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Shakedown

 
Movies:

Shakedown

  • Director: James Glickenhaus
  • AMG Rating: starstar
  • Genre: Crime
  • Movie Type: Courtroom Drama, Police Detective Film
  • Themes: Fighting the System
  • Main Cast: Peter Weller, Sam Elliott, Patricia Charbonneau, Blanche Baker, Antonio Fargas
  • Release Year: 1988
  • Country: US
  • Run Time: 96 minutes
  • MPAA Rating: R

Plot

In this complicated crime drama, Roland Dalton (Peter Weller) is an attorney who must defend a drug dealer who claims he killed in self defense. His worthy opponent is his former flame Susan Cantrell (Patricia Charbonneau), now an effective career-minded prosecuting attorney. Richie Marks (Sam Elliott) is the detective who anticipates that legal prosecution will finally close the book on this case. ~ Dan Pavlides, All Movie Guide

Cast

Richard Brooks - Michael Jones; Henry Judd Baker - Big Leroy; Paul Bartel - Night Court Judge; Dick Boccelli - Desk Sergeant; Jude Ciccolella - Patrick O'Leary; Vondie Curtis-Hall - Speaker's Voice; Augusta Dabney - Judge Maynard; Roy Milton Davis - Preacher; Marya D. Dornya - Mrs. Feinberger; James Eckhouse - Steve Rosen; Darryl Edwards - Dr. Watson; Richard Epper - Blade; John Finn - Bartender; Walter Flanagan - Prison Guard; Larry Joshua - Rydel; George Loros - Officer Varelli; Ronald Maccone - Mastrangelo; Dominic Marcus - Race Car Driver; Tom Mardirosian - Cab Driver; Holt McCallany - Roadblock Officer; John C. McGinley - Sean Phillips; Michael Medeiros - Bumpers; Julia Mueller - Nancy; William Prince - Mr. Feinberger; David Proval - Larry; Rockets Redglare - Ira; Shirley Stoler - Irma; Karl Taylor - TV Watcher; Thomas G. Waites - Officer Kelly; Bari K. Willerford - Monster; Buddy Van Horn - Police Officer; Anthony Crivello - Julio; Frances Helm - Guest; Kelly Rutherford - TV Watcher; Lisa Ann Poggi - Suzi; Walter Bobbie - Dean Howland; Frank Colangelo - Jury Foreman; Bill Cwikowski - Collins; Leland J. Eller - 1st Officer; Dolores Garcia - Bailiff; William Gleason - Court Clerk; Stacey Heinz - Teenage Girl; Andrew Johns - Billy; Sheila Johnson - Carr's Lady; James Kruk - Teenage Boy; Jos Laniado - Ruben; Mary Beth Lee - Mary; Marie Marshall - Muffy; Everett Mendes III - Stevie; Harold Perrineau, Jr. - Tommie; Kim Plumridge - Teenage Girl; Kathy Rossetter - Mrs. O'Leary; Kevin Ruskin - Teenage Boy; Glenn C. Sadler - Captain; Roy Thomas - Leon

Credit

Peggy Farrell - Costume Designer, Joel B. Segal - First Assistant Director, James Glickenhaus - Director, Paul Fried - Editor, Alan Solomon - Executive Producer, Leonard Shapiro - Executive Producer, Jonathan Elias - Composer (Music Score), Leslie Fuller - Makeup, Charles C. Bennett - Production Designer, John Lindley - Cinematographer, J. Boyce Harman, Jr. - Producer, Guido de Curtis - Set Designer, Michael Wood - Special Effects, Apogee Productions - Special Effects, Alan R. Gibbs - Stunts, Jack Gill - Stunts, Alan R. Gibbs - Stunts Coordinator, Jack Gill - Stunts Coordinator, James Glickenhaus - Screenwriter

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Wikipedia: Shakedown (1988 film)
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Shakedown

Theatrical Release Poster
Directed by James Glickenhaus
Produced by J. Boyce Harman Jr.
Written by James Glickenhaus
Starring Peter Weller
Sam Elliott
Antonio Fargas
Music by Jonathan Elias
Cinematography John Lindley
Editing by Paul Fried
Distributed by Universal Pictures
Release date(s) 1988
Running time 112 min.
Country U.S.A.
Language English

Shakedown is a 1988 crime drama/action movie starring Peter Weller and Sam Elliott. The movie is about an idealistic lawyer teaming with a veteran cop to find out the truth in a possible police corruption scandal.

