Sin City (full title: Frank Miller's Sin City)[2] is an ensemble cast 2005 film written, produced and directed by Frank Miller and Robert Rodriguez. It is a film noir based on Miller's graphic novel series of the same name.
The film is primarily based on three of Miller's works: The Hard Goodbye focuses on a hulking man who embarks on a brutal rampage in search of his one-time lover's killer; The Big Fat Kill focuses on a street war held between a group of prostitutes and a series of mercenaries; and That Yellow Bastard focuses on an aging police officer who protects a young woman from a grotesquely disfigured serial killer. The movie stars Bruce Willis, Jessica Alba, Clive Owen, Devon Aoki, Alexis Bledel, Michael Clarke Duncan, Rosario Dawson, Benicio del Toro, Michael Madsen, Powers Boothe, Josh Hartnett, Jaime King, Brittany Murphy, Mickey Rourke, Nick Stahl, Elijah Wood and Rutger Hauer, among others.
Sin City opened to wide critical and commercial success, gathering particular recognition for the film's unique coloring process, which rendered most of the film in black and white but retained or added coloring for select objects. The film was screened at the 2005 Cannes Film Festival in-competition and won the Technical Grand Prize for the film's "visual shaping".[3]
Plot
The Customer is Always Right
In a penthouse on the roof of a skyscraper overlooking Basin City, a fancy party is in progress. A woman (Marley Shelton), dressed in a red evening gown, is alone on the balcony. A man (Josh Hartnett), who is narrating, walks up behind her and offers her a cigarette. They exchange some small talk, he tells her that he sees in her eyes a "crazy calm", of someone who is tired of running, but doesn't want to face her problems alone. He tells her that he will save her, and take her far away. They kiss, then he shoots her. She dies in his arms. He says that he does not know who she was running from, but will "cash her check in the morning."
In the DVD commentary, Frank Miller explains that the victim in this story (the Customer of the title) is actually committing suicide. The unnamed woman had dated a mobster, and when she tried to break it off, he said that he would kill her in the most terrible way possible. She then used her connections to hire a hitman (known as the Salesman) to provide her with a quick death.
That Yellow Bastard (Part 1)
On the docks of Sin City, aging police officer John Hartigan (Bruce Willis) is attempting to stop serial child murderer Roark Junior (Nick Stahl) from raping and killing 11-year-old Nancy Callahan (Makenzie Vega). Junior is the son of the powerful Senator Roark (Powers Boothe), who has paid off the Basin City police to cover up his son's crimes, including Hartigan's partner Bob (Michael Madsen). Bob tries to convince Hartigan to walk away, and appears to succeed, but Hartigan sucker-punches him, knocking him out cold. Hartigan then makes his way into a warehouse, knocking unconscious two local criminals. Junior is inside with the frightened Nancy and two armed henchmen, who are making sure that Junior and Nancy "get along" before leaving them alone. Hartigan shoots and kills the henchmen, but Junior shoots Hartigan in the shoulder, grabs Nancy and runs out to the docks. Hartigan catches up to Junior and shoots off his ear, causing him to drop Nancy. He then shoots off Junior's hand and genitals, before being shot in the back several times by Bob, who has recovered. Bob tells Hartigan to stay down, but Hartigan pulls his reserve gun, provoking Bob to shoot him several more times. As the sirens approach, Hartigan passes out knowing that Nancy is safe, justifying himself with the words "An old man dies, a little girl lives; fair trade."
The Hard Goodbye
After a night of lovemaking, Marv (Mickey Rourke) awakens to find Goldie (Jaime King) murdered. The police arrive, and he flees the frame-up, vowing to avenge Goldie's death. He turns to Lucille (Carla Gugino), his lesbian parole officer, who patches his wounds and unsuccessfully warns him to give up on this mission. Marv heads to Kadie's Bar in search of information, where he interrogates and kills two hitmen sent after him. Marv then shakes down various informants, working his way up to a corrupt priest (Frank Miller), who reveals that a member of the Roark family was behind Goldie's murder. Marv kills the priest, but is then attacked and shot at by a woman with a strong resemblance to Goldie. Marv, recognizing that he has not taken his medication for his "condition" for a long time, considers her to be a hallucination.
