Select Bibliography

Select Bibliography The following bibliography is restricted to books in English and European languages, with emphasis on recent scholarship. The list is intended to complement rather than duplicate the literature cited elsewhere in the book. For works on individual photographers, the reader is referred to the relevant entries.

I

1. Reference Works
2. General Histories and Background Studies
3. General Technical Works
4. Classic and Specialized Manuals
5. Source Material: Memoirs, Letters, and Interviews
6. Source Material: Collections of Writings on Photography
7. Critical Approaches
8. Collections
9. Conservation and Materials
10. The Market

II

1. Early Photography
2. Amateur, Family, and Private Photography
3. Nude and Erotic Photography
4. Landscape Photography
5. Portraiture
6. Photojournalism and War Photography
7. Documentary Photography
8. Advertising and Fashion
9. Travel and Tourism
10. Art and Architecture
11. Medical and Scientific
12. Social Science
13. Colonialism and Native Peoples
14. Miscellaneous Topics

III

1. Regional and National Studies: Great Britain and Ireland
2. Continental Europe and Russia
3. North America
4. Latin America
5. The Middle East and Africa
6. Australasia, Antarctica, and Oceania
7. Indian Subcontinent
8. China, Japan, and South-East Asia

I.1. General Reference

Auer, M., and M., Encyclopédie internationale des photographes de 1839 à nos jours (2 vols., 1985). Badge, P., and Birgus, V. (eds.), European Photography Guide (1982-). Beaton, C., and Buckland, G., The Magic Image: The Genius of Photography from 1839 to the Present Day (1975). Boni, A. (ed.), Photographic Literature: An International Photographic Guide to General and Specialized Literature on Photographic Processes (1963). —— Photographic Literature 1960-1970 (1972). Browne, T., and Partnow, E. (eds.), Macmillan Biographical Encyclopaedia of Photographic Artists and Innovators (1983). Dixon, P., Photographers of the Farm Security Administration: An Annotated Bibliography, 1930-1980 (1983). Edwards, G., International Guide to Nineteenth-Century Photographers and their Works, Based on Catalogues of Auction Houses and Dealers (1988). Eskind, A. H., and Drake, G. (eds.), Index to American Photographic Collections (3rd rev. edn. 1995). Gernsheim, H., Incunabula of British Photographic Literature: A Bibliography of English Books Illustrated with Original Photographs (1984). Glenn, J. R., Guide to the National Anthropological Archives (1996). Goldschmidt, L., and Naef, W., The Truthful Lens: A Survey of the Photographically Illustrated Book, 1844-1914 (1980). Guillemot, M., and Chiesa, P. (eds.), Dictionnaire de la photo (1996). Heidtmann, F., Bibliographie der Photographie: Deutschsprachige Publikationen der Jahre 1839-1984 (2nd edn., 2 vols., 1989). The International Center of Photography Encyclopaedia of Photography (1984). Johnson, W. S., Nineteenth-Century Photography: An Annotated Bibliography 1839-1879 (1990). Kelbaugh, R. J., Directory of Civil War Photographers, i: Maryland, Delaware, Washington DC, Northern Virginia, West Virginia (1990). —— Directory of Civil War Photographers, ii: Pennsylvania, New Jersey (1991). Kreisel, M., American Women Photographers: A Selected and Annotated Bibliography (1999). Lambrechts, E., and Salu, L., Photography and Literature: An International Bibliography of Monographs (2 vols., 1992, 2000). Lewinski, J., Photography: A Dictionary of Photographers, Terms and Techniques (1977). Marchesi, J. J., Handbuch der Photographie (3 vols., 1993-8). Melville, A., Special Collections in the Library of Congress: A Selective Guide (1980). Misselbeck, R. (ed.), Prestel-Lexikon der Fotografen: Von den Anfängen 1839 bis zur Gegenwart (2002). Nadeau, L., Encyclopedia of Printing, Photographic and Photomechanical Processes (1989). Nauman, A. K., Handbook of Latin American and Caribbean National Archives (1984). Palmquist, P. E. (ed.), Photographers: A Sourcebook for Historical Research (1991). Photohistorica: Literature Index of the European Society for the History of Photography (1977-). Public Archives of Canada, Guide to Canadian Photographic Archives (1984). Roosens, L., and Salu, L. (eds.), History of Photography: A Bibliography of Books (1989-). Scottish Visual Arts Group, Report on Photographic Literature Collections in Scotland (1996). Sennett, R., Photography and Photographers to 1900: An Annotated Bibliography (1985). —— The Nineteenth-Century Photographic Press: A Study Guide (1987). Starl, T., Lexikon zur Fotografie in Österreich 1839 bis 1945 (2005)Stevenson, S., and Morrison-Low, A. D., Scottish Photography: A Bibliography (1990). Stroebel, L., and Zakia, R. (eds.), The Focal Encyclopaedia of Photography (3rd edn. 1993). Taylor, R., Photographs Exhibited in Britain 1839-1865. A Compendium of Photographers and Their Works (2002). Vanderbilt, P., Guide to the Special Collections of Prints and Photographs in the Library of Congress (1955). Voignier, J. M., Répertoire des photographes de France au dix-neuvième siècle (1993). Wall, J., Directory of British Photographic Collections (1977).

I.2. General Histories and Background Studies

Ades, D., Photomontage (1986). Amar, P. J., La Photographie: histoire d'un art (1993). Amelunxen, H. v., et al. (eds.), Photography after Photography: Memory and Representation in the Digital Age (1996). Anniger, A., and Melby, J. (eds.), Six Exposures: Essays in Celebration of the Opening of the Harrison D. Horblit Collection of Early Photography (1999). Baier, W., Quellendarstellung zur Geschichte der Fotografie (2nd edn. 1980). Bauret, G., Approches de la photographie (1992). Braive, M., The Photograph: A Social History (1966). Brauchitsch, B. v., Kleine Geschichte der Photographie (2002). Briggs, A., Victorian Things (1988). Buddemeier, H., Panorama, Diorama, Photographie: Entstehung und Wirkung neuer Medien im 19. Jahrhundert (1970). —— Das Foto: Geschichte und Theorie der Fotografie als Grundlage eines neuen Urteils (1981). Busch, B., Belichtete Welt: Eine Wahrnehmungsgeschichte der Fotografie (1989). Campbell, B., Exploring Photography (1978). Coe, B., Allison, D., et al., Techniques of the World's Great Photographers (1981). Clarke, G., The Photograph (1997). Coke, Van Deren (ed.), One Hundred Years of Photographic History: Essays in Honor of Beaumont Newhall (1975). Crary, J., Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (1990). Davis, D. (ed.), Photography as Fine Art (1983). Delpire, R., and Frizot, M., Histoire de voir: une histoire de la photographie (3 vols., 1989). Druckrey, T. (ed.), Iterations: The New Image (1993). ——  (ed.), Electronic Culture: Technology and Visual Representation (1996). Eder, J. M., The History of Photography, 4th German edn., trans. E. Epstean (1932; repr. 1978). Frizot, M. (ed.), A New History of Photography (1998). Gassen, A., A Chronology of Photography: A Critical Survey of the History of Photography as a Medium of Art (1972). Gernsheim, H., A Concise History of Photography (1965). Gilardi, A., Storia sociale della fotografia (1976). Greenough, S., Snyder, J., Travis, D., and Westerbrook, C., On the Art of Fixing a Shadow (1989). Gruber, R., and L. F., The Imaginary Photo Museum, trans. M. Rollof (1982). Hein, D., and Schulz, A. (eds.), Bürgerkultur im 19. Jahrhundert: Bildung, Kunst und Lebenswelt (1996). Henisch, H. K., and B. A., The Photographic Experience 1839-1914: Images and Attitudes (1993). Hick, U., Geschichte der optischen Medien (1999). Hirsch, R., Seizing the Light: A History of Photography (2000). Hoffmann, D., and Junker, A., Laterna magica: Lichtbilder aus Menschenwelt und Götterwelt (1982). Hyde, R., Panoramania! The Art and Entertainment of the ‘All-Embracing View’ (1988). Ivins, W. M., Prints and Visual Communication (1969). Jaeger, J., Photographie: Bilder der Neuzeit. Einführung in die historische Bildforschung (2000). Jeffrey, I., A Concise History of Photography (1981). —— Revisions: An Alternative History of Photography (1999). Jussim, E., Visual Communication and the Graphic Arts: Photographic Technologies in the Nineteenth Century (1974). Kern, S., The Culture of Time and Space 1880-1918 (1983). Koetzle, H. M., Photo Icons: The Story behind the Pictures, 1827-1926 (2002). —— Photo Icons: The Story behind the Pictures, 1928-1991 (2002). Koschatzky, W., Die Kunst der Photographie (1984). Lamb, T., and Bourriau, J. (eds.), Colour: Art & Science (1995). Lecuyer, R., Histoire de la photographie (1945). Lemagny, J.-C., and Rouillé, A. (eds.), A History of Photography: Social and Cultural Perspectives, trans. J. Lloyd (1987). Life Library of Photography: The Art of Photography (2nd edn. 1981). Life Library of Photography: The Great Photographers (2nd edn. 1981). Life Library of Photography: The Great Themes (2nd edn. 1981). Marien, M. W., Photography: A Cultural History (2002). Mayor, A. H., Prints and People (1971). Mitchell, W. J., The Reconfigured Eye: Visual Truth in the Post-Photographic Era (1992). Mrázkova, D., Masters of Photography: A Thematic History (1987). Newhall, B., The History of Photography from 1839 to the Present Day (rev. edn. 1982). Oettermann, S., The Panorama: History of a Mass Medium, trans. D. L. Schneider (1997). Pritchard, H. B., The Photographic Studios of Europe (1882; repr. 1973). Ritchin, F., In our Own Image: The Coming Revolution in Photography. How Computer Technology is Changing our View of the World (1999). Roberts, J., The Art of Interruption: Realism, Photography and the Everyday (1998). Rosenblum, N., A World History of Photography (rev. edn. 1989). —— A History of Women Photographers (1994). Scheurer, H., Zur Kultur- und Mediengeschichte der Fotografie: Die Industrialisierung des Blicks (1987). Sixou, C., Les grandes dates de la photographie (2000). Sobieszek, R., Color as Form: A History of Color Photography (1982). Stenger, E., Die Photographie in Kultur und Technik (1938). Stepan, P. (ed.), Icons of Photography: The 20th Century (1999). Stiegler, B., Philologie des Auges. Die photographische Entdeckung der Welt im 19. Jahrhundert (2001). Szarkowski, J., Photography until Now (1989). Tausk, P., Photography in the 20th Century (1980). Teitelbaum, M. (ed.), Montage and Modern Life, 1919-1942 (1992). Thomas, A., The Expanding Eye: Photography and the Nineteenth-Century Mind (1978). Wall, E. J., The History of Three-Color Photography (1970). Weaver, M., The Photographic Art: Pictorial Traditions in Britain and America (1986). —— (ed.), The Art of Photography, 1839-1989 (1989). Westerbeck, C., and Meyerowitz, J., Bystander: A History of Street Photography (1994).

I.3. General Technical Works

Abramson, N., The Making and Evaluation of Holograms (1981). Adams, A., The Camera (1980). Adams, U. M., Printing Technology (1996). Bellone, R., and Fellot, L., Histoire mondiale de la photographie en couleurs (1981). Boutan, L., La Photographie sous-marine et les progrès de la photographie (1900). Cahen, O., L'Image en relief, de la stéréoscopique à la vidéo (1989). Coe, B., Cameras: From Daguerreotypes to Instant Pictures (1978). —— Colour Photography: The First Hundred Years, 1840-1940 (1978). —— Kodak Cameras: The First Hundred Years (1988). Collins, D., The Story of Kodak (1990). Coote, J., The History of Colour Photography (1997). Cope, P., The Digital Photographer's A-Z (2002). Current, I., Compton, J., Stroebel, L., and Zakia, R., Basic Photographic Materials and Processes (2nd edn. 2000). Daly, T., Encyclopaedia of Digital Photography: The Complete Guide to Digital Imaging and Artistry (2003). Darrah, W. C., Stereo-Views: A History of Stereographs in America and their Collection (1964). —— The World of Stereographs (1977). Eder, J. M., Die Moment-Photographie in ihrer Anwendung auf Kunst und Wissenschaft (2nd edn. 1886). —— Die photographische Camera (1892). Edgerton, H., Flash! Seeing the Unseen by Ultra-High-Speed Photography (2nd edn. 1954). —— Moments of Vision: The Stroboscopic Revolution in Photography (1979). Finn, B. (ed.), Presenting Pictures (2004). Fuller, P. G., Alternative Image: An Aesthetic and Technical Exploration of Non-Conventional Photographic Printing Processes (1983). Gascoigne, B., Milestones of Colour Printing (1997). Gauthier, S., Traité et méthodes modernes de stéréoscopie (1991). Glassman, E., and Symmes, M. F., Cliché-Verre: Hand-Drawn, Light-Printed. A Survey of the Medium from 1839 to the Present (1980). Graham, R., Digital Imaging (1998). Gregory, R. L., Eye and Brain (5th edn. 1998). Hariharan, P., Optical Holography (1996). Henney, K., and Dudley, B., Handbook of Photography (1937). Hicks, R., A History of the 35 mm Still Camera (1984). Höfel, K. op ten, et al., Farbe im Photo: Die Geschichte von der Farbphotographie von 1861 bis 1981 (1981). Hunt, R. W. G., The Reproduction of Colour (5th edn. 1995). Jacobson, R. E., et al., The Manual of Photography (9th edn. 2000). Jensen, N., Optical and Photographic Reconnaissance Systems (1968). Kingslake, R., Optics in Photography (1992). Life Library of Photography: The Camera (2nd edn. 1981). Life Library of Photography: Color (2nd edn. 1981). Life Library of Photography: Frontiers of Photography (2nd edn. 1981). Life Library of Photography: Light and Film (2nd edn. 1981). Life Library of Photography: Photography as a Tool (2nd edn. 1981). Life Library of Photography: Special Problems (2nd edn. 1981). Martin, R. (ed.), Floods of Light: Flash Photography 1851-1981 (1982). Mees, C. E. K., and James, T. H., The Theory of the Photographic Process (1966). Neusüss, F., Das Fotogramm in der Kunst des 20. Jahrhunderts: Die andere Seite der Bilder—Fotografie ohne Kamera (1990). Okoshi, T., Three-Dimensional Imaging Techniques (1976). Ostroff, E. (ed.), Pioneers of Photography: Their Achievements in Science and Technology (1987). Pellerin, D., La Photographie stéréoscopique (1995). Ray, S. (ed.), Photographic Data (1994). —— (ed.), Photographic Imaging and Electronic Photography (1994). —— (ed.), Photographic Chemistry and Processing (1994). —— (ed.), Photographic Technology and Imaging Science (1994). —— (ed.), Photographic Lenses and Optics (1994). —— (ed.), High Speed Photography and Photonics (1997). —— Scientific Photography and Digital Imaging (2001). Rexer, L., Photography's Antiquarian Avant-Garde: The New Wave in Old Processes (2002). Reynaud, F., Tambrun, C., and Timby, K. (eds.), Paris in 3D: From Stereoscopy to Virtual Reality (2000). Reynolds, C., Lenses (1984). Rijper, E., Kodachrome 1939-1959: The American Invention of our World (2002). Rock, J., Perception (1984). Rossell, D., Laterna Magica: The History of the Magic Lantern (2003). —— Living Pictures: The Origins of the Movies (1998). Saxby, G., Manual of Practical Holography (1991). —— The Science of Imaging: An Introduction (2002). —— Practical Holography (3rd edn. 2004). Sobel, M., Light (1989). Spira, S. F., et al., The History of Photography as Seen through the Spira Collection (2001). Valyus, N., Stereoscopy (1966). Van Keulen, W., 3-D Past and Present (1986). —— 3-D Imagics: A Stereoscopic Guide to the 3-D Past and its Magic Images (1990). Williams, T., The Optical Transfer Function of Imaging Systems (1999). Wing, P., Stereoscopes: The First One Hundred Years (1996).

