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Setting Sons

 
Album Review: Setting Sons

  • Artist: The Jam
  • Rating: StarStarStarStarStar
  • Release Date: November 16, 1979
  • Total Time: 32:31
  • Type: Lyrics are included with the album
  • Genre: Rock

Review

The Jam's Setting Sons was originally planned as a concept album about three childhood friends who, upon meeting after some time apart, discover the different directions in which they've grown apart. Only about half of the songs ended up following the concept due to a rushed recording schedule, but where they do, Paul Weller vividly depicts British life, male relationships, and coming to terms with entry into adulthood. Weller's observations of society are more pointed and pessimistic than ever, but at the same time, he's employed stronger melodies with a slicker production and comparatively fuller arrangements, even using heavy orchestration for a reworked version of Bruce Foxton's "Smithers-Jones." Setting Sons often reaches brilliance and stands among the Jam's best albums, but the inclusion of a number of throwaways and knockoffs (especially the out-of-place cover of "Heat Wave" which closes the album) mars an otherwise perfect album. ~ Chris Woodstra, All Music Guide

Tracks

Track TitleComposersPerformersTime
Girl on the Phone (Lyrics) Paul Weller The Jam (2:57)
Thick as Thieves (Lyrics) Paul Weller The Jam (3:40)
Private Hell (Lyrics) Paul Weller The Jam (3:51)
Little Boy Soldiers (Lyrics) Paul Weller The Jam (3:33)
Wasteland (Lyrics) Paul Weller The Jam (2:52)
Burning Sky (Lyrics) Paul Weller The Jam (3:32)
Smithers-Jones (Lyrics) Bruce Foxton The Jam (3:00)
Saturday's Kids (Lyrics) Paul Weller The Jam (2:53)
The Eton Rifles Paul Weller The Jam (3:59)
(Love Is Like A) Heat Wave Lamont Dozier, Eddie Holland, Brian Holland The Jam (2:24)

Credits

The Jam (Producer), The Jam (Main Performer), Bruce Foxton (Bass), Bruce Foxton (Vocals), Rick Buckler (Drums), George Chambers (Assistant Engineer), Mick Talbot (Piano), Paul Weller (Guitar), Paul Weller (Keyboards), Paul Weller (Vocals), Steve Rudi (Saxophone), Pete Schwier (Assistant Engineer), Peter Solley (String Arrangements), Peter Solley (String Score), Roger Wake (Remixing), Roger Wake (Digital Remastering), Vic Coppersmith-Heaven (Arranger), Vic Coppersmith-Heaven (Producer), Vic Coppersmith-Heaven (Engineer), Vic Coppersmith-Heaven (Remixing), Bill Smith (Art Direction), Bill Smith (Cover Design), Bill Smith (Original Sleeve Design), Bill Smith (Sleeve Design), Simon Halfon (Sleeve Remix), Andrew Douglas (Photography), Andrew Douglas (Cover Photo), Andrew Douglas (Sleeve Photo), Dennis Munday (Reissue Coordination), Dennis Munday (Reissue Coordinator), Rudi (Saxophone), Pat Gilbert (Liner Notes), Bill Airey Smith (Art Direction), Bill Airey Smith (Design), Mike Laye (Photography), Alan Douglas (Engineer), Alan Douglas (Remixing)
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Wikipedia: Setting Sons
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Setting Sons
Studio album by The Jam
Released 17 November 1979
Recorded 15 August 1979 - 10 October 1979
Genre Punk rock, Mod Revival
Length 32:31
Label Polydor Records
Producer Vic Coppersmith-Heaven
Professional reviews
The Jam chronology
All Mod Cons
(1978)
Setting Sons
(1979)
Sound Affects
(1980)

Setting Sons is the fourth album by British punk/New Wave band The Jam. The group's critical and commercial favour, begun with their third album, All Mod Cons, continued through this album. "The Eton Rifles" became the group's first top 10 UK hit, peaking at #3.