Marv arrives at the Roark family farm, where he is subdued by the silent stalker who killed Goldie without waking him. He awakens in the basement, with the heads of the stalker's past victims and Lucille, who was captured and forced to watch the killer eat her hand when she decided to look into Marv's story. She reveals to Marv that the killer is a cannibal. He escapes, and learns that the killer's name is Kevin (Elijah Wood), but Lucille surrenders to an arrving squad of police officers, who gun her down. Enraged, Marv kills them all, hearing from their leader that Cardinal Patrick Henry Roark (Rutger Hauer) arranged for Goldie's murder.
Marv goes to Old Town, Sin City's red light district, seeking confirmation of the killer's identity. He is captured and allows Goldie's look-alike (her twin sister Wendy) to beat him, to convince her that he didn't kill Goldie. Convinced, she and Marv arm themselves and return to the farm. Marv dismembers and kills Kevin, taking the head to Cardinal Roark, who confesses his part in the murders: Kevin had begun killing and eating prostitutes to swallow their souls, and the cardinal joined in; when Goldie began investigating, Roark had her killed. Marv kills the cardinal but is shot by his guards.
Marv is taken to a hospital (an act he calls a waste of time, figuring that he'll be killed anyway). Police try to beat a confession out of him, which only amuses him. Ultimately, the police threaten to kill Marv's mother if he doesn't play along. He confesses to killing not only Roark and Kevin, but their victims as well, and is sentenced to death. He is visited on death row by Wendy, who thanks him for avenging her sister and spends the night with him, telling him he can call her "Goldie." Marv is executed the next day; He survives the first jolt of electricity, his final words being "That's the best you can do, you pansies..." He finally dies after a second jolt.
The Big Fat Kill
Shellie (Brittany Murphy), a barmaid from Kadie's, is being harassed by her abusive and sadistic ex-boyfriend Jackie Boy (Benicio del Toro). Her current boyfriend Dwight (Clive Owen) is disgusted with his brutish rival, and shoves Jackie Boy's head into a urine-filled toilet bowl, warning him to leave Shellie alone. Jackie Boy flees with his friends, heading to Old Town to cause further trouble. Dwight follows them and watches them harass young prostitute Becky (Alexis Bledel). Also watching is Gail (Rosario Dawson), one of the head prostitutes and Dwight's on-and-off lover.
When Jackie Boy threatens Becky with a gun, martial arts expert Miho (Devon Aoki) sweeps down, severing Jackie Boy's hand, and killing his friends. As it becomes apparent Jackie Boy will not die quickly, Dwight asks Miho to finish him. Miho nearly severs his head, making "a Pez dispenser out of him". As the prostitutes collect the dead men's money, they realize that Jackie Boy is actually well-respected police officer Lt Jack Rafferty; If the circumstances of his death are discovered, they spell a certain end to the truce between the police and the prostitutes, and war against Old Town will be inevitable.
Dwight agrees to take the corpses to the local tar pit, while a traumatized Becky returns home. On the way, he has a hallucinatory conversation with Jackie Boy's corpse, who taunts him as he is chased by a police officer. Dwight talks his way out of the situation and arrives at the tar pit, but is suddenly shot by Irish mercenaries. Meanwhile, head mercenary Manute (Michael Clarke Duncan) arrives in Old Town and kidnaps Gail, explaining that an informant has revealed everything and that mob boss Wallenquist's men are moving to invade Old Town.
Dwight has survived the mercenary's bullet, which was stopped by Lt Rafferty's badge. He kills several mercenaries but is knocked into the tar by a grenade; he sinks into the tar and nearly drowns before Miho arrives and saves him. However, the other mercenaries have escaped and have taken Jackie Boy's severed head with them. They chase after the mercenaries and have a car accident, followed by a violent shoot-out that ends with the death of both mercenaries and the retrieval of Jackie Boy's head. Dwight devises a plan and he and Miho return to Old Town.
As Gail is being tortured, she learns that Becky was the traitor, informing the mercenaries out of fear and greed. Manute receives a letter from Dwight via an arrow from Miho, offering Jackie Boy's head in exchange for Gail. They meet in the back-alley, where the trade is made, though the mercenaries plan to kill them anyway. Dwight suddenly activates a grenade he had placed in Jackie Boy's Head, completely destroying it and any evidence that could have been taken to the cops. The other prostitutes of Old Town then reveal themselves on the roof tops surrounding the alley and gun down the mercenaries. Amidst the gunfire, an injured Becky escapes while Dwight and Gail kiss passionately.