I.4. Classic and Specialized Manuals

Abbott, B., A Guide to Better Photography (1941). Abney, W. de W., et al., The Barnet Book of Photography: A Collection of Practical Articles (3rd edn. 1898). Adams, A., Making a Photograph: An Introduction to Photography (rev. edn. 1939). —— The Print (1950). —— Natural-Light Photography (1952). —— Examples: The Making of 40 Photographs (1983). —— and Baker, R., The Negative (2nd edn. 1981). Ang, T., Silver Pixels: An Introduction to the Digital Darkroom (1999). Angel, H., Nature Photography: Its Art and Techniques (1972). —— Photographing the Natural World: A Practical Guide to the Art and Techniques (1994). Boubat, E., La Photographie (1974). Buchanan, T., Photographing Historic Buildings for the Record (1983). Davis, P., Beyond the Zone System (4th edn. 1998). Dickinson, T., and Newton, J., Splendors of the Universe: A Practical Guide to Photographing the Night Sky (1997). Edge, M., The Underwater Photographer (2nd edn, 1999). Eggleston, J., Sensitometry for Photographers (1984). Eisenstaedt, A., Eisenstaedt's Guide to Photography (1978). Ensor, A., Advanced Processing and Printing (2001). Erwitt, E., The Private Experience: Personal Insights of a Professional Photographer (1974). Feininger, A., A Manual of Advanced Photography (1962). —— The Complete Photographer (1966). —— The Complete Colour Photographer (1969). —— Total Photography: Learning to ‘See’ and Express Yourself through Technique (1982). Fusco, P., and McBride, W., The Photo Essay: How to Communicate with Pictures (1974). Graham, R., and Read, R., Manual of Aerial Photography (1986). Haas, R., Special Effects in Photography (1985). Hepworth, T. C., Photography for Amateurs (1884). Heyman, K., and Durniak, J., The Right Picture (1986). Hicks, R., and Schultz, F., The Black and White Handbook: The Ultimate Guide to Monochrome Techniques (1997). —— —— Perfect Exposure: From Theory to Practice (1999). Hill, P., Approaching Photography (2nd edn. 2004). Hosking, E., The Art of Bird Photography (rev. edn. 1948). Howes, C., Images Below (1996). Johnson, R., The Art of Retouching and Improving Negatives and Prints, rev. A. Hammond (14th edn. 1944). Ingledew, J., Photography (2005). Kelly, J. (ed.), Darkroom 2 (1979). Knapp, P., et al., Cours de photographie: dix ans d'enseignement (n.d.). Lewis, E. (ed.), Darkroom (1977). Life Library of Photography: The Techniques of Photography (1976). Mark, M. E., and Leibovitz, A., Photojournalism: The Women's Perspective (1974). Meehan, J., Panoramic Photography (1990). —— The Art of Close-up Photography (1994). —— The Photographer's Guide to Using Filters (1998). Michals, D., The Photographic Illusion: Using the Camera as the Mind's Eye (1974). Morgan, W. D., and Lester, H. M. (eds.), Graphic Graflex Photography: The Master Book for the Larger Camera (1940). Mortensen, W., The Model: A Book on the Problems of Posing (1937). —— The New Projection Control (1942). Natkin, M., Photography and the Art of Seeing (1935). —— Fascinating Fakes in Photography (1939). Nurnberg, W., Lighting for Photography: Means and Methods (1940). —— Pocket Wisdom of Photography (n.d.). Paduano, J., The Art of Infrared Photography (4th edn. 1998). Patterson, F., Photography for the Joy of It (1978). Renner, E., Pinhole Photography (2nd edn. 1999). Rockeach, B., The Kodak Guide to Aerial Photography (1996). Smith, E., All the Photo-Tricks (1940). Stern, B., The Photo Illustration: How to Turn Ideas into Images (1974). Stroebel, L., View Camera Technique (7th edn. 1999). Tarrant, J., Digital Camera Techniques (2003). Wadenoyen, H. v., Photographing People. Ways to New Portraiture (1939). Warner, W. S., Graham, R. W., and Read, R. L., Small Format Aerial Photography (1996). Webster, M., Art and Technique of Underwater Photography (1998). White, L., Infrared Photography Handbook (1996). White, M., Zone System Manual (1968). Worobiec, T., Toning and Handcolouring Photographs (2002). Zimmermann, J., Kauffmann, M., and Leifer, N., Photographing Sport: Capturing the Excitement of People in Action (1975). Zoete, J. de, A Manual of Photogravure: A Comprehensive Working-Guide to the Fox Talbot/Klič Dustgrain Method (1988).

I.5. Source Material: Memoirs, Letters, and Interviews

Adams, A., An Autobiography (1985). Arnold, E., In Retrospect (1995). Beaton, C., Photobiography (1951). Blumenfeld, E., Eye to I: The Autobiography of a Photographer, trans. M. Mitchell and B. Murdoch (1999). Borhan, P., Voyons voir (1980). Bourke-White, M., Portrait of Myself (1963). Brassaï, Letters to my Parents, trans. P. Laki and B. Kantor (1997). Capa, R., Slightly out of Focus (1947). Cooper, T., and Hill, P. (eds.), Dialogue with Photography (1979). Diamonstein, B. (ed.), Visions and Images: Photographers on Photography (1982). Doisneau, R., Un certain Robert Doisneau: la très véridique histoire d'un photographe racontée par lui-même (1986). Duncan, D. D., Photo Nomad (2003). Hockney, D., Hockney on Photography: Conversations with Paul Joyce (1988). Hoppé, E. O., Hundred Thousand Exposures: The Success of a Photographer (1945). Horvat, F., Entre vues (1990). Hosking, E., and Lane, F. W., An Eye for a Bird: The Autobiography of a Bird Photographer (1970). Kar, I., Life as a Photographer (1999). Keppler, V., Man + Camera: A Photographic Autobiography (1970). Langlois, J.-C., La Photographie, la peinture, la guerre: correspondance inédite de Crimée (1855-1856), ed. F. Robichon and A. Rouillé (1992). Light, K., Witness in our Time: Working Lives of Documentary Photographers (2000). Lyons, N. (ed.), Photographers on Photography (1966). McCullin, D., Unreasonable Behaviour: An Autobiography (1990). Marinovich, G., and Silva, J., The Bang-Bang Club: Snapshots from a Hidden War (2000). Martin, P., Victorian Snapshots (1939). Mauro, A. (ed.), Il mestiero di fotografo: lo sguardo de sud (2004). Meijer, E., and Swart, J. (eds.), The Photographic Memory: Press Photography—Twelve Insights (1987). Nadar, Nadar. I: Photographies; II: Dessins et écrits, ed. P. Néagu and J.-J. Poulet-Allamagny (1979). —— Quand j'étais photographe, ed. J.-F. Bory (1994). Newton, H., Autobiography (2003). Niépce, Claude, Lettres de Claude Niépce à Nicéphore, 1818 à 1825, ed. J. Paul (1995). Roegier, P., Écoutez voir: neuf entretiens (1984-1989) (1989). Spence, J., Putting Myself in the Picture (1986). Steichen, E., A Life in Photography (1963). Talbot, W. H. F., Henry Fox Talbot: Selected Texts and Bibliography, ed. M. Weaver (1992). —— The Correspondence of W. H. F. Talbot: A Draft Calendar, 31 Oct. 1995 Revision, ed. L. J. Schaaf (1995). —— Records of the Dawn of Photography: Talbot's Notebooks P and Q, ed. L. J. Schaaf (1996). Tomkins, C. (ed.), Paul Strand: Sixty Years of Photographs. Excerpts from Correspondence, Interviews and Other Documents (1976). Weston, E., The Daybooks of Edward Weston, ed. N. Newhall (2nd edn. 1990). Whelan, R. (ed.), Stieglitz on Photography: His Selected Essays and Notes (2000).

I.6. Source Materials: Collections of Writings on Photography

Baqué, D. (ed.), Les Documents de la modernité: anthologie de textes sur la photographie de 1919 à 1939 (1993). Brittain, D. (ed.), Creative Camera: Thirty Years of Writing (1999). Goldberg, V. (ed.), Photography in Print: Writings from 1816 to the Present (1981). Greene, J., Camera Work: A Critical Anthology (1973). Lugon, O. (ed.), La Photographie en Allemagne: une anthologie de textes (1919-1939) (1997). Newhall, B. (ed.), Photography: Essays and Images. Illustrated Readings in the History of Photography (1980). Petruck, P. R. (ed.), The Camera Viewed: Writings on Twentieth-Century Photography (2 vols., 1979). Rouillé, A., La Photographie en France. Textes et controverses: une anthologie 1816-1871 (1989). Trachtenberg, A. (ed.), Classic Essays on Photography (1980). Wells, L. (ed.), The Photography Reader (2003).

I.7. Critical Approaches

Adams, R., Why People Photograph: Selected Essays and Reviews (1994). —— Beauty in Photography: Essays in Defense of Traditional Values (1996). Amelunxen, H. v. (ed.), Theorie der Fotografie, iv: 1980-1995 (2000). Barnouw, D., Critical Realism: History, Photography and the Work of Siegfried Kracauer (1994). Barrett, T., Criticizing Photographs: An Introduction to Understanding Images (2nd edn. 1996). Barthes, R., Mythologies, trans. A. Lavers (1972). —— Camera Lucida: Reflections on Photography, trans. R. Howard (1981). Batchen, G., Each Wild Idea: Writing Photography History (2001). Benjamin, W., Illuminations: Essays and Reflections, ed. H. Arendt, trans. H. Zohn (1968). Berger, J., Ways of Seeing (1972). Bolton, R. (ed.), The Contest of Meaning: Critical Histories of Photography (1989). Brennan, B., and Hardt, H. (eds.), Picturing the Past: Media, History and Photography (1999). Burgin, V. (ed.), Thinking Photography (1981). Coleman, A. D., Light Readings: A Photography Critic's Writings, 1968-1978 (1979). —— Depth of Field: Essays on Photography, Mass Media, and Lens Culture (1998). Dubois, P., L'Acte photographique et autres essais (1990). Dyer, G., The Ongoing Moment (2005). Eisinger, J., Trace and Transformation: American Criticism of Photography in the Modernist Period (1995). Freund, G., Photographie et société (1974). Goldberg, V., Light Matters: Writings on Photography (2005). Grundberg, A., Crisis of the Real: Writings on Photography since 1974 (1999). Hallett, M. (ed.), Rewriting Photographic History (1989). Hartmann, S., The Valiant Knights of Daguerre, ed. H. W. Lawson and G. Knox (1978). Hiley, M., Seeing through Photographs (1983). Howarth, S. (ed.), Singular Images. Essays on Remarkable Photographs (2005). Jenkins, W., The Extended Document: An Investigation of Information and Evidence in Photographs (1975). Jussim, E., The Eternal Moment: Essays on the Photographic Image (1989). Kemp, W., Foto-Essays: Zur Geschichte und Theorie der Fotografie (1978). —— (ed.), Theorie der Fotografie, i: 1839-1912 (1980). —— (ed.), Theorie der Fotografie, ii: 1912-1945 (1979). —— (ed.), Theorie der Fotografie, iii: 1945-1980 (1983). Kozloff, M., Lone Visions, Crowded Frames: Essays on Photography (1994). Kruger, B., Remote Control: Power, Cultures and the World of Appearances (1993). Lemagny, J.-C., L'Ombre et le temps (1992). —— La Matière, l'ombre, la fiction (1994). Malcolm, J., Diana & Nikon: Essays on Photography (2nd edn. 1997). Marien, M. W., Photography and its Critics: A Cultural History 1839-1900 (1997). Mitchell, W. J. T. (ed.), The Language of Images (1980). Newhall, N., From Adams to Stieglitz: Pioneers of Modern Photography (1999). Nichols, B., Ideology and the Image (1981). Pieroni, A., Leggere la fotografia: osservazione e analisi delle immagini fotografiche (2003). Scott, C., The Spoken Image: Photography and Language (1999). Sekula, A., Photography against the Grain: Essays and Photo Works 1973-1983 (1983). Shaw, B., Bernard Shaw on Photography, ed. B. Jay and M. Moore (1989). Solomon-Godeau, A., Photography at the Dock: Essays on Photographic Histories, Institutions and Practices (1991). Sontag, S., On Photography (1978). Squiers, C. (ed.), The Critical Image: Essays on Contemporary Photography (1990). —— (ed.), Over-Exposed: Essays on Contemporary Photography (1999). Sturken, M., and Cartwright, L., Practices of Looking: An Introduction to Visual Culture (2001). Tagg, J., The Burden of Representation: Essays on Photographies and Histories (1988). Younger, D. P. (ed.), Multiple Views: Logan Grant Essays on Photography, 1983-1989 (1991). Zannier, I., Leggere la fotografia (1993).

