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Single White Female

 
Movies:

Single White Female

 
  • Director: Barbet Schroeder
  • AMG Rating: starstarstar
  • Genre: Thriller
  • Movie Type: Psychological Thriller
  • Themes: Assumed Identities, Women's Friendship, Wolf in Sheep's Clothing
  • Main Cast: Bridget Fonda, Jennifer Jason Leigh, Steven Weber, Peter Friedman, Stephen Tobolowsky
  • Release Year: 1992
  • Country: US
  • Run Time: 107 minutes
  • MPAA Rating: R

Plot

In this psychological thriller, a needy young woman finds fulfillment by trying to literally become her successful roommate. Attractive Manhattanite Allison Jones (Bridget Fonda) has it all: a handsome beau, a rent-controlled apartment, and a promising career as a fashion designer. When boyfriend Sam (Steven Weber) proves unfaithful, Allison strikes out on her own but must use the classifieds to seek out a roommate in order to keep her spacious digs. In steps Hedra Carlson (Jennifer Jason Leigh), who's timid and frumpy but puppy-dog sweet. The self-centered Allison finds Hedra's eager friendship flattering, but soon she grows annoyed as Hedra begins emulating everything about her. After Allison gets back with Sam and asks Hedra to please vacate the premises, the pert beauty really gets to see her weird new roomie's bad side -- Hedra, it seems, is downright homicidal. Directed by Barbet Schroeder, who wowed Hollywood with Barfly and Reversal of Fortune. Single White Female was the second screenplay from future Opposite of Sex director Don Roos. ~ Brian J. Dillard, All Movie Guide

Review

Although it's not as distinctive as the movies that earned Barbet Schroeder his stellar American reputation, Single White Female is the most entertaining of the straight genre pieces the director filmed in the 1990s. With a wickedly literal twist on the familiar roommate-from-hell scenario, Don Roos' screenplay exploits suspense film conventions, but the gender of the players and the Alfred Hitchcock-style doubling of the plot add a welcome dose of psychological subtext to a genre that had of late become rather straightforward in Hollywood's hands. With her malleable looks and easily projected neediness, Jennifer Jason Leigh is downright creepy as Hedra, a role that gave the idiosyncratic actress cineplex exposure while still allowing her to expand her range. As Allison, Bridget Fonda isn't afraid to coast on the charm of her famous face and portray a character whose very substance is her facile nature and knack for coming out on top. The supporting characters, from Allison's boyfriend to the obligatory gay best friend, are fairly standard-issue, but this is a two-person psychodrama, not an ensemble picture. Bob Rafelson's Black Widow explored similar subject matter with a more brazenly lesbian undertone, but for a mainstream thriller, Single White Female is pretty darn edgy even while it remains solidly entertaining. ~ Brian J. Dillard, All Movie Guide

Cast

Frances Bay - Elderly Neighbor; Ron Athey - Bartender; Kaaren Boothroyd - Bookstore Customer; Amelia Campbell - Check Cashier; Christiana Capetillo - Exotic Applicant; Michael James Collins - Cashier Manager; Renée Estevez - Perfect Applicant; Michele Farr - Myerson's Assistant; George Gerdes - Super; Tara Karsian - Mannish Applicant; Jessica Lundy - Talkative Applicant; Tiffany Mataras - Twin; Jerry Mayer - News Vendor; Eric Poppick - Nosy Neighbor; Leslie A. Sank - Woman in Club; Robert Steinberg - Hedy's Date; Kim Sykes - TV Reporter; Kenneth Tobey - Desk Clerk; Jack Wilson - Man in Cage