That Yellow Bastard (Part 2)
Hartigan, who survived his wounds, is recovering in a hospital. Senator Roark (Boothe), Junior's father, arrives and informs him that Junior is in a coma and all plans for the Roark legacy are now in serious jeopardy. Senator Roark reveals that Hartigan will survive, be framed for Junior's crimes and serve the resultant jail term. Additionally, if Hartigan tells anyone the truth, they will die. A grateful Nancy visits and thanks him, promising to write him letters every week while he is in prison.
Hartigan complies and goes to jail, knowing it is the only way to protect Nancy and his loved ones, although he refuses to officially confess to the crimes, preventing any possibility of parole. He receives a weekly letter from Nancy as promised. After eight years, however, the letters stop arriving, and then Hartigan receives a severed finger instead. Realizing she could have been kidnapped by the Roarks, Hartigan finally confesses to all charges, knowing this will lead to his release and being able to help Nancy. Outside the jail, he reunites with his old partner, Bob, who has come to regret his actions. Bob drives Hartigan to the city, telling him that Hartigan's wife has remarried and has children. Unknowingly being stalked by a deformed, yellow-skinned man, Hartigan searches for Nancy, eventually finding her at Kadie's Bar, where she has become a 19-year-old erotic dancer (Jessica Alba).
Realizing that the severed finger was a fake and that he was set up to lead the Roarks to Nancy, he tries to leave unnoticed; she sees him, however, and jumps into his arms and kisses him passionately. Knowing they have been "made", they quickly escape in Nancy's car. The yellow-skinned man follows in his own car and shoots at them, but Hartigan shoots back, hitting the yellow-skinned man in the neck. When Hartigan and Nancy turn back to confirm the kill, the yellow-skinned man hides in the back of Nancy's car. Arriving at a hotel, Nancy reveals that she is in love with Hartigan and tries to seduce him. At first Hartigan gives in, but stops after reminding himself that he is old enough to be her grandfather. The deformed man returns and attacks them again, revealing himself as Junior Roark, although Hartigan now refers to him as the Yellow Bastard.
The Yellow Bastard, having been disfigured by the years of surgery necessary to regenerate his missing body parts, leaves Hartigan for dead, having hanged him, and takes Nancy to the Roark farm to finally rape and kill her. Hartigan escapes, however, and tracks the Yellow Bastard to the farm, where he is whipping and torturing Nancy. Hartigan kills the guards and then corners the Yellow Bastard and fakes a heart attack to fool him into letting go of Nancy, giving Hartigan the chance to stab him before again castrating him (this time with his bare hands) and beating him to death.
Hartigan tells Nancy his plans to reveal Senator Roark's corruption to the police and finally bring down organized crime in Sin City, in order to convince her to leave him. They kiss passionately and Nancy departs. Hartigan, knowing that Senator Roark would never stop hunting them as long as Hartigan lived, commits suicide in order to ensure Nancy's safety once and for all.
Epilogue
Meanwhile an injured Becky departs from a hospital, while talking on her cell phone with her mother. Upon entering the elevator she encouters the salesman. After which he quotes in his mind "Turn the right corner in sin city and you can find anything." He then offers Becky a cigarette implying that he is going to kill her. Silently stunned, she tells her mother that she loves her and hangs up. After that the screen cuts to black ending the film.
Cast
Notable Roles: (Organized by the story in which they primarily appear)
Production
Proof of concept
After his experience with Hollywood on the third RoboCop film, Miller did not want to release the film rights, fearing a similar result.[citation needed] However Rodriguez, a long-time fan of the graphic novels, was eager to adapt Sin City for the screen. His plan was to make a fully authentic adaptation, follow the source material closely, and make a "translation, not an adaptation".[4] In hopes of convincing Miller to give the project his blessing, Rodriguez shot a "proof of concept" adaptation of the Sin City story "The Customer is Always Right" (starring Josh Hartnett and Marley Shelton). Rodriguez flew Miller into Austin to be present at this test shooting, and Miller was very happy with the results. This footage was later used as the opening scene for the completed film.
Digital backlot
This is one of the first films (along with Sky Captain and the World of Tomorrow, Casshern, and Immortel (Ad Vitam)) to be shot primarily on a digital backlot. The film employed the use of the Sony HDC-950 high-definition digital camera, having the actors work in front of a green screen, that allowed for the artificial backgrounds (as well as some major foreground elements, such as cars) to be added later during the post-production stage. However, it should be noted that three of the sets on the film were constructed by hand. They were:
- Kadie's Bar, where all of the major characters make an appearance at least once and also the only location in which all objects are in color.
- Shellie's apartment. The front door and kitchen are real, while bathroom and corridors are artificial.