I.8. Photographic Collections

Alinari, Fratelli, Fratelli Alinari: The Archives. The Photographic Files. The New Photographic Campaigns. The Art Printworks. The Publishing House. The Museum (1991). Apraxine, P., Photographs from the Collection of the Gilman Paper Company (1985). —— Une passion française: photographies de la collection Roger Thérond (1999). Bastianelli, M. (ed.), Archivi fotografici italiani: 600 fondi e raccolte di immagini (1997). Biblioteca Nacional, Madrid, 150 años de fotografía en la Biblioteca Nacional (1989). Boast, R., Guha, S., and Herle, A., Collected Sights: Photographic Collections of the [Cambridge] Museum of Archaeology and Anthropology, 1860s-1930s (2001). Bonnett, W., A Pacific Legacy: A Century of Maritime Photography 1850-1950. Photographs from the Museum Archives of the San Francisco Maritime National Historical Park (1991). Boom, M., and Rooseboom, H. (eds.), A New Art: Photography in the 19th Century. The Photo Collection of the Rijksmuseum, Amsterdam (1996). Borcoman, J., Magiciens de la lumière: photographies de la collection du Musée des Beaux Arts du Canada (1993). Bruce, C., and Grundberg, A., After Art: Rethinking 150 Years of Photography; Selections from the Joseph and Elaine Monsen Collection (1984). Burger, B. L., Guide to the Holdings of the Still Picture Branch of the National Archives (1990). Cartier-Bresson, A., et al., Éclats d'histoire: les collections photographiques de l'Institut de France, 1839-1918 (2003). Coming to Light: Birmingham's Photographic Collections (1998). Davis, K. F., An American Century of Photography, from Dry Plate to Digital: The Hallmark Photographic Collection (2nd edn. 1999). Dewitz, B. v., Das Agfa Foto-Historama im Wallraff-Richartz-Museum/Museum Ludwig der Stadt Köln: Eine Auswahl von Photographien des 19. und des frühen 20. Jahrhunderts (1986). —— and Scotti, R., Alles Wahrheit! Alles Lüge! Photographie und Wirklichkeit im 19. Jahrhundert: Die Sammlung Robert Lebeck (1996). —— et al., Agfa Foto-Historama Köln (1988). Dimond, F., and Taylor, R., Crown and Camera: The Royal Family and Photography, 1842-1910 (1987). Enyeart, J. (ed.), Decade by Decade: Twentieth-Century American Photography from the Collection of the Center for Creative Photography (1989). Eskind, A. H., and Drake, G. (ed.), Index to American Photographic Collections (3rd rev edn. 1995). Faber, M., and Schröder, K. A. (eds.), Das Auge und der Apparat: Eine Geschichte der Fotografie aus den Sammlungen der Albertina (2003). Folkwang Museum, Essen, Die Fotografische Sammlung (1983). Forbes, D., and Stevenson, S., A Companion Guide to Photography in the National Galleries of Scotland (2001). Fotomuseum im Münchner Stadtmuseum 1961-1991 (1991). Fournié, P., and Gervereau, L., Regards sur le monde: trésors photographiques du Quai d'Orsay, 1860-1914 (2000). Galassi, P., American Photography 1890-1965 from the Museum of Modern Art, New York (1995). Goetzman, W. H., The First Americans: Photographs from the Library of Congress (1991). Graeve, I. (ed.), Mechanismus und Ausdruck: Die Sammlung Ann und Jürgen Wilde. Fotografien aus dem 20. Jahrhundert (1999). Greenhill, B. (ed.), A Victorian Maritime Album: 100 Photographs from the Francis Frith Collection at the National Maritime Museum [Greenwich] (1974). Guida alle raccolte fotografiche di Roma (1980). Hambourg, M. M., and Phillips, C., The New Vision: Photography between the Two World Wars. The Ford Motor Company Collection at the Metropolitan Museum of Art, New York (1989). —— et al., The Waking Dream: Photography's First Century. Selections from the Gilman Paper Company Collection (1993). Hathaway, N., Native American Portraits, 1862-1918: Photographs from the Collection of Kurt Koegler (1990). Haworth-Booth, M., Photography: An Independent Art. Photographs from the Victoria and Albert Museum 1839-1996 (1997). —— and McCauley, A., The Museum and the Photography: Collecting Photography at the Victoria and Albert Museum, 1853-1900 (c.1998). Heilbrun, F., and Bajac, Q., Orsay Photography, trans. C. Uranga (2003). —— and Néagu, P., Musée d'Orsay: chefs-d'œuvre de la collection photographique (1986). Historic Photographs at the National Maritime Museum: An Illustrated Guide (1995). Hitchcock, B., et al., Innovation/Imagination: 50 Years of Polaroid Photography (1999). Ins Innere des Bilderbergs: Fotografien aus den Bibliotheken der Hochschule der Künste und der Technischen Universität Berlin (1988). Jammes, A., and M.-T., The First Century of Photography: Niépce to Atget. From the Collection of André Jammes (1997). Janda, J., Camera Obscuras. Photographic Cameras 1840-1940. National Museum of Technology, Prague: Camera Collection Catalogue (1982). Kirstein, L., The Latin American Collection of the Museum of Modern Art (1943). Kunstphotographie um 1900: Die Sammlung Ernst Juhl (1989). Lange, S., Degrees of Stillness: Photographs from the Manfred Heiting Collection (1998). Marbot, B. (ed.), After Daguerre: Masterworks of French Photography, 1848-1920, from the Bibliothèque Nationale de France (1980). Mathon, C., and Garcia, A.-M., Les Chefs-d'oeuvre de la photographie dans les collections de l'École des Beaux-Arts (1991). Mulligan, T., and Wooters, D., 1000 Photo Icons: George Eastman House (2002). Musée de la Photographie Charleroi, Centre d'Art Contemporain de la Communauté Française de Belgique (1996). Naef, W., The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography (1978). —— The J. Paul Getty Museum Handbook of the Photographs Collection (1995). —— Photographers of Genius at the Getty (2004). National Film Board of Canada, Still Photography Division, Contemporary Canadian Photography from the Collection of the National Film Board (1984). National Museum of Modern Art, Kyoto, Japan, Modern Photography and Beyond: Photographs in the Collection of the Museum (1987). Parallels & Contrasts: Photographs from the Stephen White Collection (1988). Photographies/histoires parallèles: collection du Musée Nicéphore Niépce (2000). Photography from 1839 to Today: George Eastman House, Rochester, NY (2000). Roark, C. E., Stewart, P. A., and McCabe, M. K., Catalogue of the Amon Carter Photography Collections (1993). Roberts, P., The Royal Photographic Society Collection (1994). —— Photogenic: From the Collection of the Royal Photographic Society (2001). Roganti, G. (ed.), Das Jahrhundert der Photographie: Die Sammlung der Galleria Civica Modena und Fondo Franco Fontana (1999). Rouse, S., Into the Light: An Illustrated Guide to the Photographic Collections in the National Library of Ireland (1998). Royal Commission on the Historical Monuments of England, The National Monuments Record: A Guide to the Archive (1991). Rule, A., and Solomon, N., Original Sources: Art and Archives at the Center for Creative Photography (2002). Sammlung Gruber: Photografie des 20. Jahrhunderts (1984). Sandweiss, M. A., Masterworks of American Photography: The Amon Carter Museum Collection (1982). Schaaf, L. J., Sun Pictures Catalogue 8: The Rubell Collection (1997). Scherer, J. C., Indian Images: Photographs of North American Indians 1847-1928, from the Smithsonian Institution, National Anthropological Archives (1970). —— Indians: The Great Photographs that Reveal North American Indian Life, 1847-1929, from the Unique Collection of the Smithsonian Institution (1973). Schlögl, U. (ed.), Im Blickpunkt. Die Fotosammlung der Österreichischen Nationalbibliothek (2002). Sobieszek, R. A., Masterpieces of Photography from the George Eastman House Collection (1985). Spanenberg, K. L., Photographic Treasures from the Cincinnati Art Museum (1989). Squiers, C., and Pearson Yamashiro, J., Peek: Pictures from the Kinsey Institute (2000). Szarkowski, J., Looking at Photographs: 100 Pictures from the Collection of the Museum of Modern Art (1973). —— A Personal View: Photography in the Collection of Paul F. Walter (1985). Tenfelde, K. (ed.), Bilder von Krupp: Fotografie und Geschichte im Industriezeitalter (1994). Thomas, D. B., The Science Museum Photography Collection (1969). Travis, D., Photographs from the Julien Levy Collection Starting with Atget (1976). Twentieth Century Photography: Museum Ludwig Cologne (1996). Viola, H. J., North American Indians: Photographs from the National Anthropological Archives, Smithsonian Institution (microfilm, 1974). Wagstaff, S., A Book of Photographs from the Collection of Sam Wagstaff (1978). Wick, R. (ed.), Die Pioniere der Photographie 1840-1900: Die Sammlung Robert Lebeck (1989). Zuckriegl, M., Österreichische Fotografie seit 1945: Aus den Beständen der Österreichischen Fotogalerie im Rahmen der Salzburger Landessammlungen Rupertinum Salzburg (1989).

I.9. Conservation and Materials

Baldwin, G., Looking at Photographs: A Guide to Technical Terms (1991). Clark, S., Photographic Conservation (1988). Coe, B., and Haworth-Booth, M., A Guide to Early Photographic Processes (1983). Eastman Kodak, Preservation of Photographs (1979). Haller, M., Collecting Old Photographs (1978). International Federation of Library Associations and Institutions (IFLA), Care, Handling and Storage of Photographs (1992). Keefe, L. E., and Inch, D., The Life of a Photograph: Archival Processing, Matting, Framing, Storage (1984). Lavedrine, B., La Conservation des photographies (1990). Life Library of Photography: Caring for Photographs (1979). Marincola, P., The Hand-Colored Photograph (1980). Martin, E., Collecting and Preserving Old Photographs (1988). Moore, I. L., and A., Conserving Photographs: The Care and Preservation of Photographic Images (1986). Ostroff, E., Conserving and Restoring Photographic Collections (1976). Rathje, U. (ed.), Das Auge des Zyklopen: Photographien—ihre Verfahren, Identifizierung, Bewahrung (1989). Reilly, J. M., The Albumen and Salted Paper Book: The History and Practice of Photographic Printing 1840-1895 (1980). —— Care and Identification of 19th-Century Photographic Prints (1986). Rempel, S., The Care of Photographs (1987). Weinstein, R. A., and Booth, I., Collection, Use and Care of Historical Photographs (1977). Wilhelm, H., and Brower, C., The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides and Motion Pictures (1993). Zannier, I., and Tartaglia, D., La fotografia in archivio (2000).

I.10. The Market

Badger, G., Collecting Photography (2003). Bennett, S., How to Buy Photographs (1987). Blodgett, R., Photographs: A Collector's Guide. A Complete Handbook for Buying Fine Photographs (1979). Gilbert, G., Collecting Photographica: The Images and Equipment of the First Hundred Years (1976). Koetzle, M., Das Foto: Kunst- und Sammelobjekt (1997). Scheid, U., Photographica sammeln (1977). Wetling, W., Collector's Guide to Nineteenth Century Photographs (1976). Witkin, L., and London, B., The Photograph Collector's Guide (1979).

II.1. Early Photography

Bajac, Q., The Invention of Photography: The First Fifty Years, trans. R. Taylor (2002). —— and Font-Réaulx, D. de, Le Daguerréotype français: un objet photographique (2003). Barger, M. S., and White, W. B., The Daguerreotype: Nineteenth-Century Technology and Modern Science (1991). Batchen, G., Burning with Desire: The Conception of Photography (1997). Beausoleil, J., et al., Les Frères Lumière et les premières photographies en couleurs (1989). Brettell, R., Flukinger, R., Keeler, N., and Kilgor, S., Paper and Light: The Calotype Process in France and Britain 1839-1870 (1984). Bruce, D., Sun Pictures: The Hill-Adamson Calotypes (1973). Brunet, F., La Naissance de l'idée de photographie (2000). Buchwald, J. Z., The Rise of the Wave Theory of Light: Optical Theory and Experiment in the Early Nineteenth Century (1989). Buerger, J. E., French Daguerreotypes (1989). Coe, B., and Haworth-Booth, M., A Guide to Early Photographic Processes (1983). Colnaghi, P., and D., Ltd., Photography: The First Eighty Years (1976). Crawford, W., The Keepers of Light: A History and Working Guide to Early Photographic Processes (1979). Dewitz, B. v., and Matz, R. (eds.), Silber und Salz: Zur Frühzeit der Photographie im deutschen Sprachraum 1839-1860 (1989). Feldvebel, T., The Ambrotype, Old and New (1980). Foresta, M., and Wood, J., Secrets of the Dark Chamber: The Art of the American Daguerreotype (1995). ‘From Today Painting is Dead’: The Beginnings of Photography (1976). Gernsheim, H., The Origins of Photography (1982). —— The Rise of Photography 1850-1880: The Age of Collodion (rev. 3rd edn. 1988). Haberkorn, H., Anfänge der Photographie: Entstehungsbedingungen eines neuen Mediums (1985). Jammes, A., and Janis, E. Parry, The Art of French Calotype (1983). Jay, P., Les Conserves de Nicéphore (1992). Kempe, F., Daguerreotypie in Deutschland: Vom Charme der frühen Photographie (1979). —— and Dewitz, B. v., Daguerreotypien, Ambrotypien, und Bilder anderer Verfahren aus der Frühzeit der Photographie (1983). Marignier, J.-L., Niépce, l'invention de la photographie (1999). Morand, S., and Kempf, C., Le Temps suspendu: la daguérreotype en Alsace au XIX. siècle (1989). Les multiples inventions de la photographie (1989). Newhall, B., The Daguerreotype in America (rev. edn. 1968). Pfister, H. F., Facing the Light: Historic American Portrait Daguerreotypes (1978). Photography: Discovery and Invention. Papers Delivered at a Symposium Celebrating the Invention of Photography Organised by the Department of Photographs and Held at the J. Paul Getty Museum, 30 January 1989 (1990). Pritchard, M. (ed.), Technology and Art: The Birth and Early Years of Photography (1990). Rinhard, F. and M., The American Daguerreotype (1980). Schaaf, L. J., Out of the Shadows: Herschel, Talbot and the Invention of Photography (1992). Séguy, F., Le Sens et l'origine du vocabulaire technique en photographie (1998). Sun Pictures: Images from the Dawn of Photography. Photographs by John Dillwyn Llewelyn and his Circle (1982). Thomas, D. B., The First Negatives: An Account of the Discovery and Early Use of the Negative-Positive Photographic Process (1964). Une invention du XIXe siècle: la photographie (1976). Ward, J., and Stevenson, S., Printed Light: The Scientific Art of William Henry Fox Talbot and David Octavius Hill with Robert Adamson (1986). Weimar, W., Die Daguerreotypie in Hamburg 1839-1960 (1915). Wood, J. (ed.), The Daguerreotype: A Sesquicentennial Celebration (1989). —— The Art of Autochrome: The Birth of Color Photography (1993). —— The Scenic Daguerreotype: Romanticism and Early Photography (1995).

