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Signal

 

Signal (1940-5), German fortnightly propaganda magazine published in twenty languages, for occupied and neutral countries, by the Foreign Bureau of the Wehrmacht. With a circulation of c.2.5 million (including 800, 000 in France alone), it was notable for exceptionally high- quality monochrome and colour graphics and photographs. Editorial coverage included cultural topics as well as politics and the war, and German photographic firms were strongly represented in the advertisements. Leading contributors, including Harald Lechenperg (1904-94), Hilmar Pabel (1910-2000), and Hanns Hubmann (1910-96), later joined the West German journal Quick, and Signal itself was a significant influence on post-war magazine production.

— Robin Lenman

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Signal was a magazine published by the German Wehrmacht from 1940 through 1945.

Signal was a modern, glossy, illustrated photo journal and army propaganda tool, meant specifically for audiences in neutral, allied, and occupied countries. It was available in the United States in English until December 1941. A German edition was distributed in Switzerland and to various other countries with a strong German military presence, but Signal was never distributed in Germany proper. The promoter of the magazine was the chief of the Wehrmacht propaganda office, Coronel Hasso von Wedel. Signal was published fortnightly (plus some special issues) in as many as 25 editions and 30 languages, and at its height had a circulation of 2,500,000 copies. The last number was 6/45, only known in one sample from the Swedish edition.Signal described the combat conditions of the German troops and their allies in all fronts, together with high quality photos, including a central double page full color one. Many of the most famous photos of World War II to be seen today are taken from Signal. The magazine also included articles about economics, science, arts, and advertising for the most notorious German companies (BMW, Agfa, Audi, Siemens ...). The contents of the different editions could vary, sometimes avoiding subjects that could upset or worry the population of that country (for example, the discovery of the Katyn massacre of Polish officers taken prisoners by the Soviets in 1940 was not covered by all editions). The magazine kept its independence from the Propaganda Ministry, remaining under control of the army. Still, there is a political message, one of a unified Europe (under the so called 'new order') fighting together against the Bolshevism, this idea was symbolized by the different foreign units and volunteers fighting on the German side.[1]

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Photography Encyclopedia. The Oxford Companion to the Photograph. Copyright © 2005 by Oxford University Press. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Signal (magazine)" Read more