Sisyphus

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(European mythology)

‘The craftiest of men’, according to the ancient Greeks, and punished for his trickery by endless labour in the underworld. Throughout eternity he was required to roll a marble block to the top of a hill only to have it plunge back down just as it reached the crest. The symbol of futility, Sisyphus had been an avaricious King of Corinth.

A second victim of frustration was Tantalus, whom Zeus begot upon a nymph. His misbehaviour on Mount Olympus—either he divulged to mortals the table talk of the gods or passed to them the food of the gods, nectar and ambrosia—forced Zeus to banish him to Tartarus, the prison beneath the underworld. There Tantalus stood in water up to his chin, but was unable to quench a raging thirst, since the water always responded to the movement of his head. Likewise a bunch of luscious grapes remained just beyond his reach.

(sĭs'ə-fəs) pronunciation
n. Greek Mythology
A cruel king of Corinth condemned forever to roll a huge stone up a hill in Hades only to have it roll down again on nearing the top.

[Latin Sisyphus, from Greek Sisuphos.]



In Greek mythology, the king of Corinth who was punished in Hades by having to roll a huge stone up a hill over and over again. He was the son of Aeolus and the father of Glaucus. When Death came to fetch him, Sisyphus had him chained up so that no one died until Ares came to free Death. Before being taken to the underworld, Sisyphus asked his wife to leave his body unburied. When he reached Hades he was permitted to go back to earth to punish his wife, and he lived to a ripe old age before dying a second time. His trickery resulted in his punishment in Hades.

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Sisyphus, in Greek myth, son of Aeolus and Enaretē, founder of the city of Corinth (which is called Ephyrē in the Iliad), reputedly the most cunning of men. For that reason he was sometimes associated with the master-thief Autolycus and was perhaps the father of Odysseus. (When Autolycus stole his cattle Sisyphus was able to recognize his own, having marked their hoofs. His revenge was to seduce Autolycus' daughter Anticlea, so that it was suspected that he rather than her husband Laertes was Odysseus' father.) Having observed the seduction of the nymph Aegina by Zeus he revealed the truth to her father, the river-god Asopus, in return for a spring of fresh water on the citadel. Zeus punished Sisyphus by sending Death for him, but Sisyphus chained Death up in a dungeon, so that mortals ceased to die; the gods in alarm sent Arēs to release Death, who came after Sisyphus once again. Sisyphus instructed his wife Meropē to leave his body unburied and make no offerings, with the result that the Underworld gods Hadēs and Persephonē allowed the supposedly indignant Sisyphus to return from the Underworld to earth to punish his wife and make her bury the body. Once in the world again Sisyphus resumed his life and lived to a great age. However, when he eventually died the gods of the Underworld devised for him a famous punishment: to roll up to the top of a hill a rock which always rolled down again just as it was about to reach the summit. Sisyphus was the father of four sons, one of whom was Glaucus, father of Bellerophon.

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Sisyphus (sĭs'ĭfəs), in Greek mythology, son of Aeolus and founder and king of Corinth. Renowned for his cunning, he was said to have outwitted even Death. For his disrespect to Zeus, he was condemned to eternal punishment in Tartarus. There he eternally pushed a heavy rock to the top of a steep hill, where it would always roll down again. Albert Camus' essay The Myth of Sisyphus is based on this legend.


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  • Mythological and Folkloric Beings - Sisyphus: crafty murderer and thief condemned by Zeus to roll a stone up a slope so that each time he approached the top the stone escaped him and rolled down again (Greece)


Persephone supervising Sisyphus in the Underworld, Attica black-figure amphora (vase), ca. 530 BC, Staatliche Antikensammlungen museum (Inv. 1494)

In Greek mythology Sisyphus (play /sɪsɪˈfʌs/;[1] Greek: Σίσυφος, Sísyphos) was a king punished by being compelled to roll an immense boulder up a hill, only to watch it roll back down, and to repeat this action forever.

The word "sisyphean" means "endless and unavailing, as labor or a task".[2]

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Sisyphus was son of King Aeolus of Thessaly and Enarete, and the founder and first king of Ephyra (Corinth). He was the father of Glaucus, Ornytion, Almus and Thersander by the nymph Merope, the brother of Salmoneus, and the grandfather of Bellerophon through Glaucus.

King Sisyphus promoted navigation and commerce but was avaricious and deceitful. He also killed travelers and guests, a violation of Xenia which fell under Zeus' domain. He took pleasure in these killings because they allowed him to maintain his iron-fisted rulership. Sisyphus and Salmoneus were known to hate each other as Sisyphus had consulted with the Oracle of Delphi on just how to kill Salmoneus without incurring any severe consequences for himself. From Homer onwards, Sisyphus was famed as the craftiest of men. He seduced his niece Tyro in one of his plots to kill Salmoneus, only for Tyro to slay the children she bore by him when she discovered that Sisyphus was planning on eventually using them to dethrone her father Salmoneus. King Sisyphus also betrayed one of Zeus's secrets by telling the river god Asopus of the whereabouts of his daughter Aegina (an Asopides who was taken away by Zeus) in return for causing a spring to flow on the Corinthian Acropolis.