II.2. Amateur, Family, and Private Photography

Adams, T. D., Light Writing and Life Writing: Photography in Autobiography (2000). Chalfen, R., Snapshot Versions of Life (1987). Coe, B., and Gates, P., The Snapshot Photograph: The Rise of Popular Photography, 1888-1939 (1977). Dewitz, B. v., ‘So wird bei uns der Krieg geführt’: Amateurfotografie im Ersten Weltkrieg (1989). Dufour, B., La Pierre et le seigle: histoire des habitants de Villefranche-de-Rouergue racontée par les photographies d'amateurs et les albums de famille, 1860-1950 (1977). Fehily, C., Fletcher, J., and Newton, K. (eds.), I Spy: Representations of Childhood (2000). Fenoyl, P. de, and Laurent, J., Chefs d'œuvre des photographes anonymes au XIX. siècle (1982). Ford, C. (ed.), The Story of Popular Photography (1989). Harding, C., and Lewis, B., Kept in a Shoebox: The Popular Experience of Photography (1992). Hirsch, J., Family Photographs: Content, Meaning and Effect (1981). Hirsch, M., Family Frames: Photography, Narrative, and Postmemory (1997). —— (ed.), The Familial Gaze (1999). Holland, P., and Spence, J. (eds.), Family Snaps: The Meanings of Domestic Photography (1991). Jahn, P., and Schmiegelt, U. (eds.), Foto-Feldpost: Geknipste Kriegserlebnisse 1939-1945 (2000). Johnson, R. F., Anonymous: Enigmatic Images from Unknown Photographers (2004). Kenyon, D., Inside Amateur Photography (1992). King, G., Snaps as Art: A Brief Study of the Photographic Snap, its Role in Influencing our Perception of Reality, and its Aesthetic Potential (1978). —— Say ‘Cheese’! The Snapshot as Art and Social History (1986). Koltun, L. (ed.), Private Realms of Light: Amateur Photography in Canada 1839-1940 (1984). Kuhn, A., Family Secrets (1995). Lesy, M., Time Frames: The Meaning of Family Pictures (1980). Loetscher, H., Photographie in der Schweiz von 1840 bis heute (2nd edn. 1992). Maas, E., Die Goldenen Jahren der Photo-alben: Fundgrube und Spiegel von gestern (1977). Nickel, D. R., Snapshots: The Photography of Everyday Life, 1888 to the Present (1998). Das Photo-Album 1858-1918: Eine Dokumentation zur Kultur- und Sozialgeschichte (1975). Other Pictures: Anonymous Photographs from the Thomas Walther Collection, introd. M. Fineman (2000). Pols, R., Looking at Old Photographs (1998). —— Family Photographs, 1860-1945 (2002). Ravache, M., and Leblanc, B., L'Album photo des Français, 1914 à nos jours (2004). Spence, J., and Holland, P. (eds.), Family Snaps: The Meanings of Domestic Photography (1991). —— and Solomon, J. (eds.), What Can a Woman Do with a Camera? Photography for Women (1995). Starl, T., Knipser: Die Bildgeschichte der privaten Fotografie in Deutschland und Österreich von 1880 bis 1980 (1995). Tucker, A. (ed.), The Woman's Eye (1973). West, N.M., Kodak and the Lens of Nostalgia (2000).

II.3. Nude and Erotic Photography

Aubenas, S., et al., L'Art du nu au XIXe siècle: le photographe et son modèle (1997). Bajac, Q., Tableaux vivants: fantaisies photographiques victoriennes (1999). Callahan, S., and Olschewski, P., Nudes (1995). Cooper, E., Fully Exposed: The Male Nude in Photography (1996). —— Male Bodies: A Photographic History of the Nude (2004). Le Corps regardé (2 vols., 1981). Davis, M. D., The Male Nude in Contemporary Photography (1996). Ewing, W. A., The Body: Photographs of the Human Form (1994). Ewing, W. A. (ed.), The Century of the Body (2000). Gilardi, A., Storia della fotografia pornografica (2002). Herbert, D., Le Nu (1985). Jay, B., Views on Nudes (1971). Kelly, J. (ed.), Nude Theory (1979). Köhler, M., and Barche, G. (eds.), Das Aktfoto: Ansichten vom Körper im fotografischen Zeitalter (1985). Lacey, P., Nude Photography: The Art and Technique of Nine Modern Masters (1985). Lewinski, J., The Naked and the Nude: A History of Nude Photography (1987). Mahon, A., Eroticism and Art (2005). Masclet, D., Nus (1933). Nazarieff, S., Le Nu stéréoscopique (1985). —— Early Erotic Photography (1993). Nead, L., The Female Body: Art, Obscenity and Sexuality (1992). Noël, B., The Nude (1990). Ovenden, G., and Mendes, P., Victorian Erotic Photography (1973). Pellerin, M. (ed.), Masterpieces of Erotic Photography (1977). Pohlmann, U., et al., The Nude. Ideal and Reality: From the Invention of Photography to Today (2004). Pultz, J., Photography and the Body (1995). Richter, P.-C., Nude Photography: Masterpieces from the Past 150 Years (1998). Romer, G. B., Die erotische Daguerreotypie: Sammlung Scheid (1989). Sullivan, C., Nude Photographs, 1850-1980 (1980). Weiermair, P., Das verborgene Bild: Geschichte des männlichen Akts in der Fotografie des 19. und 20. Jahrhunderts (1987). Wick, R. (ed.), Die erotische Daguerreotypie: Sammlung Uwe Scheid (1989).

II.4. Landscape Photography

Andrews, M., Landscape and Western Art (1999). Brettell, R., et al., A Day in the Country: Impressionism and the French Landscape (1984). Cahn, R., and Ketchum, R., American Photographers and the National Parks (1981). Challe, D., and Marbot, B., Les Photographes de Barbizon: la Forêt de Fontainebleau (1972). Cornish, J., First Light: A Landscape Photographer's Art (2002). Dabrowski, M., French Landscape: The Modern Vision, 1880-1920 (1999). Daniels, S., Fields of Vision: Landscape, Imagery and National Identity in England and the United States (1993). DATAR, Paysages photographies: en France dans les années quatre-vingt (1989). Di Grappa, C. (ed.), Landscape: Theory (1980). Foresta, M., Between Home and Heaven: Contemporary American Landscape Photography (1992). Fryxell, F., The Tetons: Interpretations of a Mountain Landscape (1938). Grad, B. L., and Riggs, T. A., Visions of City and Country: Prints and Photographs of Nineteenth-Century France (1980). Heilbrun, F., Landscapes and Nature (2004). Heilman, C., Clarke, M., and Sillevis, J. (eds.), Corot, Courbet und die Maler von Barbizon: les amis de la nature (1996). Hemingway, A., Landscape Imagery and Urban Culture in Early Nineteenth-Century Britain (1992). Hope, T., The World's Top Photographers: Landscape (2003). Jenkins, W., New Topographics: Photographs of a Man-Altered Landscape (1975). Johnson, B., Nineteenth-Century Mammoth Plates of the American West (1979). Jussim, E., and Lindquist-Cock, E., Landscape as Photograph (1985). Klett, M., et al., Second View: The Reprographic Survey Project (1984). Lindquist-Cock, E., The Influence of Photography on American Landscape Painting, 1839-1880 (1977). Naef, W., and Wood, J.N. (eds.), Era of Exploration: The Rise of Landscape Photography in the American West, 1860-1885 (1974). Szarkowski, J., The Photographer and the American Landscape (1963). —— American Landscapes (1981). Walther, S. D. (ed.), The Railroad in the American Landscape 1850-1950 (1981). Wells, L., Newton, K., and Fehily, C. (eds.), Shifting Horizons: Women's Landscape Photography Now (2000). Wilmerding, J., American Light: The Luminist Movement 1850-1875. Paintings, Drawings, Photographs (1989). Wolf, D. (ed.), The American Space: Meaning in Nineteenth-Century Landscape Photography (1983). Yates, S. (ed.), Poetics of Space: A Critical Photographic Anthology (1995).

II.5. Portraiture

Abel, M. H. (ed.), An Empirical Reflection on the Smile (2002). Akeret, R. U., Photoanalysis: How to Interpret the Hidden Psychological Meaning of Personal and Public Photographs (1975). Arbaïzar, P. (ed.), Portraits, singulier pluriel, 1980-1990: la photographie et son modèle (1997). Billeter, E. (ed.), Self-Portrait in the Age of Photography: Photographers Reflecting their Own Image (1985). Clarke, G. (ed.), The Portrait in Photography (1992). Darwin, C., The Expression of the Emotions in Man and Animals (3rd edn. ed. P. Ekman, 1998). Dölle, S., et al., Katse kameraan: Valokuvamuotokuvia Museoviraston Kokoelmista [Look at the Camera: Portraits from the Finnish National Board of Antiquities] (2004). Encantados de conocerse: fotografía, retrato y distinción en el siglo XIX. Fondos de la Colección Juan José Diaz Prósper (2002). Ewing, W. A., The Body: Photographs of the Human Form (1994). Fahey, D., and Rich, L., Masters of Starlight: Photographers in Hollywood (1987). Ford, C. (ed.), Portraits (1983). Hamilton, P., and Hargreaves, R., The Beautiful and the Damned: The Creation of Identity in Nineteenth-Century Photography (2001). Heathcote, B., and P., A Faithful Likeness: The First Photographic Portrait Studios in the British Isles, 1841 to 1855 (2002). Hicks, R. W., and Nisperos, C., Hollywood Portraits: Classic Shots and How to Take Them (2001). Honnef, K. (ed.), Lichtbildnisse: Das Porträt in der Fotografie (1982). Identités: De Disdéri au photomaton (1985). Kobal, J., The Art of the Great Hollywood Portrait Photographers 1925-1940 (1980). Krygier, I. (ed.), The Unreal Person: Portraiture in the Digital Age (1998). Life Library of Photography: Photographing Children (2nd edn. 1981). Life Library of Photography: The Studio (2nd edn. 1981). Linkman, A., The Victorians: Photographic Portraits (1993). McCauley, E. A., A. A. E. Disdéri and the Carte de Visite Portrait Photograph (1985). Maddow, B., Faces: A Narrative History of the Portrait in Photography (1979). Mathews, O., The Album of Carte-de-Visite and Cabinet Portrait Photographs, 1854-1914 (1974). Pepper, T., High Society Photographs 1897-1914 (1998). Philipp, C. G., Porträtfotografie in Deutschland 1850-1918 (1991). Pick, D., Faces of Degeneration: A European Disorder c.1848-c.1918 (1989). Pultz, J., The Body and the Lens: Photography 1839 to the Present (1995). Rinhart, F. and M., and Wagner, R. W., The American Tintype (1999). Rouillé, A. and Marbot, B., Le Corps et son image: photographies du dixneuvième siècle (1986). Sagne, J., L'Atelier du photographe (1992). Sobieszek, R. A., Ghost in the Shell: Photography and the Human Soul 1850-2000 (1999). Truble, A., A Brief History of the Smile (2004). Wichard, R. and C., Victorian Cartes-de-Visite (1999). Williams, S. S., Confounding Images: Photography and Portraiture in Antebellum American Fiction (1997). Younger, D. (ed.), Photography with a New Face: The Advent of the Carte de Visite in American Culture (1980).

