A youthful indiscretion threatens to derail the relationship between an otherwise predictable young woman and her nice-guy fiancé in director Bob Goldthwait's revealing look at the high price of honesty in committed relationships. To the unassuming eye, Amy is a normal young woman with a bright future and a fabulous fiancé, but when Amy's probing husband-to-be suggests that the both parties come clean about their pasts before exchanging rings, the revelation that follows may be more than he's able to handle. Encouraged by her co-worker and mother to speak her peace and put the sexual secret of her past to bed once and for all, Amy's admission to having once participated in an uncharacteristically impulsive sexual encounter throws her wedding plans into chaos and her entire future into question. ~ Jason Buchanan, Rovi
Review
In 1992, Bobcat Goldthwait made his first movie, Shakes the Clown, doing for clowns what Bad Santa would later do for department store St. Nicks. So it's not surprising that his 2006 follow-up, Sleeping Dogs Lie, was also marketed as an outrageous assault on good taste. After all, its central character fellates a dog less than two minutes into the movie -- quite tastefully, as it turns out. But Goldthwait's got a lot more on his mind than Tom Green-style gross-outs. In fact, it could be argued that comedy isn't even the most appropriate genre for Sleeping Dogs Lie, so genuine are its attempts to understand the consequences -- both real and perceived -- of an impulsive act of bestiality. In spite of the taboo subject matter, this is a sensitive, mature study of a girl-next-door school teacher (Melinda Page Hamilton) and her complicated family and romantic ties. That's not to say Goldthwait's high-decibel quirkiness makes no appearance -- Amy's over-the-top brother (Jack Plotnick), a paint huffer and meth user, seems like a stand-in for the director. And there's plenty of laughter built into the awkwardness of the scenario, which tests the principles of even the most open-minded individuals. But counterbalancing that humor is surprisingly subtle work from Geoff Pierson, the dad from the dismal WB sitcom Unhappily Ever After (in which Goldthwait also appeared), who makes Amy's disapproving father more than just a caricature. The real find here is Hamilton, who undoubtedly took a leap of faith on the script, never guessing that it might allow her to truly shine. If there's anything shocking about Sleeping Dogs Lie, it's Goldthwait's message, which defies Hollywood's usual tendency to prize the truth above all else. Sometimes, especially in affairs of the heart, selective dishonesty is the best policy. ~ Derek Armstrong, Rovi
Colby French - Ed; Bryce Johnson - John; Jack Plotnick - Dougie; Bonita Friedericy - Mom; Harvey Alperin - Principal; Rebecca Avery - Rest Area Mom; Morgan Murphy - Linda
Credit
Michael Malone - Co-producer, Sarah de Sa Rego - Co-producer, Sarah de Sa Rego - Costume Designer, Bobcat Goldthwait - Director, Jason Stewart - Editor, Jerry Brunskill - Composer (Music Score), Melanie Mandl - Production Designer, Ian S. Takahashi - Cinematographer, Marty Pasetta, Jr. - Producer, Bobcat Goldthwait - Screenwriter
Sleeping Dogs Lie (originally titled Stay) is a comedy film written and directed by Bobcat Goldthwait, about a woman whose relationships are damaged when she reluctantly reveals that she committed an act of bestiality with her dog while at college.
Plot
An impulsive act of bestiality from her distant past haunts Amy, an otherwise seemingly ordinary young woman with a bright future and nice-guy fiancé. But her fiancé has suggested that the couple be completely honest and tell each other everything. When Amy finally relents, encouraged to tell the truth by her co-worker and mother (neither of whom knows what she has to disclose), and reveals her secret at the home of her parents and misfit brother, all hell breaks loose.
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