Zeus then ordered Thanatos, god of death, to chain King Sisyphus down below in Tartarus. King Sisyphus slyly asked Thanatos to demonstrate how the chains worked. As Thanatos was granting his wish, Sisyphus then seized the advantage and trapped the god of death in the Underworld instead. This caused an uproar since no human could die with Thanatos out of commission. Eventually Ares (who was annoyed that his battles had lost their fun because his opponents would not die) intervened. The exasperated god of war freed Thanatos and turned King Sisyphus over to the god of death as well.[3]

Before King Sisyphus died, however, he had told his wife to throw his naked body into the middle of the public square (purportedly as a test of his wife's love for him). This caused King Sisyphus to end up on the shores of the river Styx. Then, complaining to Persephone that this was a sign of his wife's disrespect for him, King Sisyphus persuaded her to allow him to return to the upper world and scold his wife for not burying his body and giving it a proper funeral (as a loving wife should). Once back in Corinth, the spirit or shade of King Sisyphus thereby scolded his wife for not giving him a proper funeral. When he then refused to return to the Underworld he was forcibly dragged back there by Hermes.

In another version of the myth, Persephone was directly persuaded that he had been conducted to Tartarus by mistake and ordered him to be freed.[4]

As a punishment from Queen Persephone for his trickery King Sisyphus was made to roll a huge boulder up a steep hill. Before he could reach the top, however, the massive stone would always roll back down, forcing him to begin again.[5] The maddening nature of the punishment was reserved for King Sisyphus due to his hubristic belief that his cleverness surpassed that of Zeus Himself. Zeus accordingly displayed his own cleverness by consigning Sisyphus to an eternity of useless efforts and unending frustration. Thus it came to pass that pointless and/or interminable activities are sometimes described as Sisyphean. King Sisyphus was a common subject for ancient writers and was depicted by the painter Polygnotus on the walls of the Lesche at Delphi.[6]

Interpretations

According to the solar theory, King Sisyphus is the disk of the sun that rises every day in the east and then sinks into the west.[7] Other scholars regard him as a personification of waves rising and falling, or of the treacherous sea.[7] The 1st-century BC Epicurean philosopher Lucretius interprets the myth of Sisyphus as personifying politicians aspiring for political office who are constantly defeated, with the quest for power, in itself an "empty thing", being likened to rolling the boulder up the hill.[8] Friedrich Welcker suggested that he symbolises the vain struggle of man in the pursuit of knowledge, and Salomon Reinach[9] that his punishment is based on a picture in which Sisyphus was represented rolling a huge stone Acrocorinthus, symbolic of the labour and skill involved in the building of the Sisypheum. Albert Camus, in his 1942 essay The Myth of Sisyphus, saw Sisyphus as personifying the absurdity of human life, but Camus concludes "one must imagine Sisyphus happy" as "The struggle itself towards the heights is enough to fill a man's heart."

In experiments that test how workers respond when the meaning of their task is diminished, the test condition is referred to as the Sisyphusian condition. The two main conclusions of the experiment are that people work harder when their work seems more meaningful, and that people underestimate the relationship between meaning and motivation.[10]

Literary interpretations

Sisyphys (1548-1549) by Titian, Prado Museum, Madrid, Spain

Ovid, the Roman poet, makes reference to Sisyphus in the story of Orpheus and Eurydice. When Orpheus descends and confronts Hades and Persephone, he sings a song so that they will grant his wish to bring Eurydice back from the dead. After this song is sung, Ovid shows how moving it was by noting that Sisyphus, emotionally affected, for just a moment, stops his eternal task and sits on his rock, the Latin wording being inque tuo sedisti Sisyphe, saxo.[11]

Though purported to be one of the dialogues of Greek philosopher Plato, the Sisyphus is generally believed to be apocryphal, possibly written by one of his pupils.

Albert Camus, the French absurdist, wrote an essay entitled The Myth of Sisyphus in which he elevates Sisyphus to the status of absurd hero. Franz Kafka repeatedly referred to Sisyphus as a bachelor; the Kafkaesque for him were those qualities that brought out the Sisyphus-like qualities in himself. According to Frederick Karl: "The man who struggled to reach the heights only to be thrown down to the depths embodied all of Kafka's aspirations; and he remained himself, alone, solitary."[12] The philosopher Richard Taylor uses the myth of Sisyphus as a representation of a life made meaningless because it consists of bare repetition.[13]

In popular culture

See also

References

Notes
  1. ^ "sisyphean". Oxford English Dictionary. Oxford University Press. 3rd ed. 2001.
  2. ^ American Heritage Dictionary
  3. ^ http://www.oup.com/us/companion.websites/0195153448/studentresources/chapters/ch25/?view=usa
  4. ^ Bernard Evslin's Gods, Demigods & Demons, 209-210
  5. ^ Odyssey, xi. 593
  6. ^ Pausanias x. 31
  7. ^ a b  Chisholm, Hugh, ed. (1911). "Sisyphus". Encyclopædia Britannica (11th ed.). Cambridge University Press. 
  8. ^ De Rerum Natura III
  9. ^ Revue archéologique, 1904
  10. ^ Ariely, Dan (2010). The Upside of Irrationality. ISBN 0-06-199503-7. 
  11. ^ Ovid. Metamorphoses, 10.44.
  12. ^ Karl, Frederick. Franz Kafka: Representative Man. New York: International Publishing Corporation, 1991.
  13. ^ Taylor, Richard. "Time and Life's Meaning." Review of Metaphysics 40 (June 1987): 675-686.
  14. ^ http://adland.tv/commercials/red-bull-sisyphus-2002-030-usa

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