- The hospital corridor in the epilogue. Although the first shot of walking feet was done on greenscreen, the corridor in the next shot is real. The background becomes artificial again when the interior of the elevator is shown.
While the use of a green screen has become quite standard for special effects filming, the use of high-definition digital cameras is quite noteworthy in the production of this film. The combination of these two techniques makes Sin City (along with Sky Captain, which was produced the same way) one of the few fully digital, live-action motion pictures. This technique also means that the whole film was initially shot in full color, and was converted back to high-quality black-and-white. Colorization is used on certain subjects in a scene, such as Devon Aoki's red-and-blue clothing, Alexis Bledel's blue eyes and red blood, Michael Clarke Duncan's golden eye, Rutger Hauer's grey eyes, Jaime King's red dress and blonde hair, Clive Owen's red Converse shoes and Cadillac, Mickey Rourke's red blood, Marley Shelton's green eyes, red dress, and red lips, Nick Stahl's yellow face and body, and Elijah Wood's white glasses. Much of the blood in the film also has a striking glow to it. The film was color-corrected digitally and, as in film noir tradition, treated for heightened contrast so as to more clearly separate blacks and whites. This was done not only to give a more film-noir look, but also to make it appear more like the original comic. This technique was used again on another Frank Miller adaptation, 300, which was shot on film.
Principal shooting
Principal photography began on March 29, 2004. Several of the scenes were shot before every actor was currently signed-on; as a result, several stand-ins were used before the actual actors were digitally added into the film during post-production.[4] Rodriguez, an aficionado of cinematic technology, has used similar techniques in the past. In critic Roger Ebert's review of the film,[5] he recalled Rodriguez's speech during production of Spy Kids 2: The Island of Lost Dreams: "This is the future! You don't wait six hours for a scene to be lighted. You want a light over here, you grab a light and put it over here. You want a nuclear submarine, you make one out of thin air and put your characters into it."
The film was noted throughout production for Rodriguez's plan to stay faithful to the source material, unlike most other comic-book adaptations. Rodriguez stated that he considered the film to be "less of an adaptation than a translation".[4] As a result, there is no screenwriting in the credits; simply "Based on the graphic novels by Frank Miller". There were several minor changes, such as dialogue trimming, new colorized objects, removal of some nudity, slightly edited violence and minor deleted scenes. These scenes were later added in the release of the Sin City Collectors DVD, which also split the books into the 4 separate stories.
Credits
Three directors received credit for Sin City: Miller, Rodriguez and Quentin Tarantino, the last for directing one scene in the film. Miller and Rodriguez worked as a team directing the rest of the film. Despite having no previous directorial background, Miller was substantially involved in the direction of the film, providing direction to the actors on their motivations and what they needed to bring to each scene. Because of this (and the fact that Miller's original books were used as storyboards), Rodriguez felt that they should both be credited as directors on the film.[citation needed]
When the Directors Guild of America refused to allow two directors that were not an established team to be credited (especially since Miller had never directed before), Rodriguez first planned to give Miller full credit. Miller would not accept this, as he certainly could not have done it without Rodriguez. Rodriguez, also refusing to take full credit, decided to resign from the Guild so that the joint credit could remain.[citation needed]
Reception
The film opened on April 1, 2005 to largely positive reviews, receiving a 77% "Certified Fresh" rating at Rotten Tomatoes. Roger Ebert awarded the film four stars, describing it as "a visualization of the pulp noir imagination, uncompromising and extreme. Yes, and brilliant."[5] Online critical reaction was particularly strong: James Berardinelli placed the film on his list of the ten best films of 2005.[6][7] Several critics including Ebert compared the film favorably to other comic book adaptations, particularly Batman[8] and Hulk.[9] Critic Chauncey Mabe of the South Florida Sun-Sentinel wrote, "Really, there will be no reason for anyone to make a comic-book film ever again. Miller and Rodriguez have pushed the form as far as it can possibly go."[10]
There were, however, several reviews predominantly focused on the film's more graphic content, criticizing it for a lack of "humanity". William Arnold of the Seattle-Post Intelligencer described it as a celebration of "helpless people being tortured... I kept thinking of those clean-cut young American guards at Abu Ghraib. That is exactly the mentality Rodriguez is celebrating here. Sin City is their movie."[11] Meanwhile, other critics focused on especially negative elements: "a comic strip adaptation, [it] includes scenes depicting castration, murder, torture, decapitation, rape and misogyny."[12]
