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Snub Pollard

 
Actor: Harry "Snub" Pollard
  • Born: Nov 09, 1886 in Melbourne, Australia
  • Died: Jan 19, 1962 in Burbank, California
  • Occupation: Actor
  • Active: teens, '30s-'50s
  • Major Genres: Comedy, Western
  • Career Highlights: Ça C' Est Du Cinema
  • First Major Screen Credit: Ça C' Est Du Cinema (1950)

Biography

Breaking into show business with the Australian vaudeville troupe Pollard's Lilliputians, Harold Fraser adopted the name "Pollard" professionally when the group broke up during an American tour. Variously billed as Harry Pollard and Snub Pollard, he entered films at Essanay in 1911, then worked briefly at Keystone before settling down in 1915 at the fledgling Hal Roach studios. Adopting an inverted Kaiser Wilhelm moustache as his comic escutcheon, he co-starred with Harold Lloyd and Bebe Daniels in a series of knockabout slapstick comedies, moving into his own starring series in 1919. Pollard's one- and two-reelers of the early '20s, many of them directed by Charley Chase, were chock full of delightful sight gags and clever gimmickry, and had the added advantage of an unusually attractive leading lady, Marie Mosquini (later the wife of television pioneer Lee DeForrest). Alas, Pollard himself was a very limited performer, a fact that became painfully obvious when he left Roach to set up his own production company in 1926. By the end of the silent era he was working for the Poverty Row firm of Weiss-Artcraft, appearing opposite fat comedian Marvin Loback in a series of cheap comedies "inspired" by Roach's Laurel and Hardy films. Reduced to bit-part status when talkies came, Pollard flourished briefly in the late '30s as the comic sidekick of Western star Tex Ritter, and as a supporting player in the Columbia two-reelers of the 1940s. Like many other film veterans, he remained on call for such "nostalgic" silent movie tributes as The Perils of Pauline (1947) and The Man of 1000 Faces (1957), appearing in the latter film in a pie fight sequence with James Cagney. Active in films and TV right up to his death, Snub Pollard continued appearing in such fleeting roles as a tattoo artist in Who Was That Lady (1960) and a superannuated bellboy in William Castle's Homicidal (1961). ~ Hal Erickson, All Movie Guide
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Snub Pollard
Born Harold Fraser
November 9, 1889(1889-11-09)
Melbourne, Australia
Died January 19, 1962 (aged 72)
Burbank, California USA

Harry "Snub" Pollard (November 9, 1889 – January 19, 1962) was a silent movie comedian, popular in the 1920s.

Contents

Career

He is often described as the brother of comedy actress Daphne Pollard, but this is a misconception. In Australia they both acted with "Pollard's Lilliputian Opera Co." which gave stage performances featuring children and performers of small stature. This was a very well-known troupe in its time, and many of its performers adopted the surname "Pollard."

Pollard played supporting roles in the early films of Harold Lloyd. The long-faced Pollard sported a Kaiser Wilhelm mustache turned upside-down; this became his trademark. Lloyd's producer, Hal Roach, gave Pollard his own starring series of one- and two-reel shorts. The most famous is 1923's It's a Gift, in which he plays an inventor of many Rube Goldberg-like contraptions, including a car that runs by magnet power.

Pollard left Roach in 1924 and joined the low-budget Weiss Brothers studio in 1926. There he co-starred with Marvin Loback as a poor man's version of Laurel and Hardy, copying that team's plots and gags.

In the 1930s, Pollard played small parts in talking comedies, and was featured as comic relief in "B" westerns. Pollard's silent-comedy credentials guaranteed him work in slapstick revivals. He appeared with other movie veterans in Hollywood Cavalcade (1939), The Perils of Pauline (1947), and Man of a Thousand Faces (1957). He also appeared regularly as a supporting player in Columbia Pictures' two-reel comedies of the mid-1940s.

Forsaking his familiar mustache, he landed much steadier work as a bit player. He played incidental roles in scores of Hollywood features and shorts, almost always as a mousy, nondescript fellow, usually with no dialogue. In Wheeler & Woolsey's Cockeyed Cavaliers (1934), he's a drunken doctor. At the end of Miracle on 34th Street (1947), when a squad of bailiffs hauling sacks of mail enters the courtroom, Pollard brings up the rear. In Frank Capra's Pocketful of Miracles (1961). Pollard plays a Broadway beggar. His last film, Twist Around the Clock (1962), shows him wordlessly reacting to a curvaceous woman dancing energetically.

Death and recognition

Pollard died of cancer on January 19, 1962.

For his contributions to motion pictures, Pollard has a star on the Hollywood Walk of Fame at 6415 1/2 Hollywood Boulevard.

Selected filmography

External links


 
 
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Actor. Copyright © 2009 All Media Guide, LLC. All rights reserved.  Read more
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