Credit

P. Michael Johnston - Art Director, Susan Hoffman - Associate Producer, Carl Fischer - Boom Operator, Howard Feuer - Casting, Roger Joseph Pugliese - Co-producer, Milena Canonero - Costume Designer, Jack Baran - First Assistant Director, Barbet Schroeder - Director, Lee Percy - Editor, Jack Baran - Executive Producer, Candace Neal - Hair Styles, Judi Goodman - Hair Styles, Howard Shore - Composer (Music Score), Peter Hliddal - Musical Direction/Supervision, Fern Buchner - Makeup, Lizbeth Williamson - Makeup, Matthew Mungle - Makeup Special Effects, Monty Rowan - Camera Operator, Brian LeGrady - Camera Operator, Milena Canonero - Production Designer, Luciano Tovoli - Cinematographer, Steve Nicolaides - Producer, Barbet Schroeder - Producer, Anne H. Ahrens - Set Designer, Cosmas Demetriou - Set Designer, Sean Haworth - Set Designer, Eddie Surkin - Special Effects, Frank Stettner - Sound Mixer, Ken Fischer - Sound Editor, Don Hall - Sound Editor, Ethan Van der Ryn - Sound Editor, Bob Shoup - Sound Editor, Marilyn McCoppen - Sound Editor, E. Jeane Putnam - Sound Editor, Gwendolyn Yates-Whittle - Sound Editor, Joni Avery - Stunts, Jimmy Medearis - Stunts, Hannah Kozak - Stunts, Edward James Ulrich - Stunts Coordinator, Judith Stevens - Unit Production Manager, Roger Joseph Pugliese - Unit Production Manager, Don Roos - Screenwriter, Steve Kurland - Production Assistant, Chuck Dudley - Production Assistant, Adam Cook - Production Assistant, Paul Lasaine - Visual Effects Supervisor, Paul "Sled" Reynolds - Animal Trainer/Wrangler, Beverly Walker - Unit Publicist, Bob Hall - First Assistant Camera, Mike G. Moyer - Gaffer, Gary L. Dagg - Key Grip, Mike Miller - Key Grip, Jim Weidman - Music Editor, Michael Dittrick - Music Editor, Elyse Katz - Production Coordinator, David Touster - Properties Master, Gary Rydstrom - Re-Recording Mixer, Tom Johnson - Re-Recording Mixer, Richard Beggs - Re-Recording Mixer, Wilma Garscadden-Gahret - Script Supervisor, Marlene Arvan - Second Assistant Director, Daniel R. Suhart - Second Assistant Director, Paul Taylor - Steadicam Operator, Francois Duhamel - Still Photographer, Gloria S. Borders - Supervising Sound Editor, Tim Holland - Supervising Sound Editor, Jacqueline de la Fontaine - Costume/Wardrobe, James F. Truesdale - Assistant Art Director, Elisabetta Beraldo - Assistant Costumer Designer, Andrea Wallace - Assistant Costumer Designer, David Burnett - Assistant Chief Lighting Technician, Barbara Heller - Assistant Location Manager, Andrew Comins - Assistant Location Manager, Al Valentine - Assistant Location Manager, Marjorie Coster - Assistant Properties, J.R. Grubbs - Assistant Sound Editor, Eva Kadrey - Assistant Sound Editor, Claire Sanfilippo - Assistant Sound Editor, Joe Kelly - Best Boy Grip, Jakki Fink - Casting Assistant, Walton Hadfield - Construction Coordinator, Eileen Kennedy - Costumes Supervisor, Ingrid Price - Costumes Supervisor, Leslie D. Franks - DGA Intern, Jennifer Wilkenson - DGA Intern, David Nims - Dolly Grip, Todd Thaler - Extra Casting, Sarah Peddie - First Assistant Editor, Emily Wallin - First Assistant Editor, Douglas E. Maxwell - Leadman, Margaret A. Mitchell - Production Accountant, James Brown - Transportation Captain, Tom Briggs - Transportation Coordinator, Jon Lutz - Book Author, James F. Walker - Construction Foreman, Rob Fruchtman - Supervising ADR Editor, Robert Dawson - Title Design, Jodi Ginnever - Art Department Coordinator, David Olson - Assistant Music Editor

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Album Review: Single White Female
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  • Artist: Chely Wright
  • Rating: StarStarStarHalf Star
  • Release Date: May 18, 1999
  • Total Time: 38:33
  • Type: Lyrics are included with the album
  • Genre: Country

Review

Chely Wright reunited with producer Tony Brown -- the man behind hit records by George Strait and Reba McEntire, as well as Wright's own Let Me In -- for her fourth album, Single White Female. The record picks up where its predecessor left off, offering a selection of ten songs with clean, tasteful arrangments that place Wright in the forefront. If the songs aren't always immediately grabbing, they're all classy, well-written tunes that slowly work their way into memory. Even when Wright and Brown shoot for the charts, such as on the big chorus of "The Love That We Lost," they pull it off, since Chely never oversings and the instrumentation is never bombastic. She still sounds her best on ballads, but her uptempo numbers -- including the clever title track and "The Fire" -- are equally convincing, which is one of the main reasons that Single White Female is a welcome addition to an already impressive catalog. ~ Stephen Thomas Erlewine, All Music Guide