New York Times critic Manohla Dargis claimed that the directors' "commitment to absolute unreality and the absence of the human factor" made it "hard to get pulled into the story on any level other than the visceral". Credit is given for Rodriguez's "scrupulous care and obvious love for its genre influences" but Dargis notes "it's a shame the movie is kind of a bore" where the private experience of reading a graphic novel does not translate, stating that "the problem is, this is his private experience, not ours".[13]
In a more lighthearted piece focusing on the progression of movies and the origins of [[Sin City]], fellow Times critic A. O. Scott, identifying Who Framed Roger Rabbit as its chief cinematic predecessor, argued that "Something is missing – something human. Don't let the movies fool you: Roger Rabbit was guilty," with regards to the increasing use of digitisation within movies to replace the human elements. He applauds the fact Rodriguez "has rendered a gorgeous world of silvery shadows that updates the expressionist cinematography of postwar noir" but bemoans that several elements of "old film noirs has been digitally broomed away", resulting instead in a movie that "offers sensation without feeling, death without grief, sin without guilt and, ultimately, novelty without surprise".[14] Teenager Reviews calls it "the best movie in 2005"
Sin City grossed $29.1 million on its opening weekend, defeating fellow opener Beauty Shop by more than twice its opening take. However, the film saw a sharp decline in its second weekend, dropping over fifty percent. Ultimately, the film ended its North American run with a gross of $74.1 million against its $40 million negative cost. Overseas, the film grossed $84.6 million, for a worldwide total from theater receipts of $158.7 million.
At the Cannes Film Festival, Rodriguez won the Technical Grand Prize for the visual shaping of the film.
Release of DVD versions
The Region 1 DVD was released on August 16, 2005. The single-disc edition was released with four different slipcovers to choose from and featured a "Behind-the-Scenes" documentary. Then, on December 13, 2005, the special edition DVD was released, known as the "Recut, Extended, Unrated" edition. On October 21, 2008 a Blu-Ray edition, which is region free, was released by Alliance in Canada. On 29 January 2009 a US Blu-Ray release was confirmed for April 23, 2009. It will be a 2 disc edition featuring both the Theatrical and the "Recut, Unrated, Extended" versions of the film.
The Special Edition was a two-disc set, featuring both the 126-minute theatrical release, along with the 147-minute Extended edition (this edition restored edited and deleted scenes that were missing from the theatrical edition). Bonus material included an audio commentary with director Rodriguez and Miller, a commentary with Rodriguez and Tarantino, and a third commentary featuring the recorded "audience reaction" at the Austin, Texas Premiere. Also included were various behind-the-scenes documentaries and features, as well as a pocket-sized version of the graphic novel "The Hard Goodbye", which is commonly priced at US $17.00 in bookstores. Shortly after, the same DVD/book package was released in a limited edition giftbox with a set of Sin City playing cards and a small stack of Sin City poker chips not available anywhere else.
The initial Region 2 release only features a 7-minute featurette on the movie. HMV stores had limited quantities of the four slipcases. Amazon.co.uk released another limited edition which housed the film, and the three books it is based on, in a hard case. In October 2007, the Recut, Extended, and Unrated edition was finally released in the UK. Although it does not feature the reproduction of "The Hard Goodbye" book, it does come in Steelbook packaging. This version of the movie was initially exclusive to HMV stores, with an RRP of £9.99, but is now available at most retailers in the UK.
Soundtrack
Original music was composed by Rodriguez as well as Graeme Revell and John Debney. The three main stories in the film ("The Hard Goodbye", "The Big Fat Kill" and "That Yellow Bastard") were each scored by an individual composer: Revell scored "Goodbye", Debney scored "Kill" and Rodriguez scored "Bastard". Additionally, Rodriguez co-scored with the other two composers on several tracks.
Another notable piece of music used was the instrumental version of the song "Cells" by the London-based alternative group The Servant. The song was heavily featured in the film's publicity, including the promotional trailers and television spots, as well as being featured on the film's DVD menus. The lyrical version is downloadable via The Servant's website.
"Sensemayá" by Silvestre Revueltas is also used on the end sequence of "That Yellow Bastard". Fluke's track "Absurd" is also used when Hartigan first enter Kadie's.
