Share on Facebook Share on Twitter Email
Answers.com

Since Otar Left

 
Movies:

Since Otar Left...

  • Director: Julie Bertucelli
  • AMG Rating: starstarstar
  • Genre: Drama
  • Movie Type: Family Drama, Melodrama
  • Themes: Mothers and Daughters, Families in Crisis, Down on Their Luck
  • Main Cast: Esther Gorintin, Dinara Droukarova, Nino Khomasuridze, Rusudan Bolkvadze
  • Release Year: 2003
  • Country: FR/BE
  • Run Time: 102 minutes

Plot

A family is forced into deception for the sake of their matriarch in this poignant drama. Three generations of women share a tiny apartment in Tbilisi, a Georgia city that has been devastated by war, political instability, and a ruined economy. Eka (Esther Gorintin) is an elderly woman whose health is failing, but her will remains strong and she holds sway over the household. Eka's daughter, Marina (Nino Khomassouridze), is a middle-aged woman who is still dealing with the devastating circumstances of her childhood and the death of her husband. And Marina's daughter, Ada (Dinara Droukarova), is a college student who feels trapped by her circumstances and abraded by her lack of privacy; she has a lover, but since she must share a bed with her mother, they can only make love in his car. The light of Eka's life is her son, Otar, who has fled Tbilisi and lives in Paris. Otar writes frequently and sends money as often as he can, and while Marina resents her mother's obvious favoritism toward her brother, she and Ada realize how important his letters are to her. While Eka is visiting friends, Marina and Ada receive devastating news -- Otar has died in Paris, and since he wasn't carrying his visa when his body was found, he's been buried in an unmarked pauper's grave. Afraid this news would be a severe blow to Eka's poor health, Marina doesn't tell her mother what has happened, and Ada begins writing letters as Otar to maintain the illusion that he's alive. The ruse works well enough until Eka announces she's raised enough money by selling her possessions to visit her son in France. Depuis Qu'Otar Est Parti... (aka Since Otar Left) is the first feature film from director Julie Bertuccelli; it received an enthusiastic reception when it was screened at the 2003 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Review

Julie Bertucelli's directorial debut, Since Otar Left, is a superb family drama, intelligent and bittersweet, that examines how a man's death affects the lives of three Georgian women. Esther Gorintin delivers a wonderfully engaging performance as the tough old matriarch Eka with Nino Khomassouridze as her resentfully caring daughter, Marina, and Dinara Droukarova as her granddaughter, Ada, straining at the responsibility of being the peacemaker and holding the family together. Each of the three actresses delivers a detailed and believable performance, bringing Bertucelli's finely wrought characterizations to life. The film opens with a wonderful bit of business that drolly distills these women to their essence. At a café, Eka carefully picks out the slice of cake she wants. She sits between her daughter and granddaughter. While Ada happily sips a glass of tea, Marina absently nibbles at the edges of her mother's cake, until the silent Eka's outraged glares cause Marina to slam her fork down in exasperation. This is our perfectly performed introduction to these characters and this relationship, and so it's not surprising that, by the end of the film, we care about them and feel that we know them. There's a dark, dry wit that permeates the movie, as each of the women faces her own struggle with hard-bitten life in the former Soviet Union. The complexities of these women's relationships are thrown into relief by the death of Otar, Marina's brother. With this moving and funny film, Bertucelli, whose background is in documentaries, demonstrates a rare gift for visual storytelling and sharp writing that allows room for characters to surprise themselves and the audience. ~ Josh Ralske, All Movie Guide

Cast

  • Esther Gorintin - Eka
  • Dinara Droukarova - Ada
  • Nino Khomasuridze - Marina
  • Rusudan Bolkvadze - Roussiko
Sacha Sarichvili - Alexi; Temur Kalandadze - Tengiz; Douta Skhirtladze - Niko

Credit

Laetitia Gonzalez - Associate Producer, Stephane Batut - Casting, Diana Elbaum - Co-producer, Nathalie Raoul - Costume Designer, Gabriele Roux - First Assistant Director, Julie Bertucelli - Director, Emmanuelle Castro - Editor, Yaël Fogiel - Executive Producer, Jana Sardlichvili - Line Producer, Antoine Duhamel - Composer (Music Score), Arvo Pärt - Composer (Music Score), Dato Evgenidzé - Composer (Music Score), Groupe 33 - Composer (Music Score), Emmanuel de Chauvigny - Production Designer, Christophe Pollock - Cinematographer, Yaël Fogiel - Producer, Henri Morelle - Sound/Sound Designer, Thomas Gauder - Sound/Sound Designer, Roger Bohbot - Screenwriter, Julie Bertucelli - Screenwriter, Bernard Renucci - Screenwriter

