Sixten Ehrling, (April 3 1918 – February 13 2005), was a Swedish
conductor who, during a long career, served as the music director of the Royal Swedish Opera and the principal conductor of the Detroit Symphony Orchestra, amongst others.
Ehrling was born in Malmö, Sweden, the son of a
banker. From the age of 18 he attended the Royal
Swedish Academy of Music in Stockholm. At the academy he studied the violin, organ, and piano as well as
conducting. During World War II, he studied under both Karl
Böhm and Albert Wolff.
He made his public debut as a conductor with the Royal Stockholm
Philharmonic in 1950, conducting Igor Stravinsky's "The Rite of Spring" from memory. In 1953 Ehrling was named the music director of the Royal Swedish Opera, a post he held until 1960. During these years he worked closely with the
acclaimed singers as tenor Jussi Björling and
soprano Birgit Nilsson. In the early 1950s Ehrling
recorded the first complete set of Sibelius symphonies with the Stockholm orchestra. In
1959 Ehrling took the production of Aniara, composed by Karl-Birger Blomdahl, to the Edinburgh
International Festival.
Ehrling's tenure with the Swedish Royal Opera ended in acrimony. He resigned his post and departed for the United States after he was asked to amend, and apologise for, his robust leadership style. In 1963 Ehrling
replaced the departing Paul Paray as the principal conductor of the Detroit Symphony Orchestra. During his time in Detroit, the composer Luciano Berio had a brief residency.
Ehrling was, perhaps, the perfect journeyman conductor. He could, and did, conduct everything well: Opera, symphonic and choral
music. He had perfect sympathy to style and period in whatever he conducted, focusing the attention on the music rather than
himself. Unlike Leonard Bernstein or Leopold
Stokowski, however, he was not much of an innovator on the podium.
Ehrling also taught at the Juilliard School of Music between 1973 and 1987. He
died in New York, where he had lived since the 1970s. He was married to a former Stockholm opera ballerina, Gunnel Lindgren. They
had two daughters.[1]
Maestro Ehrling conducted nearly 700 works, including 24 world premieres, and helped inaugurate the Meadow Brook Summer Music
Festival. In 1973, he made his Metropolitan Opera debut, where he conducted 12 different operas, including Wagner's "Ring Cycle."
He led 55 orchestras and ensembles in North and South America, and countless orchestras around the world, during his celebrated
five decade career.
At Juilliard, Ehrling nurtured a new wave of conductors, including Myung-Whun Chung, Kenneth Jean, Jo Ann Falletta, Christian
Badea, Victoria Bond, and Gary Berkson.
Maestro Ehrling's feisty personality was overshadowed only by his wit. "Someone once told me I was not difficult, I was
impossible. I agreed," he confided to Detroit Press music critic John Guinn, 7/1/90. He told his American publicist that he
preferred reading his reviews in the smallest room of his house, and brilliantly interwove business arrangements with extremely
humorous observations.
"In his final interview with Guinn, he noted that "They had a ceremony In Sweden for my birthday recently, and the man giving
the birthday tribue had a great line. 'Mr.Ehrling nowadays is not angry,' he said. Then he paused, 'All the time,' he added."
Ehrling was one of the last conductors to know both Stravinsky and Sibelius, personally. When he discovered mistakes in their
manuscripts, they were immediately informed.
References
- Aare, Leif (1995). Maestro: Sixten Ehrling, en
Dirigent och Hans Epok (in Swedish). Stockholm: Fischer. ISBN 9170547513.
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