Tracks

Track TitleComposersPerformersTime
Single White Female Shaye Smith, Carolyn Dawn Johnson Chely Wright (3:17)
She Went Out for Cigarettes John McElroy, Ronnie Guilbeau Chely Wright (4:13)
It Was Gary Burr, Mark Wright Chely Wright (3:51)
Unknown Gary Burr, Aimee Mayo Chely Wright (3:40)
The Love That We Lost Gary Burr, Monty Powell Chely Wright (4:02)
The Fire Clarence "Satch" Satchell, Leslie Satcher Chely Wright (3:05)
Picket Fences Chely Wright Chely Wright (4:06)
Some Kind of Somethin' Chely Wright, Sunny Russ Chely Wright (3:59)
Rubbin' It In Chad Smith Chely Wright (3:44)
Why Do I Still Want You Leslie Satcher Chely Wright (4:39)

Credits

Craig Allen (Design), Tony Brown (Producer), Buddy Cannon (Producer), Tony Green (Assistant Engineer), Glenn Meadows (Mastering), Justin Niebank (Engineer), Mark Tucker (Photography), Norro Wilson (Producer), Chely Wright (Main Performer)
 
Wikipedia: Single White Female
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Single White Female
Directed by Barbet Schroeder
Produced by Barbet Schroeder
Written by John Lutz (novel)
Don Roos (screenplay)
Starring Bridget Fonda
Jennifer Jason Leigh
Steven Weber
Peter Friedman
Music by Howard Shore
Cinematography Luciano Tovoli
Editing by Lee Percy
Distributed by Columbia Pictures
Release date(s) August 14, 1992 (USA)
Running time 107 min.
Country United States
Language English
Gross revenue Domestic: $48,017,402

Single White Female is a 1992 thriller based on John Lutz's novel SWF Seeks Same. The movie stars Bridget Fonda, Jennifer Jason Leigh & Steven Weber and is directed by Barbet Schroeder, who also directed Reversal of Fortune.

Contents

Plot

Alison "Allie" Jones (Bridget Fonda) is a software designer in New York City. While her professional star is on the rise -- she has created a computer software package that will revolutionize the fashion world -- her personal life is a mess.

Allie banishes her fiance Sam Rawson (Steven Weber) from her rent-controlled apartment on Manhattan's Upper West Side, after discovering that he slept with his ex-wife. Allie finds platonic comfort in her gay neighbor Graham Knox (Peter Friedman), an aspiring actor with a sensitive shoulder to lean on.

Realizing that the only way to hold on to her apartment is to find a roommate, Allie places an ad and interviews a succession of unsuitable candidates before settling on the shy Hedra "Hedy" Carlson (Jennifer Jason Leigh), who, in Allie's eyes, is the ideal roomie.

Aimless and underemployed, Hedy quickly fills the void left in Allie's life by Sam's departure. Allie, meanwhile, is only too happy to allow Hedy to cook and clean for her. Their friendship deepens when Hedy brings home an adorable and -- unknown to Allie -- very expensive puppy; Allie later discovers the receipt and confronts Hedy, but can't bring herself to part with the puppy.

Unknown to Allie, Hedy erases Sam's phone messages when he calls to plead for a reconciliation. Before long, she's even begun emulating the more sophisticated Allie in dress and manner. Allie passes off this strange behavior as that of an insecure but well-intentioned woman.

When Allie reconciles with Sam about a month after Hedy moved into the apartment, Allie and Sam toy with the idea of Sam moving into the apartment with Allie. Hedy goes over the edge, knowing that this means that she would have to move out of the apartment.

One afternoon, while Allie and Sam are out of the apartment, the puppy, which Allie has grown to love, plunges mysteriously to its death from a window. And before long, Hedy's closet contains the exact same clothes as Allie's, and Hedy has even had her hair cut and dyed to match Allie's look, resulting in a startling resemblance between Allie and Hedy.

More than a little unnerved, a suspicious Allie talks to Graham. Graham advises Allie to get Hedy to move out of the apartment. Allie begins to investigate Hedy's background.

Allie goes into Hedy's room and looks through her possessions, and discovers that Hedy is not who she claims to be -- Hedy's real name is Ellen Besch. Years ago, when Ellen was 9-years-old, Ellen's twin sister Judy drowned at a family picnic.

An absolutely devastated Ellen hasn't been the same since Judy's death. The bond between siblings can be strong, but it can be especially strong with twins. For years, Ellen's parents tried to explain to her that Judy's death was not her fault, but Ellen never forgave herself for living while Judy died.

Ellen, who had undergone futile counseling, had been looking for a female companion so she could have a friend to replace Judy. That's why Ellen tries to look exactly like whatever roommate she had at the moment...so it would be like Ellen still had a twin sister.

Before moving in with Allie, Ellen had lived with a woman in Tampa. That didn't work out, so Ellen killed the woman and went to New York, later moving in with Allie. No sooner has Allie confided her mounting suspicions to Graham than he receives a brutal beating from Hedy.