Similar Movies

Secrets and Lies; Life Is Sweet; Kolya; Liam
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Wikipedia: Since Otar Left
Top
Since Otar Left
(Depuis qu'Otar est parti...)
Directed by Julie Bertucelli
Written by Julie Bertucelli
Bernard Renucci
Starring Esther Gorintin
Nino Khomasuridze
Dinara Drukarova
Running time 103 min.
Country France/Belgium
Language Georgian/French/Russian

Since Otar Left (original French title: Depuis qu'Otar est parti...) is a 2003 film by director Julie Bertucelli, based around three Georgian women living in modern-day Tbilisi. It focuses on the attempts of a mother and daughter, Marina (Nino Khomasuridze) and Ada (Dinara Drukarova), to hide the news of their brother's death from Marina's elderly mother, Eka (Esther Gorintin). The film was widely well-received, and won the coveted Critics' Week Grand Prize at the Cannes Film Festival.

Contents

Plot

The three women all live in the same run-down apartment in one of Tbilisi's poorer areas. They bear many of the realities of life in modern Georgia, such as frequent power blackouts and dilapidated infrastructure. Amidst this, Eka remains the matriarch of the family. She retains an often fractious relationship with her daughter, Marina, but is extremely close to her granddaughter, Ada. However, it is her beloved son, Otar, that she is most attached to.

At the opening of the film, the audience learns that Otar (an unseen character), has not long before moved to France with the intent of becoming a successful businessman, in order to support his family back in Georgia. Eka eagerly awaits Otar's regular phone calls and the money he sends home from France. The difference between the generations is apparent: Eka remains a Stalinist, even in 2002, whereas Ada is quite Westernised, and longs to follow her uncle's path and move to the West.

Their life then changes drastically when Marina fields a call from Otar's friend, Niko (Duta Skhirtladze), who had accompanied him to France. Niko bears bad news: Otar (who we also learn was an illegal immigrant) has been killed in an industrial accident. Eka is elderly and fragile, and Marina and Ada both agree that the shock of the death of her beloved son could kill her. In a similar manner to the German film Good Bye Lenin!, which was released in the same year, the pair decide to conceal Otar's death from Eka.

In order to create the charade, Ada forges letters from Otar. Eka grows worried about the lack of phone calls and the lack of money in the letters (as Ada and Marina are in no position to attach any), but the pair include excuses into the letters, and initially appease Eka's worries. Several other complications arise, but the pair deal with them in turn, and Eka remains unaware of Otar's death.

After some time, Ada grows reluctant to continue the charade, as she feels that lying to her grandmother is taking its toll. Ada and Marina discuss possibly telling Eka the truth, when instead the eccentric Eka decides that she wants to visit Otar in France. Before the pair can persuade her otherwise, she sells family heirlooms to raise the money, and purchases plane tickets for all three of them. Unable to persuade Eka not to fly to France, Ada and Marina accompany her along.

The story resumes in France, where Eka searches for any sign of her son. After several attempts, she finally locates the apartment where he lived, only to be finally told the truth by his neighbours. Eka breaks down with the initial shock, but soon recovers and returns to meet Ada and Marina, as they are due to return to Georgia. In a reversal of roles, and to the bemusement of the two younger women, Eka decides that it would hurt them to know of Otar's death, and pretends that he has gone to America without telling them.

Not long after, they leave for the airport. Upon reaching the airport, Ada tells Eka and Marina to go on ahead while she purchases a magazine. While the older women pass through departure gates, Ada remains behind. It thus becomes clear that Ada has no intention of returning to Tbilisi, and intends to try and make a life for herself in France. The film ends with their tearful goodbye through the windows of the departure gates.

Cast

  • Esther Gorintin (Eka)
  • Nino Khomasuridze (Marina)
  • Dinara Drukarova (Ada)
  • Temur Kalandadze (Tengiz)
  • Rusudan Bolqvadze (Rusiko)
  • Sasha Sarishvili (Alexi)
  • Duta Skhirtladze (Niko)

Awards and nominations

Group Award Winner/Nominee Won
Cannes Film Festival Critics Week Grand Prize Julie Bertucelli Yes
Grand Golden Rail
César Awards Best First Work Julie Bertucelli Yes
Best Writing - Original or Adaptation Julie Bertucelli
Roger Bohbot
Bernard Renucci
No
Most Promising Actress Dinara Drukarova
European Film Awards Best Director Julie Bertucelli No

External links


 
 

 

Copyrights:

Movies. Copyright © 2009 All Media Guide, LLC. Content provided by All Movie Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Since Otar Left" Read more