Celebrated Polish director Jerzy Kawalerowicz (Mother Joan of the Angels, Night Train) helmed this conspiracy thriller. Exhibiting tremendous influence by Akira Kurosawa's Rashomon, it begins with the fact of a dead man's homicide, and then jumps back in time to present three possible versions of the events leading up to his murder. This film ran headfirst into a substantial amount of political difficulty because of its dire and merciless depiction of Polish officials as universally corrupt and untrustworthy. Nevertheless, it did pick up a nod for the Golden Palm at the 1956 Cannes Film Festival, losing to Jacques-Yves Cousteau and Louis Malle's Le Monde du Silence. ~ Nathan Southern, All Movie Guide
Cast
Zygmunt Kestowicz; Ignacy Machowski; Wieslaw Golas; Stanislaw Mikulski; Emil Karewicz; Boleslaw Plotnicki; Adolf Chronicki
Credit
Jerzy Kawalerowicz - Director, Wieslawa Otocka - Editor, Andrej Markowski - Composer (Music Score), Jerzy Lipman - Cinematographer, Aleksander Scibor-Rylski - Screenwriter
The plot consists of a Rashōmon-like investigation into the life of a man found dead after having been hurled from a train. As security agents, policemen and a medical examiner begin to piece together his identity, three accounts emerge: one set during World War II, one in the immediate aftermath of the war and one in contemporary Poland. In each, the victim seems to have been a mysterious, ambiguous presence, of shifting loyalties and suspicious connections, who invariably set himself against the ruling powers of the time. Critics of the day attacked the film for its depiction of a world rife with secret agents and hidden enemies - a favorite Stalinist theme - yet the film seems rather to insist on how heroism or villainy are so often matters of point of view and timing.