ireland, 30 June 1945) is an Irish-born American painter and printmaker who has twice been named a Turner Prize nominee. His work is collected in major museums worldwide.

Contents

Life and work

Scully was nominated for the Turner Prize in 1989 and 1993. He has exhibited widely in Europe and the United States, and is represented in the permanent collections of a number of museums and public galleries, including the Museum of Modern Art and the Guggenheim Museum in New York City, the National Gallery of Art and the Smithsonian American Art Museum in Washington, D.C., the Fine Arts Museums of San Francisco, the National Gallery of Australia, the Tate Gallery, London, the Irish Museum of Modern Art in Dublin, and many other private and public collections worldwide. In 2006 Scully donated eight of his paintings to the Hugh Lane Gallery in Dublin, which opened an extension in May 2006 with a room dedicated to Scully's works. [1]

In 2005 to 2006, Scully's Wall of Light series was displayed at museums across the United States. The work originated in a trip Scully took to Mexico in 1983. He combines abstract works with figures. [2]

I hold to a very Romantic ideal of what's possible in art, and I hold to the idea of the 'personal universal.' This is a complex agenda. My project is complicated in this way, and in that sense I'm out of fashion. I'm going against the current trend towards bizarreness, oddness; as you just called it, the 'esoteric', which of course was around in the 19420s. That's what is being revisited now. In between the two great wars, there was a very strong period, particularly in Europe, of a strange, bizarre, distorted and perverse kind of figuration, with freaks in the paintings. Very disturbing twins, subjects like that. These paintings were mostly coming out of Italy and Germany. Now we have a return to that—again in a strange period, after the end of Modernism.[2]

Nowadays Scully lives and works in New York City, Barcelona, and Munich.

He was a professor at the Academy of Fine Arts, Munich

Description of work

Scully's paintings are often made up of a number of panels and are abstract. Scully paints in oils, sometimes laying the paint on quite thickly to create textured surfaces. Today he is one of the most widely acclaimed and exhibited painters in the world. After a brief initial period of hard-edge painting Scully abandoned the masking tape while retaining his characteristic motif of the stripe. For over a quarter of a century since he has developed and refined his own instantly recognisable style of heroic geometric abstraction. His paintings typically involve tough architectural constructions of abutting walls and panels of densely and lushly painted stripes. Though he frequently works on a monumental scale, even on a more modest scale his paintings and works on paper exude a romantic gravity of an unmistakably urban rather than rural tenor. In recent years he has augmented his trademark stripes by also deploying a mode of compositional patterning more reminiscent of a checkerboard. He has stated that this style represents the way in which Ireland has moved towards a more chequered society. He stated in 2006, "I remember growing up in Ireland and everything being chequered, even the fields and the people."

Works in collections

References

  1. ^ Reopening of the Hugh Lane
  2. ^ a b João Ribas (October 20, 2005), Sean Scully, ARTINFO, http://www.artinfo.com/news/story/1376/sean-scully/, retrieved 2008-04-29 

Sources

  • Dorothy Walker (2002), Scully, Seán in Brian Lalor (Ed.), The Encyclopedia of Ireland. Dublin: Gill and Macmillian, ISBN 0-7171-3000-2.
  • Arthur C. Danto (2007), "Architectural Principles in the Art of Sean Scully", Border Crossings: A Magazine of the Arts, vol. 26(3), August 2007, p. 62-67. ISSN 0831-2559.

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