II.6. Photojournalism and War Photography

Agence France Presse, Facing the World: Great Moments in Photojournalism (2001). Almasy, P., et al., Le Photojournalisme: informer en écrivant des photos (2nd edn. 1993). Amar, P.-J., Le Photojournalisme (2000). Baughman, J. R., Henry R. Luce and the Rise of the American News Media (rev. edn. 2001). Baynes, K., et al., Scoop, Scandal and Strife: A Study of Photography in Newspapers (1971). Blecher, H., Fotojournalismus (2001). Brown, J., Beyond the Lines: Pictorial Reporting, Everyday Life and the Crisis of Gilded Age America (2002). Brothers, C., War and Photography: A Cultural History (1997). Buchheim, L.-G., U-Boot-Krieg (1976), trans. as U-Boat War (1978). Callahan, S., The Private Experience: Elliott Erwitt (1974). Carmichael, J., First World War Photographers (1989). Carlebach, M. L., The Origins of Photojournalism in America (1992). —— American Photojournalism Comes of Age (1997). Chantal, G., Les Journalistes (1986). Chapnick, H., Truth Needs No Ally: Inside Photojournalism (1994). Crimée 1854-1856: premiers reportages de guerre (1994). Doss, E. (ed.), Looking at ‘Life’ Magazine (2001). Dower, J., War without Mercy: Race and Power in the Pacific War (1986). Eisermann, T., Pressephotographie und Informationskonstrolle im Ersten Weltkrieg: Deutschland und Frankfreich im Vergleich (2000). Eskildsen, U. (ed.), Fotografie in deutschen Zeitschriften 1924-1933 (1982). —— (ed.), Fotografie in deutschen Zeitschriften 1946-1984 (1985). Fabian, R., and Adam, H. C., Images of War: 130 Years of War Photography (1985). Fralin, F. (ed.), The Indelible Image: Photographs of War, 1846 to the Present (1985). Frassanito, W. A., Gettysburg: A Journey in Time (1975). —— Antietam: The Photographic Legacy of America's Bloodiest Day (1978). Fulton, M., et al., Eyes of Time: Photojournalism in America (1988). Galassi, P., and Kismaric, S. (eds.), Pictures of the Times: A Century of Photography from the New York Times (1996). Germer, S., and Zimmermann, M. F. (eds.), Bilder der Macht, Macht der Bilder: Zeitgeschichte in Darstellungen des 19. Jahrhunderts (1997). Gidal, T. N., Modern Photojournalism: Origins and Evolution, 1910-1933 (1973). Guerrin, M., Profession photoreporter (1988). Hannigan, W., New York Noir: Crime Photos from the ‘Daily News’ Archive (1999). Harrison, M., Young Meteors: British Photojournalism, 1957-1965 (1998). Hassner, R., Bilder för miljoner: Pressefotografier och bildreportage under 100 är (1977). Heer, H., and Naumann, K. (eds.), Vernichtungskrieg: Verbrechen der Wehrmacht 1941-1944 (1995). Heller, J. (ed.), War and Conflict: Selected Images from the National Archives, 1765-1990 (1990). Hicks, W., Words and Pictures: An Introduction to Photojournalism (1952). Holzer, A. (ed.), Mit der Kamera bewaffnet. Krieg und Photographie (2003). Howe, P., Shooting under Fire (2002). Humbert, J.-M., Dumarche, L., and Pierron, M., Photographies anciennes, 1848-1918: regard sur le soldat et la société (1985). James, L., Crimea 1854-56: The War with Russia from Contemporary Photographs (1981). Kelbaugh, R. J., Introduction to Civil War Photography (1991). Keller, U., The Ultimate Spectacle: A Visual History of the Crimean War (2001). Kerbs, D., Uka, W., and Walz-Richter, B. (eds.), Die Gleichschaltung der Bilder: Pressefotografie 1930-36 (1983). Kozol, W., ‘Life's America’: Family and Nation in Postwar Photojournalism (1994). Lebeck, R., and Dewitz, B. v., Kiosk: A History of Photojournalism (2001). Lewinski, J., The Camera at War: A History of War Photography from 1848 to the Present Day (1978). Life Library of Photography: Photojournalism (2nd edn. 1981). Loengard, J., ‘Life’ Photographers: What They Saw (1998). —— The Great ‘Life’ Photographers (2004). Marcus, A., The Photojournalist: Mary Ellen Mark and Annie Leibovitz (1974). Moeller, S. D., Shooting War: Photography and the American Experience of Combat (1989). Neubauer, H., Black Star: 60 Years of Photojournalism (1997). Pohlert, C.-M. (ed.), Bilder in der Zeitung: Journalistische Fotografie 1949-1999 (1999). Reed, D., The Popular Magazine in Britain and the United States 1880-1960 (1997). Roeder, G. H., The Censored War: American Visual Experience During World War 2 (1993). Sandweiss, M. A., Stewart, R., and Huseman, B. W., Eyewitness to War: Prints and Daguerreotypes of the Mexican War, 1846-1848 (1989). Sontag, S., Regarding the Pain of Others (2003). Stahel, U., and Gasser, M. (eds.), Weltenblicke—Reportagefotografie und ihre Medien (1997). Taylor, J., War Photography: Realism in the British Press (1991). —— Body Horror: Photojournalism, Catastrophe and War (1998). Voir ne pas voir la guerre: histoire des représentations photographiques de la guerre (2001). Voss, F. S., Reporting the War: the Journalistic Coverage of World War 2 (1994).

II.7. Documentary Photography

Buckland, G., Reality Recorded: Early Documentary Photography (1974). Curtis, J., Mind's Eye, Mind's Truth: FSA Photography Reconsidered (1989). Daniel, P., Foresta, M., Stange, M., and Stein, S., Official Images: New Deal Photography (1987). Dixon, P., Photographers of the Farm Security Administration: An Annotated Bibliography, 1930-1980 (1983). Featherstone, D. (ed.), Observations: Essays on Documentary Photography (1984). Finnegan, C. A., Picturing Poverty: Print Culture and FSA Photographs (2003). Fleischhauer, C., and Brannan, B. W. (eds.), Documenting America, 1935-1943 (1988). Hurley, F. J., Portrait of a Decade: Roy Stryker and the Development of Documentary Photography in the Thirties (1972). Life Library of Photography: Documentary Photography (2nd edn. 1981). McEuen, M. A., Seeing America: Women Photographers between the Wars (2000). Meltzer, M., and Cole, B., The Eye of Conscience: Photographers and Social Change (1974). Natanson, N., The Black Image in the New Deal (1992). Puckett, J. R., Five Photo-Textual Documentaries from the Great Depression (1984). Rothstein, A., Documentary Photography (1986). Stange, M., ‘Symbols of Ideal Life’: Social Documentary Photography in America, 1890-1950 (1989). Stott, W., Documentary Expression and Thirties America (1973). Stryker, R., and Wood, N., In This Proud Land: America 1935-1943 as Seen in the FSA Photographs (1973). Thézy, M. de, La Photographie humaniste, 1930-1960: histoire d'un mouvement en France (1992). Tucker, A., Photographic Cross: The Photo League (1978). Twelve Photographers of the American Social Landscape (1967).

II.8. Advertising and Fashion

Cornfield, J., The Photo Illustration: Bert Stern (1974). Cotton, C., Imperfect Beauty: The Making of Contemporary Fashion Photographs (2000). Craig, J., The Face of Fashion (1994). Devlin, P., The Vogue Book of Fashion Photography (1979). Dyer, G., Advertising as Communication (1982). Eskildsen, U. (ed.), Werbefotografie in Deutschland seit den Zwanziger Jahren (1989). Gilbert, G., Photographic Advertising from A to Z: From the Kodak to the Leica (1970). Hall-Duncan, N., The History of Fashion Photography (1979). Harrison, M., Appearances: Fashion Photography Since 1945 (1991). Johnston, P., Real Fantasies: Edward Steichen's Advertising Photography (1997). Lears, J., Fables of Abundance: A Cultural History of Advertising in America (1994). Marchand, R., Advertising the American Dream: Making Way for Modernity, 1920-1940 (1985). Nye, D. E., Image Worlds: Corporate Identities at General Electric 1890-1930 (1985). Poppy, J., The Persuasive Image: Art Kane (1975). Severa, J., Dressed for the Photographer: Ordinary Americans and Fashion, 1840-1900 (1995). Sobieszek, R. A., The Art of Persuasion: A History of Advertising Photography (1988). Vanités: photographies de mode des XIXe. et XXe. siècles (1993). Williamson, J., Decoding Advertisements: Ideology and Meaning in Advertising (1978). Winship, J., Inside Women's Magazines (1987).

II.9. Travel and Tourism

An den süssen Ufern Asiens: Ägypten, Palästina, Osmanisches Reich. Reiseziele des 19. Jahrhunderts in frühen Photographien (1988). Beelden van de Oriënt: Fotografie en Toerisme, 1860-1900/Images of the Orient: Photography and Tourism, 1860-1900 (1986). Bouqueret, C., and Livi, F., Le Voyage en Italie: les photographes français en Italie, 1840-1920 (1989). Crouch, D., and Lübbren, N. (eds.), Visual Culture and Tourism (2003). Fabian, R., and Adam, H.-C., Masters of Early Travel Photography (1983). Geary, C. M., and Webb, V.-L. (eds.), Delivering Views: Distant Cultures in Early Postcards (1998). Hershkowitz, R., The British Photographer Abroad: The First Thirty Years (1980). Life Library of Photography: Travel Photography (2nd edn. 1981). Löfgren, O., On Holiday: A History of Vacationing (1999). Nickel, D. R., Francis Frith in Egypt and Palestine: A Victorian Photographer Abroad (2004). Osborne, P. D., Travelling Light: Photography, Travel and Visual Culture (2000). Pemble, J., The Mediterranean Passion: Victorians and Edwardians in the South (1988). Pohl, K., Ansichten der Ferne: Reisephotographie 1850-heute (1983). Rojek, C., and Urry, J. (eds.), Touring Cultures (1997). Selwyn, T. (ed.), The Tourist Image: Myths and Myth-Making in Modern Tourism (1996). Taylor, J., A Dream of England: Landscape, Photography and the Tourist's Imagination (1994). Urry, J., The Tourist Gaze: Leisure and Travel in Contemporary Societies (1990). Zannier, I., Le Grand Tour in the Photographs of Travellers of [the] 19th century (1997).

II.10. Art and Architecture

Ansichten. Standpunkte zur Architekturfotografie: 21 Fotografen zeigen Arbeiten über historische und zeitgenössische Architektur (1994). Billeter, E., Malerei und Photographie im Dialog. 1840 bis heute (1979). Building Images: 75 Years of Photography at Hedrich Blessing (2001). Campany, D. (ed.), Art and Photography (2003). Chadwick, W. (ed.), Mirror Images: Women, Surrealism and Self-Presentation (1998). Coke, Van Deren, The Painter and the Photograph: From Delacroix to Warhol (1972). Cross References: Sculpture into Photography (1987). Desmarais, C., Proof: Los Angeles Art and the Photograph, 1960-1980 (1992). Freeland, C., But is it Art? An Introduction to Art Theory (2001). Galassi, P., Before Photography: Painting and the Invention of Photography (1981). Goldstein, A., and Rorimer, A., Reconsidering the Object of Art: 1965-1975 (1995). Grundberg, A., and Gauss, K. M., Photography and Art: Interactions since 1946 (1987). Haenlein, C.-A., Künstlerphotographien im XX. Jahrhundert (1977). —— (ed.), Dada: Photographie und Photocollage (1979). —— Momentbild: Künstlerphotographie (1982). Hamber, A., ‘A Higher Branch of the Art’: Photographing the Fine Arts in England, 1839-1880 (1995). Hochreiter, O., Im Zeichen des Janus: Portale, Türen und Tore in der Architekturfotografie, 1840-1980 (1986). Jacobson, K., et al., Étude d'après nature: Nineteenth-Century Photographs in Relationship to Art (1996). The Kiss of Apollo: Photography and Sculture, 1845 to the Present (1991). Kosinski, D. (ed.), The Artist and the Camera: Degas to Picasso (2000). Kunst und Photographie: Italienische Kunst von 1960 bis 1980 (1989). Krauss, R., and Livingston, J., L'Amour fou: Photography and Surrealism (1986). Lista, G., Futurism and Photography (2001). Lost Paradise: Symbolist Europe (1995). Maas, J., The Victorian Art World in Photographs (1984). Mason, R. M., and Pinet, H., Pygmalion photographe: la sculpture devant la caméra, 1844-1936 (1985). Misselbeck, R. (ed.), Photographie in der deutschen Gegenwartskunst (1993). Neusüss, F. M., Fotografie als Kunst—Kunst als Fotografie: Das Medium Fotografie in der bildenden Kunst Europas ab 1968 (1979). Nochlin, L., Realism (1971). Orvell, M. (ed.), After the Machine: Visual Arts and the Erasing of Cultural Boundaries (1995). Pare, R., Photography and Architecture, 1839-1939 (1982). Photographie/Sculture (1991). Pultz, J., and Scallen, C.B., Cubism and American Photography, 1910-1930 (1981). Roberts, J. (ed.), The Impossible Document: Photography and Conceptual Art in Britain, 1966-1976 (1997). Robinson, C., and Herschman, J., Architecture Transformed: A History of the Photography of Buildings from 1839 to the Present (1987). Sachsse, R., Photographie als Medium der Architekturinterpretation: Studien zur Geschichte der deutschen Architekturphotographie im 20. Jahrhundert (1984). Scharf, A., Art and Photography (2nd edn. 1974). Schmoll, J. A., Malerei nach Fotografie: Von der camera obscura bis zur Pop Art. Eine Dokumentation (1970). Schulman, J., Architecture and its Photography, ed. P. Gössel (1998). Schwarz, H., Art and Photography: Forerunners and Influences, ed W. E. Parker (1985). Skulptur im Licht der Fotografie: Von Bayard bis Mapplethorpe (1997). Thomas, A., Fact and Fiction: Canadian Painting and Photography, 1860-1900 (1979). Turkle, S., Life on the Screen: Identity in the Age of the Internet (1997). Ungern-Sternberg, M. C., ‘Fotografie-Sponsoring als Einflussgrösse zeitgenössische Kunstgeschichte: Firmenkonzepte zur Förderung der Fotografie’ (Cologne dissertation, 2000). Vaizey, M., The Artist as Photographer (1982). Varnedoe, K., A Fine Disregard: What Makes Modern Art Modern (1990). Venetië, R. van, and Zondervan, A., Geschiedenis van de Nederlandse architectuurfotografie (1989). Vigneau, A., Une brève histoire de l'art de Niépce à nos jours (1963). Wallis, B. (ed.), Art after Modernism: Rethinking Representation (1984). Walther, I. F. (ed.), Art of the 20th Century (2000). Wood, P., Conceptual Art (2002).