Dozing in bed, Sam gets a visit from Ellen, who has disguised herself as Allie. Ellen performs oral sex on him. Sam is too self-involved to notice that she is not Allie. Once he catches on, Sam decides to tell Allie what Ellen is up to, but before Sam can do that, Ellen kills Sam with a spiked heel.

The next thing Ellen does is take Allie hostage in Graham's apartment. Mitchell Meyerson (Stephen Tobolowsky), a client of Allie's who had nearly raped her, comes to the apartment looking for Allie, because Allie had retaliated by erasing all of Mitchell's computer files.

Mitchell notices that Allie has been tied up and gagged with tape. He throws Ellen over a table, but she grabs a gun, puts a pillow over Mitchell's face, and shoots him, using the pillow as a silencer.

Believing she "saved" Allie from another rape attempt, Ellen's logic assures her that Allie will thank her for this protective care, but when Allie responds by trying to escape, Ellen's violence is turned toward Allie.

This leads to a bloody, extended battle deep within the apartment building's basement as Allie has to fight for her life against Ellen. It ends when Allie, in self defense, stabs Ellen to death with a screwdriver.

Production

Bridget Fonda was given the choice to take the part of either Allie or Hedy. In the end she chose to play Allie as she felt that role would be more challenging. It was the first time for each actress to receive $1 million for a role.

Single White Female was #56 on Bravo's 100 Scariest Movie Moments. The film was followed by an unrelated direct to video sequel, Single White Female 2: The Psycho released in 2005, starring Kristen Miller.

In popular culture

The character of Hedy has been discussed as having borderline personality disorder, suffering from a markedly disturbed sense of identity, as she adopts wholesale the attributes of her room mate. A chronic emptiness is implied and her fear of abandonment leads to drastic measures.[1]

The theme whereby Hedy completely changes her appearance to look exactly like Allie has been used multiple times in popular culture. Examples of this include:

  • In 1995, the sitcom Sister, Sister directly references the film in the title of the episode "Single White Teenager". In the episode , the twins befriend an unpopular schoolmate who soon transforms her look into exactly that of Tia and Tamera.
  • In April 2006, WWE used the theme in a storyline between Trish Stratus and Mickie James in which James, the "psycho fan" of Stratus, wore Stratus' same wrestling attire, dyed her hair blonde, and used the same wrestling maneuvers as Trish after capturing Stratus' WWE Women's Championship. Not long after, Stratus counteracted this by dressing like James and wearing a brown wig.
  • "Karma Chameleon," an episode of Wonderfalls, involves a similar plot. Single White Female is directly referenced a number of times.
  • In "Just Like Lizzie," an episode of Lizzie McGuire, a seventh-grader named Andie changes her appearance to mimic Lizzie.
  • In an episode of Saved by the Bell: The College Years, A.C. Slater's girlfriend accuses her roommate of trying to steal A.C. away from her just like in the movie. A.C. is asked if that's true and says "I don't know--I never saw Single White Female."
  • In an episode of Moesha, Kim convinces Moesha that her new friend Theresa, who bought the same dress she did, is just like "Single White Female," and is going to eventually throw her puppy out the window.
  • In January 1993, Laura Leighton guest starred on the popular primetime soap Melrose Place (later to become a full cast member) as "Sydney Andrews," who idolized her elder sister "Jane Andrews" (played by Josie Bissett). Her first episode was titled "Single White Sister."
  • In season 6 of "Beverly Hills, 90210". Kelly meets a young woman (Tara) at rehab who soon makes herself at home at Kelly and Clare's house. She then proceeds to destroy Kelly's latest relationship, kill her fish, and dress exactly like her, including a new haircut.
  • In The Yankee Years, Joe Torre says that Alex Rodriguez had a "single white female obsession" with Derek Jeter.[citation needed]
  • The film was referenced to during a segment of Monkey News on The Ricky Gervais Show as Karl Pilkington tells the story of a zoo keeper who invites a monkey to his house who later seduces the zoo keepers wife.
  • In the television series Veronica Mars, Veronica references the movie when describing a girl called Kimmy. Kimmy is jealous with Veronica's friend Meg and competes with her for the roles of news anchor, head cheerleader and lead in the school musical. Her similarity in hairstyle is also commented on by others. When Veronica sees Kimmy walking to towards her, she calls her "single white female, Kimmy."
  • In Season 3 Episode 3 of Buffy the Vampire Slayer, Buffy says of Faith, "This is creepy, but I'm the one getting single white femaled here."

References

  1. ^ Robinson DJ. Reel Psychiatry:Movie Portrayals of Psychiatric Conditions. Port Huron, Michigan: Rapid Psychler Press. p. 235. ISBN 1-894328-07-8. 

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