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Soul-Junk

 
Artist: Soul-Junk

Group Members:

Glen Galaxy

Similar Artists:

Formal Connection With:

  • Genres: Rock
  • Representative Albums: "1956," "1950," "1958"

Biography

When avant-pop band Trumans Water relocated from San Diego to the Pacific Northwest in early 1994, multi-instrumentalist Glenn Galloway stayed behind, re-christened himself Glen Galaxy, and embarked on a (mostly) solo project called Soul-Junk. Writing songs in praise of Jesus Christ, and in fact drawing a large portion of his lyrics directly from the Bible, Galloway's first album as Soul-Junk, 1950, was released in 1995 on the Holy Kiss label. Numerous releases (CDs, LPs, cassettes, and 7''s) followed on such labels as Homestead, Shrimper, and Sub Pop. All Soul-Junk releases are titled after mid 20th century years -- mainly post-war years, strangely enough -- though Galloway has been reluctant to clarify any specific meanings associated with the titles or the logic behind their non-sequential order of release. At the same time, Galloway remained tied to Trumans Water, touring and sometimes recording with the band, though not a formal active member. As Soul-Junk, Galloway's music could be described as a mélange of indie rock, hip-hop, soul, and all-around lo-fi sonic experimentation, sharing some similarities with Ween, the Beastie Boys, and Beck. An ambitious double-disc set was released in 1999, entitled 1955, a collection that well-displayed Soul-Junk's genre-hopping tendencies, and 2000 saw the release of the pared-down 1956, which focused on Soul-Junk's quirky hip-hop side. ~ Jason Nickey, All Music Guide
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Wikipedia: Soul-Junk
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Soul Junk
Origin San Diego, California
Genres experimental, Christian hip hop
Years active 1993 – present
Labels Sounds Are Active, Shrimper Records, 5 Minute Walk, Jackson Rubio, Homestead, Holy Kiss Rex, Sub Pop Records, Karate, InTransit, Quiver Society!
Website www.souljunk.com
Members
Glen Galaxy

Soul-Junk is an experimental genre-hopping Christian rock / hip hop group from San Diego, California.

Contents

Background

The roots of Soul-Junk began in 1993 when Glen Galloway began experimenting while touring in Europe with his rock band Trumans Water.[1] By the time Trumans Water moved to Portland, Oregon in 1994 he had already left and concentrated on Soul-Junk as a full time independent solo project,[2] eventually taking the moniker Glen Galaxy. Influences on the group's early music include Nation of Ulysses, Sonic Youth, and Can.[3] Galloway had been raised as a presbyterian but had been an atheist for most of his life.[4] While a member of Trumans Water, however, he had drifted back to Christianity and cited his bandmates' lack of "spirituality" as a factor in his leaving.[4]

Musical Evolution

Early Soul-Junk albums (such as 1950) almost exclusively feature low-fi, Indie rock style tracks of Glen singing Bible verses interlaced with instrumental noise tracks, with a similarity to his previous band but with overtly Christian lyrics.[4] As Soul-Junk gained members its sound advanced toward rock and pop. 1953 and 1954 show signs of this continual change.[2] Alternative Press stated in a review of 1953 that their indie musical arrangements are outstanding, "tuneful, energetic and original (almost to a fault)."[5] 1955 is transitional, both in terms of Soul-Junk's sound and market stance. Like previous releases most of the lyrics came directly from the Bible, but 1955 was their first album released on a Christian record label.[3] The double-disk set consists of pop / Indie rock / hip hop influenced sounds.[6] It is also the last disk to make extensive use of Biblical quotes before 1959.[7][8]

The whole point is to make something that people would want to puzzle over

—Galaxalag on Soul-Junk's music in CCM Magazine[6]

While there are fewer lyrics derived from scripture, the albums 1956 through 1958 still reflect on the groups' Christianity based viewpoint, sometimes offering critiques of the Church and in a stream-of consciousness manner.[9] On 1956 the sound shifts toward hip hop,[10] leading CCM Magazine to describe it as "beyond offbeat, beyond eclectic... beyond the grasp of its market."[11] This position is intentional according to Galaxy, who seeks to reach a wider audience than simply the church, and states "We do need to rock the boat... I dont particulary want anyone to think they know what they can expect from Soul-Junk."[12]

The albums 1957 and 1958 are based in experimental, abstract hip-hop[13] which sometimes adds elements of "avant-jazz."[9] Glen explained this period to HM Magazine, stating "energy-wise I'm feeling the drum n' bass, I'm feeling chaotic turntablism. But texture-wise I was feeling hip-hop."[2] The resulting sound is fragmented; Soul Junk's "berserk-hop"[7] on these albums is "hip-hop so out-there, so deconstructed, so avant-garde"[8] that it creates a "carnival aesthetic".[7] Between 2003 and 2007, no albums were released. Instead, Glen embarked on an effort to put the entire text of the Bible to music.[13] The first results are 1959 (released in 2007) which consists of Psalms 1-23 verbatim. Glen has also released the entire Book of Genesis through his web site.