II.11. Medical and Scientific

Bourély, F., Hidden Beauty: Microworlds Revealed (2002). Burns, S. B., Early Medical Photography in America, 1839-1883 (1983). Cagnetta, F. (ed.), Nascita della fotografia psichiatrica (1981). Cartwright, L., Screening the Body: Tracing Medicine's Visual Culture (1995). Darius, J., Beyond Vision: One Hundred Historic Scientific Photographs (1984). Didi-Hubermann, G., Invention de l'hystérie: Charcot et l'iconographie photographique de la Salpêtrière (1982). Drury, S., Images of the Earth: A Guide to Remote Sensing (1998). Ewing, W. A., Inside Information: Imaging the Human Body (1996). Fox, D. M., and Lawrence, C., Photographing Medicine: Images and Power in Britain and America since 1840 (1988). Gasser, J., and Burns, S., Photographie et médicine (1991). Gilardi, A., Wanted! Storia, technica e estetica della fotografia criminale, segneletica e giudiziaria (1978). Gilman, S. L. (ed.), The Face of Madness: Hugh W. Diamond and the Origin of Psychiatric Photography (1976). —— Seeing the Insane (1982). —— Health and Illness: Images of Difference (1995). Hope, T., Extreme Photography: The Hottest, Coldest, Fastest, Slowest, Nearest, Farthest, Brightest, Darkest, Largest, Smallest, Weirdest Images in the Universe…And How They Were Taken (2004). Kevles, B. H., Naked to the Bone: Medical Imaging in the Twentieth Century (1997). Malin, D., A View of the Universe (1993). La Mésure du ciel: de la plaque photographique aux techniques spatiales (1987). Morton, R. (ed.), Photography for the Scientist (1984). Otto, L., and Martin, H., 150 Jahre Mikrophotographie (1989). Pasachoff, J. M., and Covington, M. A., The Cambridge Eclipse Photography Guide (1993). Phillips, S. S., Haworth-Booth, M., and Squiers, C., Police Pictures: The Photograph as Evidence (1997). Practical Applications of Infrared Thermal Sensing and Imaging Equipment (1999). Ray, S. (ed.), High Speed Photography and Photonics (1997). Ray, S. (ed.), High Speed Photography and Photonics (1997). —— Scientific Photography and Digital Imaging (2001). Regener, R., Fotografische Erfassung: Zur Geschichte medialer Konstruktionen des Kriminellen (1999). Schuller, M., Reiche, C., and Schmidt, G. (eds.), BildKörper: Verwandlungen des Menschen zwischen Medium und Medizin (1998). Rhodes, H. T. F., Alphonse Bertillon: Father of Modern Scientific Detection (1956). Settles, G. S., Schlieren and Shadowgraph Techniques (2001). Sicard, M., Pujade, R., and Wallach, D., À corps et à raison: photographies médicales, 1840-1920 (1995). Thomas, A. (ed.), Beauty of Another Order: Photography in Science (1997). Walter, I. (ed.), Biomedical Photography (1992). Witkin, J.-P., Masterpieces of Medical Photography: Selections from the Burns Archive (1887).

II.12. Photography and Social Science

Appadurai, A. (ed.), The Social Life of Things: Commodities in Cultural Perspective (1986). Banks, M., Visual Methods in Social Research (2001). —— and Morphy, H. (eds.), Rethinking Visual Anthropology (1997). Banta, M., and Hinsley, C., From Site to Sight: Anthropology, Photography and the Power of Images (1986). Bateson, G., and Mead, M., Balinese Character: A Photographic Analysis (1942). Becker, H., Exploring Society Photographically (1981). Bourdieu, P., Un art moyen: essai sur les usages sociaux de la photographie (1965), trans. S. Whiteside, Photography: A Middlebrow Art (1996). Chalfen, R., A Snapshot View of Life (1987). Collier, J., and Collier, M., Visual Anthropology: Photography as a Research Method (2nd edn. 1986). Edwards, E. (ed.), Anthropology and Photography 1860-1920 (1992). —— Raw Histories: Photographs, Anthropology and Museums (2001). Georges, R. A., and Jones, M. O., People Studying People: The Human Element in Fieldwork (1980). Gross, L. (ed.), Studying Visual Communication (1981). Halle, D., Inside Culture: Art and Class in the American Home (1993). Hitchcock, M., and Norris, L., Bali: The Imaginary Museum. The Photographs of Walter Spies and Beryl de Zoete (1995). Hoskins, J., Biographical Objects: How Things Tell Stories about People's Lives (1998). Isherwood, B., The World of Goods: Towards an Anthropology of Consumption (1978). King, J. C. H., and Lidchi, H. (eds.), Imaging the Arctic (1998). McQuire, S., Visions of Modernity: Representation, Memory, Time and Space in the Age of the Camera (1998). Maresca, S., La Photographie: un miroir des sciences sociales (1996). Morgan, D. M., and Promey, S. M. (eds.), The Visual Culture of American Religions (2001). Peterson, N., and Pinney, C. (eds.), Photography's Other Histories (2003). Pink, S., Doing Visual Ethnography (2001). Prosser, J. (ed.), Image-Based Research (1998). Rochberg-Halton, E., The Meaning of Things: Domestic Symbols and the Self (1981). Rosenblum, B., Photographers at Work: A Sociology of Photographic Style (1978). Smith, V. (ed.), Hosts and Guests: The Anthropology of Tourism (2nd edn. 1989). Sullivan, G., Margaret Mead, Gregory Bateson and Highland Bali: Fieldwork Photographs of Bayung Gedé, 1936-1939 (1999). Theye, T. (ed.), Wir und die Wilden: Einblicke in eine kannibalische Beziehung (1985). —— Der geraubte Schatten: Eine Weltreise im Spiegel der ethnographischen Photographie (1989). Tillema, H. F., A Journey among the Peoples of Central Borneo in Word and Picture, ed. V. T. King (1938, 1989). Wagner, J. (ed.), Images of Information: Still Photography in the Social Sciences (1979).

II.13. Colonialism and Native Peoples

Alison, J. (ed.), Native Nations: Journeys in American Photography.Baker, W., Backward: An Essay on Indians, Time and Photography (1983). Bush, A. L., and Mitchell, L. C., The Photograph and the American Indian (1994). Curtis, E., The North American Indian: Being a Series of Volumes Picturing and Describing the Indians of the United States and Alaska, ed. F. W. Hodge (20 vols., 1907-1930; repr. 1970). Fleming, P. R., and Luskey, J. L., The North American Indians in Early Photographs (1986). —— —— Grand Endeavors of American Indian Photography (1993). Geertz, C., The Interpretation of Cultures (1973). Hight, E., and Sampson, G. (eds.), Colonialist Photography (2002). Hiesinger, U., Indian Lives: A Photographic Record from the Civil War to Wounded Knee (1994). Keegan, M. K., Enduring Culture: A Century of Photography of the Southwest Indians (1990). Kerr, J., and Holder, J. (eds.), Past Present: The National Women's Art Anthology (1999). Kleinert, S., and Neale, M. (eds.), The Oxford Companion to Aboriginal Art and Culture (2000). Landau, P., and Kaspin, D. (eds.), Images and Empire (2003). Lippard, L. (ed.), Partial Recall: Photography and Native North Americans (1992). Lyman, C., The Vanishing Race and Other Illusions: Photographs of Indians by Edward S. Curtis (1982). Mackenzie, J., Propaganda and Empire (1984). —— (ed.), Imperialism and Popular Culture (1986). McLuhan, T. C., Dream Tracks: The Railroad and the American Indian 1890-1930 (1985). Maxwell, A., Colonial Photography and Exhibitions: Representations of the ‘Native’ and the Making of European Identities (1999). Poole, D., Vision, Race and Modernity: A Visual Economy of the Andean Image World (1997). Public Archives of Canada, Arctic Images: The Frontier Photographed, 1860-1911 (1911). Ryan, J. R., Picturing Empire: Photography and the Visualisation of the British Empire (1997). Scherer, J., Indians: Contemporary Photographs of North American Indian Life, 1847-1929 (1974). Silversides, B. V., The Face Pullers: Photographing Native Canadians 1871-1939 (1994). Smith, B., European Vision and the South Pacific, 1768-1850 (1960). Strong Hearts: Native American Visions and Voices (1995). Taylor, P., After 200 Years (1988).

II.14. Miscellaneous Topics

Amelunxen, H. v., Iglhaut, S., and Rötzer, F., Photography after Photography: Memory and Representation in the Digital Age (1996). Botanica: Photographies de végétaux aux XIXe. et XXe. siècles (1987). Buckland, G., The Photographer and the City (1977). —— First Photographs: People, Places and Phenomena Captured for the First Time by the Camera (1980). Burns, S., Sleeping Beauties: Memorial Photography in America (1990). Cavallo, R. M., and Kahan, S., Photography: What's the Law? (2nd edn. 1979). Eauclaire, S., Le Chat en photographie (1991). Ewing, W. A., Danse: chefs d'œuvre de la photographie (1987). —— Flora Photographica (1991). Fischer, A., and Loers, V., Im Reich der Phantome: Fotografie des Unsichtbaren (1997). Ford, C. (ed.), Happy and Glorious: 130 Years of Royal Photography (1977). Fotografía Pública: Photography in Print 1919-1939 (2000). Frosh, P., The Image Factory. Consumer Culture, Photography and the Visual Content Industry (2003). Gérôme, N. (ed.), Archives sensibles: Images et objets du monde industriel et ouvrier (1995). Gross, L., Katz, J. S., and Ruby, J. (eds.), Image Ethics: The Moral Rights of Subjects in Photographs, Film and Television (1988). Hevey, D., The Creatures Time Forgot: Photography and Disability Imagery (1992). Howe, K. S. (ed.), Intersections: Lithography, Photography and the Traditions of Printmaking (1998). Hoy, A. H., Fabrications: Staged, Altered and Appropriated Photographs (1988). Hülsewig-Johnen, J. (ed.), Das Foto als autonomes Bild: Experimentelle Gestaltung 1839-1989 (1989). Hunter, J., Image and Word: The Interactions of Twentieth-Century Photographs and Texts (1987). Hurley, F. J., Industry and the Photographic Image: 153 Great Prints from 1850 to the Present (1980). Iles, C., and Roberts, R., (eds.), In Visible Light: Photography and Classification in Art, Science and the Everyday (1997). Koppen, E., Literatur und Photographie: Über Geschichte und Thematik einer Medienentdeckung (1987). Krauss, R. H., Photographie und Literatur: Zur photographischen Wahrnehmung in deutschsprachigen Literatur des 19. Jahrhunderts (2000). Lalvani, S., Photography, Vision and the Production of Modern Bodies (1996). Lesser, W., Pictures at an Execution: An Inquiry into the Subject of Murder (1995). Lesy, M., Wisconsin Death Trip (1973). Matz, R., Industriephotographie: Aus Firmenarchiven des Ruhrgebiets (1987). Meinwald, D., Memento Mori: Death in Nineteenth Century Photography (1990). Padon, T., et al., Deceits and Fantasies: Contemporary Photography and the Garden (2004). Parr, M., and Stasiak, J., ‘The Actual Boot’: The Photographic Post Card Boom 1900-1920 (1986). Phéline, C., L'Image accusatrice (1985). Photographieren im Bergwerk um 1900 (1998). Photography and the Printed Page in the Nineteenth Century (2000). ‘Punch’ in Camera-Land (1948). Rabb, J., Literature and Photography: Interactions 1840-1990 (1995). Rozenberg, J., Privacy and the Press (2004). Ruby, J., Secure the Shadow: Death and Photography in America (1995). Schwartz, J. M., and Ryan, J. R., (eds.), Picturing Place: Photography and the Geographical Imagination (2003). Silverman, R. (ed.), The Dog Observed: Photographs 1844-1988 (1984). Stafford, B. M., Good Looking: Essays on the Virtue of Images (1996). Taken: Photography and Death (1989). Tenfelde, K. (ed.), Bilder von Krupp: Fotografie und Geschichte im Industriezeitalter (1994). Ullrich, W., Die Geschichte der Unschärfe (2002). Visual Paradox: Truth and Fiction in the Photographic Image (1988). Wanckel, E., Foto- und Bildnisrecht (rev. edn., 2006). Webster, F., The New Photography: Responsibility in Visual Communication (1980). Weiser, J., Photo Therapy Techniques: Exploring the Secrets of Personal Snapshots and Family Albums (1993). Wildlife Photographer of the Year (1991-). Williams, V., and Hobson, G., The Dead (1996).

III.1. Great Britain and Ireland

Badger, G., and Benton-Harris, J., Through the Looking-Glass: Photographic Art in Britain, 1945-1989 (1989). Bartram, M., The Pre-Raphaelite Camera: Aspects of Victorian Photography (1985). Brittain, D., and Stevenson, S., New Scottish Photography (1990). Chandler, E. C., Photography in Dublin during the Victorian Era (1982). —— Through the Brass-Lidded Eye: Ireland and the Irish 1839-1859: The Earliest Images (1989). Flukinger, R., The Formative Decades: Photography in Great Britain 1839-1920 (1985). Ford, C., and Harrison, B., A Hundred Years Ago: Britain in the 1880s in Words and Photographs (1983). Garner, P., A Seaside Album: Photographs and Memory (2003). Green-Lewis, J., Framing the Victorians: Photography and the Culture of Realism (1996). Hannavy, J., The Victorian Professional Photographer (1980). —— A Moment in Time: Scottish Contributions to Photography, 1840-1920 (1983). Harker, M., The Linked Ring: The Secession Movement in Photography in Britain, 1892-1910 (1979). Haworth-Booth, M. (ed.), The Golden Age of British Photography, 1839-1900 (1984). Kelly, S. F., Victorian Lakeland Photographers (1991). Liebenaus, J. (ed.), The challenge of New Technology: Innovation in British Business since 1850 (1988). Macdonald, G., Camera: A Victorian Eyewitness (1979). Pohlmann, U., (ed.), Viktorianische Photographie 1840-1890 (1993). —— (ed.), Zeitgenössische Photographie aus Schottland (1994). Pritchard, M., A Directory of London Photographers 1841-1908 (2nd edn. 1994). The Real Thing: An Anthology of British Photographs 1840-1950 (1975). Seiberling, G., Amateurs, Photography and the Mid-Victorian Imagination (1986). Stevenson, S., et al., Light from the Dark Room: A Celebration of Scottish Photography. A Scottish-Canadian Collaboration (1995). Thomas, C., Views and Likenesses: Early Photographers and their Work in Cornwall and the Isles of Scilly (1988). Weaver, M. (ed.), British Photography in the Nineteenth Century: The Fine Art Tradition (1989). Williams, V., The Other Observers: Women Photographers in Britain, 1900 to the Present (1986).

