Similar Artists:
Millie Jackson,
The Stylistics,
The Five Stairsteps,
The Staple Singers,
Chairmen of the Board,
Ann Peebles,
Betty Wright,
Denise LaSalle,
Candi Staton,
Bettye Swann,
Betty Everett,
Carolyn Franklin,
Don Covay,
Barbara Mason,
Clarence Carter,
Flaming Ember,
Barbara Lynn,
The Persuaders,
Barbara Acklin,
Mavis Staples
Influenced By:
Inez Andrews,
Dorothy Love Coates,
Doris Troy,
Irma Thomas,
The Staple Singers,
Barbara Lewis,
Esther Phillips,
Shirley Caesar,
Aretha Franklin,
Ruth Brown
Followers:
Performed Songs By:
Homer Banks,
Lester Snell ,
John Ward ,
Bettye Crutcher ,
Henderson Thigpen ,
Winston Stewart ,
Earl Randle ,
Bobby Manuel ,
Charles Richard Cason ,
Marion,
James Banks ,
George Jackson
- Born: January 06, 1947, West Memphis, AR
- Active: '60s, '70s, '80s
- Genres: Rhythm & Blues
- Instrument: Vocals
- Representative Songs: "Woman to Woman", "It Ain't No Fun", "Why You Want to Love Me Like That
Biography
Born January 6, 1947, in West Memphis, the Browns moved to St. Louis, MO, when Shirley was very young. Cutting her teeth in church, at the age of ten, she earned a reputation in gospel circles throughout the city for delivering powerful solos. In her late teens, she concentrated on secular music and sung with many of the city's soul singers. Her first recordings, produced by Oliver Sain, did nothing nationally but made some noise locally. "I Ain't Gonna Tell" and "Love Is Built On a Strong Foundation" found their way to Memphis R&B stations, giving Brown the impetus, with the help of manager Albert King, to tryout and secured a deal with Stax Records. Brown had the last hit for Stax before the label folded. On November 14, 1974, "Woman to Woman" topped the R&B chart for two weeks.Luck and timing caused her finest moment in music to occur, writers James Banks, Eddie Marion, and Henderson Thigpen wanted newly signed Inez Foxx ("Mockingbird") to cut the trend-setting love triangle. But, Foxx turned it down, suggesting the long rap on the beginning made it more suitable for Issac Hayes. After "Woman," she released two more singles on Stax's Truth label: "It Ain't No Fun" and "It's Worth a Whippin'," but Stax was on its last leg, and the doors to the theater at 926 East McLemore closed forever in 1975. She signed with Arista Records in 1977, her first single "Blessed Is the Woman (With a Man Like Mine)" didn't light up the charts. Neither did two other Arista singles: "Givin' Up" and "I Can't Move No Mountains." A self titled Arista album suffered the same fate as the singles. Brown's next label, 20th Century, released "You Got to Like What I Do" in 1980 but it didn't sell and the label lost interest. The previous year Stax/Fantasy released an LP of unreleased cuts, The Real Feeling. A deal with Sound Town resulted in the LP Intimate Storm, and one single, "Leave the Bridges Standing," in 1984. Two years later, "Shootin' a Blank" on Chelsea Avenue bombed, as did a single on Black Diamond Records, "If This Is Goodbye."
At this point, Shirley couldn't buy a hit. She may have gotten discouraged, but she never quit. Despite waxing only one bona fide hit in her career, Shirley Brown still records for Malaco Records, a label she joined in 1989. She's had six albums released, including a compilation LP. She also does clubs in the South and it's a safe bet that "Woman to Woman" remains her most requested song. ~ Andrew Hamilton, All Music Guide