In contrast to its pop-oriented predecessor, this album features a much harder, tougher production, albeit with the overarching melodicism common throughout The Jam's discography. Arguably, this is their most ambitious LP. Singer, guitarist, and songwriter Paul Weller conceived it as a concept album about three boyhood mates who later reunite as adults after a war to discover they had grown up and apart. This wasn't carried through to completion, and it is unclear exactly which tracks are part of the concept, though it is commonly agreed that "Thick As Thieves", "Little Boy Soldiers", "Wasteland", and "Burning Sky" are the obvious constituents, indeed there exists among bootlegs a version of "Little Boy Soldiers" split into three separate recordings which begs the idea that each part of the song had originally intended to be spread out across the album.

Beyond its lyrical ambition, which was inspired by poets such as T.S.Eliot, it had high musical aspirations. "Little Boy Soldiers" is a multi-movement pop song inspired by The Kinks. "Wasteland" features the unconventional instrument of the recorder. Even more striking is Bruce Foxton's "Smithers-Jones". Widely considered the bassist's finest songwriting three minutes, the song was originally released as the B-side to the non-LP single "When You're Young" months before the album's release, and is here redone in an all-strings arrangement, save a bit of electric guitar in the coda. According to the liner notes of the Direction Reaction Creation box set, the revamping of "Smithers-Jones" was suggested by drummer Rick Buckler.

According to those same notes, this album was a somewhat rushed affair, which may explain why the concept wasn't carried to full fruition and the noticeable lack of original material: "Smithers-Jones" had seen prior single release; "Heat Wave" is a cover of the Martha and the Vandellas' Motown hit. Further excluding "The Eton Rifles", which was released in advance of the LP to help promote its release, there are only seven all-new original songs. However, previous release All Mod Cons was similar in using previous material.

Despite this, however, the album sounds terrific and remains one of The Jam's most critically favoured works alongside All Mod Cons and Sound Affects. The only song particularly singled out for negative criticism is the cover of "Heat Wave", which clearly owes more to The Who's arrangement than the original. As Allmusic put it, "Setting Sons often reaches brilliance and stands among The Jam's best albums, but the inclusion of a number of throwaways and knockoffs (especially the out-of-place cover of "Heat Wave" which closes the album) mars an otherwise perfect album."[1] Nevertheless, Allmusic gave the album the full five stars.

The Polydor Canada LP release of Setting Sons is substantially different from the original UK version, and contains 12 tracks.

Contents

UK track listing

All songs by Paul Weller except as noted.

Side one

  1. "Girl On The Phone"
  2. "Thick As Thieves"
  3. "Private Hell"
  4. "Little Boy Soldiers"
  5. "Wasteland"

Side two

  1. "Burning Sky"
  2. "Smithers-Jones" (Bruce Foxton)
  3. "Saturday's Kids"
  4. "The Eton Rifles"
  5. "Heat Wave" (Holland-Dozier-Holland)

Polydor Canada track listing

All songs by Paul Weller except as noted.

Side one

  1. "Strange Town"
  2. "Saturday's Kids"
  3. "Little Boy Soldiers"
  4. "The Eton Rifles"
  5. "Girl On The Phone"
  6. "Heat Wave" (Holland-Dozier-Holland)

Side two

  1. "Smithers-Jones" (Bruce Foxton)
  2. "Private Hell"
  3. "The Butterfly Collectors"
  4. "Burning Sky"
  5. "Thick As Thieves"
  6. "Wasteland"

2001 re-release track listing

  1. "Girl on the Phone"
  2. "Thick As Thieves"
  3. "Private Hell"
  4. "Little Boy Soldiers"
  5. "Wasteland"
  6. "Burning Sky"
  7. "Smithers-Jones" (Bruce Foxton)
  8. "Saturday's Kids"
  9. "The Eton Rifles"
  10. "Heat Wave" (Holland-Dozier-Holland)
  11. "Strange Town"
  12. "When You're Young"
  13. "Smithers-Jones (single version)" (Bruce Foxton)
  14. "See-Saw"
  15. "Going Underground"
  16. "The Dreams of Children"
  17. "So Sad About Us" (Pete Townshend)
  18. "Hey Mister"
  19. "Start"

References



 
 

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Setting Sons" Read more