III.2. Continental Europe and Russia

Abeels, G., Les Pionniers de la photographie à Bruxelles (1977). Alle origine della fotografia: un itinerario toscano, 1839-1880 (1989). Allshouse, R. H., Photographs for the Tsar: The Pioneering Color Photography of Sergei Mikhailovich Prokudin-Gorskii Commissioned by Tsar Nicholas II (1980). Aspetti della fotografia toscana dell'Ottocento (1976). Barchatova, Y., et al., A Portrait of Tsarist Russia: Unknown Photographs from the Soviet Archives (1990). Beaugé, G., La Photographie en Provence, 1839-1895 (1995). Becchetti, P., Fotografi e fotografia in Italia, 1839-1880 (1978). —— La fotografia a Roma dalle origini al 1915 (1983). Beke, L., Szilágyi, G., and Töry, K., The Hungarian Connection: The Roots of Photojournalism, ed. C. Ford (1987). Bertonati, E., Das experimentelle Photo in Deutschland 1918-1940 (1978). Birgus, V. (ed.), Czech Photographic Avant-Garde 1918-1948 (2002). Bouqueret, C., Des années folles aux années noires: la Nouvelle Vision photographique en France, 1920-1940 (1997). —— Les Femmes photographes de la Nouvelle Vision en France 1920-1940 (1998). Les ‘Buveurs d'air’: photographies des excursionnistes marseillais 1897-1937 (1998). Castro, F. Di, Nel raggio dell'utopia: l'esperienza fotografica ungherese tra le due guerre (1987). Coke, Van Deren, Avant-Garde Photography in Germany, 1919-1939 (1980). Coppens, J., Een camera vol stilte: Nederland in het begin van de fotografie, 1839-1875 (1976). —— et al., Introductie en integratie van de Fotografie in België en Nederland, 1839-1869 (1989). Costantini, P., and Zannier, I., Venezia nella fotografia dell'ottocento (1986). Couderc, J.-M., et al., A Village in France: Louis Clergeau's Photographic Portrait of Daily Life in Pontlevoy, 1910-1936, trans. W. Wood (1996). Cuatro direcciones: fotografía contemporánea española, 1970-1990 (2 vols., 1991). Denhez-Apélian, D., La Photographie à Montpellier au XIXe siècle (1983). Derenthal, L., Bilder der Trümmer- und Aufbaujahren: Fotografie im sich teilenden Deutschland (1999). Dewitz, B. v., Siegert, D., and Schuller-Procopovici, K. (eds.), Italien sehen und sterben: Photographien der Zeit des Risorgimento (1845-1870) (1994). Draussen vor der Tür: Fotografien zum Kriegsende (1995). Elliott, D. (ed.), Photography in Russia 1840-1940 (1992). English, D. E., Political Uses of Photography in the Third French Republic: 1871-1914 (1984). Erlandsen, R., Pas nu paa! Nu tar jeg fra Hullet: Norsk fotohistorie, 1839-1940 (2003). Eskildsen, U. (ed.), Fotografieren hiess teilnehmen: Fotografinnen der Weimarer Republik (1994). —— and Horak, J.-C. (eds.), Film und Foto der zwanziger Jahre: Eine Betrachtung der internationalen Werkbundausstellung ‘Film und Foto’ 1929 (1979). Faber, M., and Kroutvor, J., Photographie der Moderne in Prag (1991). Fotografie in Nederland, 1839-1920 (1978). Fiedler, J. (ed.), Fotografie am Bauhaus (1990). Fontanella, L., Historia de la fotografía en España, desde sus orígenes hasta 1900 (1981). Fontcuberta, J., and Zelich, C., Photographies catalanes des années trente (1982). Fotografia pittorica, 1889-1911 (1979). The Frozen Image: Scandinavian Photography (1982). Gebhardt, H., Königlich bayerische Photographie, 1838-1918 (1978). Gesichter einer verlorenen Welt: Fotos aus dem Leben des polnischen Judentums (1982). Haenlein, C. (ed.), Photographie und Bauhaus (1986). Helsted, D. (ed.), Rome in Early Photographs: The Age of Pius IX, Photographs 1846-1878 from Roman and Danish Collections (1977). Herz, R., and Bruns, B. (eds.), Hof-Atelier Elvira 1887-1928: Ästheten, Emanzen, Aristokraten (1985). —— and Halfbrodt, D., Fotografie und Revolution: München 1918/19 (1988). Hoerner, L., Das photographische Gewerbe in Deutschland, 1839-1914 (1989). Höfel, K. op ten, and Neite, W., In unnachahmlicher Treue: Photographie im 19. Jahrhundert, ihre Geschichte in den deutschsprachigen Ländern (1979). Hoffman, D., and Thiele, J. (eds.), Lichtbilder Lichtspiele: Anfänge der Fotografie und des Kinos in Ostfriesland (1989). Honnef, K., and Breymayer, U. (eds.), Ende und Anfang: Photographen in Deutschland um 1945 (1995). —— Sachsse, R., and Thomas, K. (eds.), German Photography 1870-1970: Power of a Medium (1997). Hopkinson, A. (ed.), Reflections by Ten Portuguese Photographers (1996). Images inventées: la photographie créative belge dans les années quatre-vingt (1990). Internationale Ausstellung des Deutschen Werkbundes: Film und Foto Stuttgart 1929, introd. K. Steinorth (1979). Jaeger, J., Gesellschaft und Photographie: Formen und Funktionen der Photographie in Deutschland und England 1839-1960 (1996). Jammes, A., and Sobieszek, R., French Primitive Photography (1970). Kaufhold, E., Bilder des Übergangs: Zur Mediengeschichte von Fotografie und Malerei in Deutschland um 1900 (1986). Kemp, W., and Neusüss, F. (eds.), Kassel 1850 bis heute: Fotografie in Kassel—Kassel in Fotografien (1981). Kempe, F., Vor der Kamera: Zur Geschichte der Fotografie in Hamburg (1976). —— Kunstfotografie um 1900 in Deutschland (1982). King, D., The Commissar Vanishes: The Falsification of Photographs and Art in Stalinist Russia (1997). Klemz, W., Photokina: Gründung, Entwicklung, Erfolg. Eine Dokumentation (1980). Kopanski, K.W., and Phillipp, C.G. (eds.), Meisterwerke russicher und deutscher Kunstphotographie um 1900: Sergei Lobovikov und die Brüder Hofmeister (1999). Kuehn, K.G., Caught: The Art of Photography in the German Democratic Republic (1997). Kühn, W., Die photographische Industrie Deutschlands, wirtschaftsgeschichtlich gesehen (1929). Kukkonen, J., and Vuorenmaa, T.-J. (eds.), Valoa: Otteita suomalaisen valokuvan historiaan 1839-1999 (1999). Kunstfotografie um 1900 in Deutschland.Loetscher, H., Photographie in der Schweiz von 1840 bis heute (2nd edn. 1992). López Mondéjar, P., Fotografía y sociedad en la España del siglo XIX (1989). —— Fotografía y sociedad en España, 1900-1939 (1992). —— Fotografía y sociedad en la España de Franco, trans. L. Watson, Photography in Franco's Spain (1996). —— Historia de la fotografía en España (c.1997). McCauley, E.A., Industrial Madness: Commercial Photography in Paris 1848-1871 (1994). Magelhaes, C., and Roosens, L., De fotokunst in Belgie 1839-1940 (1970). Matz, R., Industriephotographie: Aus Firmenarchiven des Ruhrgebiets (1987). Mellor, D. (ed.), Germany: The New Photography, 1927-33 (1978). Meyer, A. (ed.), Der Blick des Besatzers: Propagandaphotographie der Wehrmacht aus Marseilles 1942-1944 (1999). Milde, H., Dresdner Atelier-Fotografie zwischen 1860 und 1914 (1991). Molderings, H., Fotografie in der Weimarer Republik (1988). Mondenard, A.de, La Mission Héliographique: cinq photographes parcourent la France en 1851 (2002). Morozov, S., and Lloyd, V., Soviet Photography 1917-1940: The New Photojournalism (1984). Mražkova, D., and Remeš, V., Tschechoslowakische Fotografen, 1900-1940 (1983). —— —— Another Russia: Through the Eyes of the New Soviet Photographers, introd. I. Jeffrey (1986). Nori, C., La Photographie française des origines à nos jours (2nd edn. 1988). Ochsner, B., Fotografiet i Danmark, 1840-1940: en kulturhistorisk billedbog (1974). —— Fotografer i og fra Danmark til og med år 1920/Les Photographes au et du Danemark jusqu'en 1920 (1986). Pellerin, D., La Photographie stéréoscopique sous le second Empire (1995). Peters, O., Neue Sachlichkeit und Nationalsozialismus: Affirmation und Kritik 1931-1947 (1998). Peters, U., Stilgeschichte der Fotografie in Deutschland 1839-1900 (1979). Photographies hongroises des romantismes aux avant-gardes (2001). Poivert, M., Le Pictorialisme en France (1992). Regards sur la photographie en France au XIXe siècle (1980). Revolution und Fotografie: Berlin 1918/19 (1989). Reynaud, F., Tambrun, C., and Timby, K., Paris in 3D: From Stereoscopy to Virtual Reality, 1850-2000 (2000). Ritter, D., Venise: Photographies anciennes, 1841-1920, trans. A.-M. Mourot (1994). Rouillé, A., L'Empire de la photographie, 1839-1870 (1982). —— (ed.), La Photographie en France: anthologie de la critique photographique 1839-1880 (1989). Sandbye, M. (ed.), Dansk Fotografihistorie (2004). Savulescu, C., Cronologia ilustrata a fotografiei din Romania, 1834-1916 (1985). Scheufler, P., Praha, 1848-1914: Essays on the History of Photography (1986). Schiller, A., Das Photographengewerbe in Deutschland (1923). Schuller-Procopovici, K. (ed.), Das Land der Griechen mit der Seele suchen: Photographien des 19. und 20. Jahhunderts (1990). Siza, M.T., and Weiermair, P. (eds.), Livro de viagens: Portugiesische Photographie seit 1854 (1997). Söderberg, R., Den Svenska Fotografins Historia, 1840-1940 (1983). Stathatos, J., The Invention of Landscape: Greek Landscape & Greek Photography, 1870-1995 (1996). —— Image and Icon: The New Greek Photography 1975-1995 (1997). Starl, T. (ed.), Geschichte der Fotografie in Österreich (2 vols., 1983). Tory, C., La Photographie hongroise, 1900-1945/ Hungarian Photography between 1900 and 1945 (1985). Tupitsyn, M., The Soviet Photograph (1996). Vercheval, G. (ed.), Pour une histoire de la photographie en Belgique (1993). Waibl, G., ‘Photographie und Geschichte. Sozialgeschichte der Photographie in Südtirol 1919-1945’ (Vienna D.Phil. diss., 2 vols., 1985). Walker, I., City Gorged with Dreams: Surrealism and Documentary Photography in Interwar Paris (2002). Winkler, S., Blickfänge einer Reise nach Wien: Fotografien 1860-1910 aus den Sammlungen des Historischen Museums der Stadt Wien (2000). Winkler, S. (ed.), Sowjetische Fotografie der 1920er/1930er Jahre. Von Piktorialismus und Modernismus zum Sozialistischen Realismus (2002). Wolter, B.-M., et al. (eds.), Die grosse Utopie: Die russische Avantgarde 1915-1932 (1992). Xanthakis, A., History of Greek Photography (1988). Zannier, I., 70 anni di fotografia in Italia (1978). —— and Costantini, P., Cultura fotografica in Italia (1985). Zelizer, B., Remembering to Forget: Holocaust Memory through the Camera's Eye (1998). Zuckriegl, M., Laterna Magica: Einblicke in eine Tschechische Fotografie der Zwischenkriegszeit (2001).

III.3. North America

Andrews, R. W., Photographers of the Frontier West: Their Lives and Works 1875-1915 (1965). Banta, A., A Curious and Ingenious Art: Reflections on Daguerreotypes at Harvard (2000). Bezner, L. C., Photography and Politics in America: From the New Deal into the Cold War (1999). Brey, W. and M., Philadelphia Photographers 1840-1900 (1992). Buerger, J.E., The Last Decade: The Emergence of Art Photography in the 1890s (1984). Bunnell, P. C., Degrees of Guidance: Essays on Twentieth-Century American Photography (1993). —— (ed.), A Photographic Vision: Pictorial Photography 1889-1923 (1980). —— (ed.), The Art of Pictorial Photography, 1890-1925 (1992). Castleberry, M. (ed.), Perpetual Mirage: Photographic Narratives of the Desert West (1996). Cavell, E., Sometimes a Great Nation: A Photo Album of Canada, 1850-1925 (1984). Coke, Van Deren, Photography in New Mexico from the Daguerreotype to the Present (1979). Collins, K. (ed.), Shadow and Substance: Essays on the History of Photography in Honor of Heinz K. Henisch (1990). Cousineau-Levine, P., Faking Death: Canadian Art Photography and the Canadian Imagination (2003). Current, K. and W., Photography and the Old West (1978). Cutcliffe, S. H., and Reynolds, T. S. (eds.), Technology and American History (1997). Davidov, J.F., Women's Camera Work: Self/Body/Other in American Visual Culture (1998). Doty, R., Photo-Secession: Stieglitz and the Fine-Art Movement in Photography (1960). —— Photography in America (1974). Earle, E. W. (ed.), Points of View: The Stereograph in America—a Cultural History (1979). Eauclaire, S., The New Color Photography (1981). Finkel, K., Nineteenth-Century Photography in Philadelphia: 250 Historic Prints from the Library Company of Philadelphia (1980). Foresta, M., American Photographs: The First Century (1996). Gee, H., Photography of the Fifties: An American Perspective (1980). Gover, C.J., The Positive Image: Women Photographers in Turn of the Century America (1988). Greenhill, R., Early Photography in Canada (1965). —— and Birrell, A., Canadian Photography, 1839-1920 (1979). Guimond, J., American Photography and the American Dream (1991). Hales, P., Silver Cities: The Photographs of American Urbanization, 1839-1915 (1984). Homer, W. I. (ed.), Pictorial Photography in Philadelphia: The Pennsylvania Academy's Salons 1898-1901 (1984). Jenkins, R. V., Images and Enterprise: Technology and the American Photographic Industry, 1839-1925 (1975). Kasher, S., The Civil Rights Movement: A Photographic History, 1954-68 (1996). Koja, S. (ed.), America: The New World in Nineteenth-Century Painting (1999). Koltun, L. (ed.), Private Realms of Light: Amateur Photography in Canada, 1839-1940 (1984). Livingston, J., The New York School: Photographs 1936-1963 (1992). Mangan, T. W., California Photographers 1852-1920 (1977). Mattison, D., Camera Workers: The British Columbia Photographers Directory 1858-1900 (1984). Natanson, N., The Black Image in the New Deal: The Politics of FSA Photography (1992). Neumaier, D. (ed.), Reframings: New American Feminist Photographies (1995). Orvell, M., The Real Thing: Imitation and Authenticity in American Culture, 1880-1940 (1989). Palmquist, P. (ed.), Camera Fiends and Kodak Girls: Fifty Selections by and about Women in Photography, 1840-1930 (1989). Panzer, M., Philadelphia Naturalistic Photography, 1865-1906 (1982). Peeler, D., The Illuminating Mind in American Photography: Stieglitz, Strand, Weston, Adams (2001). Peterson, C. A., After the Photo-Secession: American Pictorial Photography, 1910-1955 (1997). Pitts, T., Photography in the American Grain: Discovering a Native American Aesthetic, 1923-1941 (1988). Read, D., Japanese Photography in America, 1920-1940 (1985). Rudisell, R., The Mirror Image: The Influence of the Daguerreotype on American Society (1971). Sandeen, E. J., Picturing an Exhibition: ‘The Family of Man’ and 1950s America (1995). Sandler, M. W., Against the Odds: Women Pioneers in the First Hundred Years of Photography (2002). Sandweiss, M. A. (ed.), Photography in Nineteenth-Century America (1991). —— Print the Legend: Photography and the American West (2002). Schloss, C., In Visible Light: Photography and the American Writer, 1840-1940 (1987). Smith, J. P., and Foresta, M. A., The Photography of Invention: American Pictures of the 1980s (1989). Smith, S. M., American Archives: Gender, Race and Class in Visual Culture (1999). Snyder, J., and Munson, D., The Documentary Photograph as a Work of Art: American Photographs, 1860-1976 (1976). Sternberger, P. S., Between Amateur and Aesthete: The Legitimization of Photography as Art in America, 1880-1900 (2001). Stryker, R., and Wood, N., In This Proud Land: America 1935-1943 as Seen in the FSA Photographs (1975). Szarkowski, J., Mirrors and Windows: American Photography since 1960 (1978). Taft, R., Photography and the American Scene (1938). Trachtenberg, A., Reading American Photographs: Images as History from Mathew Brady to Walker Evans (1989). Traub, C., and Grimes, J., The New Vision: Forty Years of Photography at the Institute of Design (1981). Travis, D., Photography Rediscovered: American Photographs, 1900-1930 (1979). —— and Siegel, E. (eds.), Taken by Design: Photographs from the Institute of Design, 1937-1971 (2002). Turner, P., American Images: Photography 1945-1980 (1985). Welling, W. B., Photography in America: The Formative Years, 1839-1900 (1978). Wexler, L., Tender Violence: Domestic Visions in an Age of US Imperialism (2000). Willis, D. (ed.), Picturing Us: African American Identity in Photography (1994). —— Reflections in Black: A History of Black Photographers 1840 to the Present (2000). Winkler, A.M., The Politics of Propaganda: The Office of War Information, 1942-1945 (1978). Without Sanctuary: Lynching Photography in America (2000). Wood, J. (ed.), America and the Daguerreotype (1991).