Contents

Plot

Roland Dalton (Peter Weller), burned-out, mild-mannered Manhattan public defender, his last case before leaving legal aid is crack dealer Michael Jones (Richard Brooks), accused of shooting to death police officer Patrick O'Leary in Central Park. According to Jones, the shooting was in self-defence and that officer O'Leary was a 'Blue Jean Cop' (an opportunistic police officer who robs drug dealers).

Being a 'creature of habit', Dalton seeks the truth to his mysterious case and looks to Richie Marks (Sam Elliott), a renegade loner NYPD narcotics agent. In a Times Square movie theatre, Dalton presses Richie Marks on the O'Leary case. "Go to his house. Cops don't know shit about hiding money", says Marks.

The following night, and doing just that, Dalton breaks into Officer O'Leary's garage to find "a brand new bright red Porsche Cabriolet Turbo". Both Roland Dalton and Richie Marks are starting to suspect the same: a large NYPD corruption scandal involving many fellow officers, protection money and drug baron Nikki Carr (Antonio Fargas).

In a twist, Dalton realizes the prosecutor in his last case is a former love interest, the smart and sexy Susan Cantrell (Patricia Charbonneau). Throughout the trial Roland rekindles this former affair with Susan unbeknown to his fiancée Gail (Blanche Baker).

Meanwhile, Richie Marks is frustrated by fellow cops on the take and an apparent incompetent justice system (Nicki Carr surprises the judge by pulling USD $1,000,000 cash bail out of a suitcase at five minutes to midnight). Outside, Dalton is harassed by New York beat cops.

Roland is caught in a daring break-in of the police evidence room in search of an audio tape. The audio tape which could possibly exonerate Michael Jones was part of the opening scene of the film: before shooting O'Leary, Jones puts down his boom box (ghetto blaster) - it was evident to a watchful eye that Jones also hits the RECORD button. But the opening scene leaves the audience guessing as to what happened... It is only now revealed when three NYPD play the tape with Roland Dalton that the recording (a conversation between Jones and O'Leary) exonerates Jones.

The three NYPD officers order Roland's immediate execution after the fire alarm is pulled. He is saved by friend Richie Marks who shoots all of them during the confusing scene. Bad cop Rydel pulls the fire alarm and escapes the melee. In a daylight NYC chase scene, Dalton rushes late to court in a taxi with police following. The judge, however, disallows this new evidence. Richie Marks also is nearly killed at Coney Island, ordered by fellow officer and Rydel (Larry Joshua). "I'll take care of Marks personally...", says Carr.

Roland is also torn between his new future with Wall Street and his commitment to legal aid. Referring to his poverty Dalton asks Susan, "Why do you think its manifest destiny for me to be picking shit with the chickens the rest of my life." She answers, "Because you love it to death and of all the things you do, its what you do best".

Roland in his closing arguments states that "Officer O'Leary was after Michael Jones for his drug money and Officer O'Leary did not identify himself as a police officer and Officer O'Leary shot Michael Jones first." Roland wins his case and Michael Jones is exonerated by jury. As the courtroom celebrates, Roland receives a private message from Richie Marks.

Waiting at the steps of the courthouse, Dalton and Marks use O'Leary's Porsche to chase Carr and bad cop Rydel, who are making a getaway to the airport. Before the plane takes off, Richie Marks manages to climb onto the landing gear, shoots out the hydraulics, and throws a grenade into the plane in mid-air. As the plane taxis back onto the runway, the plane blows up. Both Nikki Carr and Rydel are killed. Richie Marks escapes death by jumping into the river.

Having cleared Michael Jones, re-falling in love with Susan and forging a new friendship with Richie Marks, Dalton breaks up with fiancée Gail at a family function and resumes his old job with legal aid.

Trivia

  • Parts of the movie were made depicting the West Side Elevated Highway, including the culmination of a chase scene that ended when a car falls off the edge of the unfinished highway.
  • Artist Nikki Ryder performed "Looking for Love", the theme song at the ending credits.
  • In many non-US localities (including the UK and Australia) the movie is called "Blue Jean Cop"
  • The version of the movie shown on UK TV is often the cut/overdubbed version prepared for US TV to remove any bad language, though amusingly at one point it replaces/dubs the words 'tight asses' with 'tight fannies' making it actually more rude in the UK because of the different meaning of the slang.

Selected cast

External links


 
 

 

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