Sequels
Sin City 2 is a proposed sequel to Sin City. Miller said in early 2007 it would be based on A Dame to Kill For.[15]
Production on the film has been delayed, mostly due to Rodriguez's involvement with a scheduled remake of Barbarella.[16]
Actress Rosario Dawson, who played Gail in Sin City, said in March 2006 that Rodriguez "has been interested in Angelina Jolie for the lead".[17] A subsequent article that month said vaguely that Jolie, Salma Hayek and Rose McGowan have "been tipped to play" the role.[18]
Miller in November 2007 said without explaining that delays in producing Sin City 2 would lead to a Sin City 3 as well,[19] with Rodriguez saying the third film would adapt Miller's "Hell and Back" story featuring the character Wallace. Recent rumours indicate that Johnny Depp will play the lead.[19]
Miller has confirmed that he and Rodriguez have completed a script.[20] On September 19, 2008, Frank Miller stated that he and Rodriguez are very close to beginning production. In a December 4, 2008 interview with IGN UK, Miller stated that, pending details of production, he and director Robert Rodriguez could begin shooting "as soon as April".[21] Dawson confirmed Miller's news of an April start as well as her reprisal of Gail.[22] Rourke has confirmed that he is starring as Marv in the sequel.[23]
On January 30, 2009, MTV News reported that the script is indeed finished and will shoot sometime in 2009.[24]
On April 7, 2009 it was reported that The Weinstein Company has lost the rights to the sequel. Weinstein Company lawyer Bert Fields quickly denied this report, saying "TWC's rights to produce sequels to Sin City remain intact as they always have been. Any suggestion to the contrary is complete hogwash."[25][26]
References
- ^ http://www.boxofficemojo.com/movies/?id=sincity.htm
- ^ McDonagh, Maitland, Frank Miller's Sin City (review)
- ^ Cannes Film Festival awards report, IMDB.com
- ^ a b c IMDB.com entry for Sin City, Trivia notes
- ^ a b Review of Sin City by Roger Ebert, published March 31, 2005
- ^ ReelViews.net review by James Berardinelli
- ^ ReelViews List of films reviewed in 2005
- ^ Review of Batman (1989) by Roger Ebert, published June 23, 1989
- ^ Review of Hulk by Roger Ebert, published June 20, 2003
- ^ Film-Finder.com
- ^ Seattle Post-Intelligencer, "Comic-book world of 'Sin City' gleefully revels in a disturbing gorefest" April 1, 2005
- ^ The Sydney Morning Herald, "Teen's nose bitten off in row over Sin City" (July 18, 2005). Access date: February 13, 2007.
- ^ New York Times Review
- ^ The New York Times, "The Unreal Road From Toontown to 'Sin City'", April 24, 2005
- ^ Spelling, Ian (2007-02-23). "Miller: Sin 2 Is Ready To Go". http://www.scifi.com/scifiwire/index.php?category=0&id=40259. Retrieved on 2007-02-24.
- ^ Weinberg, Scott (2007-05-22). "Robert Rodriguez to Direct the Barbarella Remake". http://www.rottentomatoes.com/m/sin_city_2/news/1648840/. Retrieved on 2007-08-20.
- ^ Shapiro, Marc, "Jolie Eyed For Sin 2" SciFi Wire March 13, 2006
- ^ Vineyard, Jennifer. "'Sin City' Characters — Even Dead Ones — Returning For Sequel", MTV.com, March 29, 2006
- ^ a b "Frank Miller Confirms Sin City 3". 2007-06-07. http://www.worstpreviews.com/headline.php?id=4248. Retrieved on 2007-11-21.
- ^ Weinberg, Scott (2007-07-30). "Frank Miller Faults Weinsteins for Sin City 2 Delay". http://www.rottentomatoes.com/m/comic_con_2007/news/1657014/. Retrieved on 2007-08-20.
- ^ Tilly, Chris (2008-12-04). "Sin City 2 Exclusive". IGN. http://movies.ign.com/articles/935/935585p1.html. Retrieved on 6 December 2008.
- ^ "Rosario Dawson Confirms SIN CITY 2 Start Plus OCT News". IESB.net. 2008-12-05. http://www.iesb.net/index.php?option=com_content&task=view&id=5886&Itemid=99. Retrieved on 6 December 2008.
- ^ Mackay, Mairi (2009-01-15). "How Rourke fought back from the edge". CNN. http://www.cnn.com/2009/SHOWBIZ/Movies/01/14/mickeyrourke.screeningroom/index.html. Retrieved on 2009-01-26.
- ^ [1]
- ^ http://www.iesb.net/index.php?option=com_content&task=view&id=6657&Itemid=99
- ^ http://hollywoodinsider.ew.com/2009/04/sin-city-2-and.html
External links
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