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American Theater Guide:

Seven Guitars

Seven Guitars (1996), a play by August Wilson. [ Walter Kerr Theatre, 187 perf.; NYDCC Award.] The title refers to seven residents of Pittsburgh's Hill District in the late 1940s, six of whom gather after the funeral of Floyd Barton (Keith David) to mourn, joke, sing, and reminisce about the promising blues singer who was on the brink of a notable career. In flashbacks we see Floyd trying to convince his side men Canewell (Ruben Santiago‐Hudson) and Red Carter (Tommy Hollis) to go to Chicago with him to cut a record. Floyd also tries to sweet‐talk his ex‐lover Vera (Viola Allen) into joining him, despite his past infidelity. He is successful in the second effort, but when he needs cash for the trip, Floyd takes part in a robbery and then is murdered by the half‐crazed old Hedley (Roger Robinson) when he tries to bury the money in the yard. Jack Kroll in Newsweek described the play as “a kind of jazz cantata for actors” and the acting, under the direction of Lloyd Richards, was exemplary, particularly Santiago‐Hudson, who won a Tony Award.

 
 
Wikipedia: Seven Guitars
Seven Guitars

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Written by August Wilson
Characters Louise
Canewell
Red Carter
Vera
Hedley
Floyd Barton
Ruby
Setting The backyard of a house in Pittsburgh, Pennsylvania.

Seven Guitars is a 1995 play by August Wilson, a Pulitzer Prize-winning American playwright. It focuses on seven African American characters in the year 1948. The play begins and ends after the funeral of one of the main characters, showing events leading to the funeral in flashbacks. Seven Guitars represents the 1940s entry in Wilson's "Pittsburgh Cycle", a decade-by-decade anthology of African-American life in Pittsburgh Pennsylvania during the 20th century; Wilson would revisit the stories of some of these characters in King Hedley II, set in the 1980s.


Plot summary

A song Floyd "Schoolboy" Barton recorded, called "That's All Right", in the prior year has become a radio hit. Record executives have asked him to return to Chicago to record more albums. Since the recording of the first album, Floyd has squandered the flat fee he received for recording, left his girlfriend (Vera) for another woman, was then left by the other woman, pawned his guitar, and spent ninety days in jail after being arrested while walking home from his mother's funeral. After a year of trials and tribulations, Floyd is ready to right the past year's wrongs and return to Chicago with a new understanding of what's important in his life. Unfortunately his means of righting wrongs are inherently flawed.

The play's recurring theme is the African-American male's fight for his own humanity, self-understanding and self-acceptance in the face of personal and societal ills. The rooster is a recurring symbol of black man throughout the play, and provides a violent and shocking foreshadowing affect when Hedley delivers a fiery monologue and ritualistically slaughters one in front of the other characters.

Jazz References

Funky Butt, a song by New Orleans Jazz musician Buddy Bolden is referenced several times throughout the play; characters banter back and forth:

I thought I heard Buddy Bolden say...
What he say?"
He say, 'Wake up and give me the money.'
Naw, naw, he say, 'Come here, here go the money.'

Quotations

"Vera: Here, Red, I got you a flower for Mother's Day. What color you need?

"Red Carter: I need a red flower. My mother still living, and even as I know it got to come to the day I wear a white flower ... I hope it ain't no time soon." (Act II, Scene 7.)


"Hedley: You are like a king! They look at you and they say, 'This one ... this one is the pick of the litter. This one we have to watch. We gonna put a mark on this one. This one we have to crush down like the elephant crush the lion.!' You watch your back! The white man got a big plan against you. Don't help him with his plan. He look to knock you down. He say, 'That one!' Then they all go after you. You best be careful." (Act II, Scene 1.)


"Canewell: For your information, in case you ain't figured it out yourself, this here is called the Hill District. That one of two things a woman coming into Pittsburgh need to know. The other is how to find me. My name is Canewell, and you can find me right down there on Clark Street. That's the same Clark like the candy bar. That's down in what the people call Little Haiti. Just ask anybody where Canewell lives and they will tell you." (Act I, Scene 5.)


 
 

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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Seven Guitars" Read more

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