Recurring members

  • Glen Galaxy
  • Slo-Ro (2001 – 2005)
  • Brian Cantrell (1995 – 2000)
  • DJ Mizzicah (1997 – 2003)
  • Ron Easterbrooks (1995 – 1998)
  • Jon Galaxy(1995 – 2001)
  • Nathan Poage (1998 – 2000)

Many others are credited per album or track.

Discography

Album naming convention

The first Soul-Junk release was called 1950. Its' name was derived from the musical style of the era, a fusion of rock and free-jazz. According to Glen 1950 "...was a good year for music".[1] Subsequent albums have been numbered up from 1950; Extended Play releases have been numbered down, but further numbering does non reflect the music of those years. Soul-Junk songs have also been released on innumerable compilations.

Albums

EPs

  • 1949 (1994)
  • 1948 (recorded but not yet released)
  • 1947 (1995)
  • 1946 (1995)
  • 1945 (1994)
  • 1944 (?)
  • 1943 (200?)
  • 1942 (2001)
  • 1941 (2001)
  • 1940 (2002, 2003)
  • 1939 (2002)
  • 1938 (2002)
  • 1937 (2005)
  • 1936 (2008)
  • 1935 (2008)

References

  1. ^ a b Wiitala, Christopher (1999). "Soul-Junk Interview". Cornerstone Magazine 28 (117): 61,64-65. ISSN 0275-2743. 
  2. ^ a b c Agnish, Jai (November / December 2002). "Soul-Junk: Keeping Themselves off Guard". HM Magazine (98): 38-39. ISSN 1066-6923. 
  3. ^ a b Knight, Steve (January / February 1999). "bankshots / Soul-Junk". 7ball (22): 36. ISSN 1082-3980. 
  4. ^ a b c Floyd, John (1997) "God and Junk", Miami New Times, February 13, 1997, retrieved 21 November 2009
  5. ^ Pecorelli, John (April 1997). "Reviews / 1953". Alternative Press 11 (105): 83-84. ISSN 1065-1667. 
  6. ^ a b Greg Rumburg and Sarah Aldridge (November 2000). "Untwisting Soul-Junk". CCM Magazine 23 (5): 27. ISSN 1524-7848. 
  7. ^ a b c Bowers, William (2002-12-16). "Soul Junk 1957'". Pitchfork Media. http://www.pitchforkmedia.com/article/record_review/21909/SoulJunk_1957. Retrieved 2008-10-10. 
  8. ^ a b Bowers, William (2003-11-18). "Soul Junk 1958'". Pitchfork Media. http://www.pitchforkmedia.com/article/record_review/21912/SoulJunk_1958. Retrieved 2008-10-10. 
  9. ^ a b Boeckel, Gentry (2003-12-10). "Soul Junk 1958'". Stylus Magazine. http://www.stylusmagazine.com/review.php?ID=1543. Retrieved 2008-10-10. 
  10. ^ Wiitala, Christopher (2000). "Album Reviews / 1956". Cornerstone Magazine 29 (120): 48. ISSN 0275-2743. 
  11. ^ Selby, Derek Scott (September 2000). "Reviews / 1956". CCM Magazine 23 (2): 51. ISSN 1524-7848. 
  12. ^ Caviness, Brad (November / December 2000). "Straddling The Fence". 7ball (33): 20-21. ISSN 1082-3980. 
  13. ^ a b Bartholomee, Russell (June 2005). "Soul-Junk: Making a Lot of Joyful Noise". Being There Magazine (10). ISSN 1718-5033. http://beingtheremag.com/feature.php?issue=10&id=243&page=1. Retrieved 2007-04-21. 

External links

Interviews:

Samples:

Concert Reviews:


 
 
Learn More
1958 (2003 Album by Soul-Junk)
1956 (2000 Album by Soul-Junk)
Fragments of a Lucky Break (1998 Album by Trumans Water)

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