III.4. Latin America

Alexander, A., Las primeras exposiciones de daguerreotipos en Argentina (1989). Arboleda, C.P., Latin America: Photographs (1993). Barroso, M., Historia documentada de la fotografia en Venezuela (1995). Billeter, E., Fotografie lateinamerika, 1860-1993: canto a la realidad (1994). Camargo, M. J. de, Fotografia: cultura e fotografia paulista no século XX (1992). Carvalho, M. L., Novas travessias: Contemporary Photography in Brazil (1995). Castellote, A., et al., Memoria visual de los andes peruanos: fotografias 1900-1950 (1994). Castro, F., and Viera, R., Broken Vessel: Eleven Contemporary Peruvian Photographers (1995). Center for Cuban Studies, New York, Cuban Photography, 1959-1982 (1983). Conger, A., and Poniatowski, E., Compañeras de México: Women Photograph Women (1990). Covington, P. (ed.), Latin American and Caribbean Studies: A Critical Guide to Research Resources (1991). Davidson, M., et al., Picture Collections. Mexico: A Guide to Picture Sources in the United Mexican States (1988). Eder, R., et al., Imagen histórica de la fotografía en México (1978). Facio, S., La fotografía en la Argentina (1985). —— La fotografía, 1840-1930: historia general del arte en la Argentina (1988). —— La fotografía en la Argentina: desde 1840 a nuestros dias (1995). Ferrer, E., A Shadow Born of Earth: New Photography in Mexico (1993). Ferrez, G., Photography in Brazil, 1840-1900 (1984). —— and Naef, W. J., Pioneer Photographers of Brazil, 1840-1920 (1976). García, O., Fotografías para la historia de Puerto Rico, 1844-1952 (1989). Gesualdo, V., Historia de la fotografía in América (1990). Gómez, J., La fotografía en la Argentina: su historia y evolución en el siglo XIX, 1840-1899 (1986). Granesse Philips, J. L., Fotografía chilena contempóranea (1985). Guzmán, F., and Sequera, A.J., Orígenes de la fotografía en Venezuela (1978). Hassner, R., et al., Mexikansk fotografi (1983). Haya, M. E., Cuba: la fotografía de los años 60 (1988). —— et al., Obra gráfica: historia de la fotografía cubana (1979). Kossoy, B., Origens expansão da fotografia no Brasil, seculo XIX (1980). —— Fotografia e história (1989). Levine, R.M. (ed.), Windows on Latin America: Understanding Society through Photographs (1987). —— Images of History: Nineteenth- and Early Twentieth-Century Latin American Photographs as Documents (1989). McElroy, K., The History of Photography in Peru in the Nineteenth Century, 1839-1876 (2 vols., 1977). —— Early Peruvian Photography: A Critical Case Study (1985). McNeil, R.A. (ed.), Latin American Studies: A Basic Guide to Sources (1990). Merewether, C., Portrait of a Distant Land: Aspects of Contemporary Latin American Photography (1984). —— A Marginal Body: The Photographic Image in Latin America (1987). Meyer, E., et al., Imagen histórica da la fotografía en México (1978). Molina, J.A., Siete fotógrafos cubanos/Seven Cuban Photographers (1996). Mraz, J., México, 1910-1960: Brehme, Casasola, Kahlo, López, Modotti (1992). —— La mirada inquieta: el nuevo fotoperiodismos mexicano, 1976-1996 (1996). Naggar, C., and Ritchin, F., México through Foreign Eyes/Visto por ojos extranjeros, 1850-1990 (1993). Ollman, A., Other Images, Other Realities: Mexican Photography since 1930 (1990). Orive, M. C., Libros fotográficos de autores latinoamericanos (1981). La Photographie contemporaine en Amérique Latine (1982). Poole, D., Vision, Race and Modernity: A Visual Economy of the Andean Image World (1997). Priamo, L., Archivo fotográfico del ferrocaril de Santa Fe, 1891-1948 (1991). —— Los años del daguerrotipo: primeras fotografías argentinas, 1843-1870 (1995). Rodríguez, B., Images of Silence: Photography from Latin America and the Caribbean in the 80s (1989). Rubiano, R., La Huella, T., et al., Crónica de la fotografía en Colombia, 1841-1948 (1983). Ruiz, D., Fotografía colombiana (1978). Salcedo-Mitrani, L., Africa's Legacy: Photographs in Brazil and Peru (1995). Schulz, R., Cuba 1959-1992: Fotografien (1992). Serrano, E., Historia de la fotografía en Colombia (1983). Szankay, L., et al., Nicht nur Tango: Argentinische Fotografie 1985-1995 (1996). Vasquez, P., Dom Pedro II e a fotografia no Brasil (1985). —— Brazilian Photography in the Nineteenth Century (1988). —— Mestres da fotografia no Brasil: Coleção Gilberto Ferrez (1995). Watriss, W., and Zamora, L. P. (eds.), Image and Memory: Photography from Latin America, 1866-1994 (1998). Ziff, T. (ed.), Between Worlds: Contemporary Mexican Photography (1990).

III.5. The Middle East and Africa

Anthology of African and Indian Ocean Photography (Eng. edn. 1999). Aubenas, S., Voyage en Orient (1999). Behrend, H., and Wendl, T., Snap Me One! Studio Photographers in Africa (1998). Bensusan, A. D., Silver Images: History of Photography in Africa (1966). Bull, M., and Denfield, J., Secure the Shadow: The Story of Cape Photography from its Beginnings to the End of 1870 (1970). —— and Lorimer, D., Up the Nile: A Photographic Excursion. Egypt 1839-1898 (1979). Çizgen, E., Photography in the Ottoman Empire, 1839-1919 (1987). Graham-Brown, S., Images of Women: The Portrayal of Women in Photography of the Middle East, 1860-1950 (1988). Hartmann, W., Hayes, P., and Silvester, J. (eds.), The Colonialising Camera: Photographs in the Making of Namibian History (1998). Howe, K.S., Excursions along the Nile: The Photographic Discovery of Ancient Egypt (1993). —— Revealing the Holy Land: The Photographic Exploration of Palestine (1997). Lundstrom, J.-E. (ed.), Democracy's Images: Photography and Visual Art after Apartheid (1998). Monti, N. (ed.), Africa Then: Photographs, 1840-1918 (1987). Nimis, E., Photographes de Bamako de 1935 à nos jours (1998). Nir, Yeshayahu, The Bible and the Image: The History of Photography in the Holy Land, 1839-1899 (1985). Onne, E., Photographic Heritage of the Holy Land, 1839-1914 (1980). Pankhurst, R., and Gérard, D., Ethiopia Photographed: Historic Photographs of the Country and its People Taken between 1867 and 1935 (1996). Perez, N. N., Focus East: Early Photography in the Near East, 1839-1885 (1988). Vaczek, L. C., and Buckland, G., Travellers in Ancient Lands: A Portrait of the Middle East, 1839-1919 (1981). Wilson, F. (ed.), South Africa, the Cordoned Heart: Essays by 20 South African Photographers (1986).

III.6. Australasia, Antarctica, and Oceania

Abramson, J., Photographers of Old Hawai (3rd edn. 1981). Annear, J. (ed.), Portraits of Oceania (1997). Blanton, C. (ed.), Picturing Paradise: Colonial Photography of Samoa, 1875-1925 (1995). Cato, J., The Story of the Camera in Australia (3rd edn, 1979). Davies, A., and Stanbury, P., The Mechanical Eye in Australia: Photography 1841-1900 (1985). Davis, L., Na Pa'i Ki'i: The Photographers in the Hawaiian Islands 1845-1900 (1980). Engelhard, J., and Mesenhöller, P. (eds.), Bilder aus dem Paradies: Koloniale Fotographie aus Samoa 1875-1925 (1995). Holden, R., Photography in Colonial Australia: The Mechanical Eye and the Illustrated Book (1988). Kakou, S., Découverte photographique de la Nouvelle-Calédonie 1848-1900 (1998). Kleinert, S., and Neale, M. (eds.), The Oxford Companion to Aboriginal Art and Culture (2000). Knight, H., Photography in New Zealand: A Social and Technical History (1971). Main, W., and Turner, J. B., New Zealand Photographers from the 1840s to the Present (1993). Meyer, A. B., and Parkinson, R. (eds.), Album von Papua Typen, Neu Guinea und dem Bismarck-Archipel (2 vols., 1894, 1900). Murphy, S., Newton, G., and Gray, M., South with Endurance: Shackleton's Antarctic Expedition 1914-1917. The Photographs of Frank Hurley (2001). Newton, G., Silver and Grey: Fifty Years of Australian Photography 1900-1950 (1980). O'Reilly, P., Les Photographes à Tahiti et Leurs œuvres, 1842-1962 (1981). Stephen, A., Pirating the Pacific: Images of Travel, Trade and Tourism (1994). Stephenson, E., Fiji's Past on Picture Postcards (1994).

III.7. Indian Subcontinent

Dehejiya, V., et al., India through the Lens: Photography 1840-1911 (2000). Desmond, R., Victorian India in Focus: A Selection of Early Photographs from the India Office Library and Records (1982). Embree, A., and Worswick, C., The Last Empire: Photography in British India, 1855-1911 (1976). Falconer, J., India: Pioneering Photographers, 1850-1900 (2002). Gutman, J. M., Through Indian Eyes: 19th- and Early 20th-Century Photography from India (1982). Pelizzari, M. A. (ed.), Traces of India: Photography, Architecture and the Politics of Representation, 1850-1900 (2003). Pinney, C., Camera Indica: The Social Life of Indian Photographs (1997). Thomas, G., History of Photography: India 1840-1980 (1981). Worswick, C., Princely India: Photographs by Raja Deen Dayal, 1884-1910 (1980).

III.8. China, Japan, and South-East Asia

Banta, M., and Taylor, S. (eds.), A Timely Encounter: Nineteenth-Century Photographs of Japan (1988). Borhan, P., and Iizawa, K., La Photographie japonaise de l'entre deux guerres: du pictorialisme au modernisme (1990). Capa, C., Behind the Great Wall of China: Photographs from 1870 to the Present (1972). De la Mer de Chine au Tonkin, photographies 1886-1904 (1996). Fuku, N., An Incomplete History: Women Photographers from Japan, 1864-1997 (1998). Iizawa, K., Japanese Contemporary Photography: Twelve Viewpoints (1990). Japan Photographers Association, A Century of Japanese Photography, introd. J. W. Dower (1980). Kaneko, R., Japanische Photographie, 1860-1929 (1993). —— Modern Photography in Japan, 1915-1940, ed. D. Klochko (2001). Kohmoto, S. (ed.), Images in Transition: Photographic Representation in the Eighties (1990). Nawigamune, A., Early Photography in Thailand (1988). Phillips, C., and Hung, W., Between Past and Future: New Photography and Video from China (2004). Reed, J. L. (ed.), Toward Independence: A Century of Indonesia Photographed (1991). Ryuichi, K., Innovation in Japanese Photography in the 1960s (1991). Spielmann, H. (ed.), Die japanische Photographie: Geschichte, Themen, Strukturen (1984). Stearns, R. (ed.), Photography and Beyond in Japan: Space, Time and Memory (1994). Szarkowski, J., and Yamagishi, S. (eds.), New Japanese Photography (1974). Thiriez, R., Barbarian Lens: Western Photographers of the Qianlong Emperor's European Palaces (1998). Tucker, A. W., et al., The History of Japanese Photography (2003). Worswick, C., Imperial China: Photographs 1850-1912 (1978). Yamamoto, K. (ed.), Photographic Aspect of Japanese Art Today (1978). Yokoe, F., Japanese Photography in the 1970s (1991).