Soupault, Philippe (1897-1990). French poet and novelist, but also essayist, critic, anthologist, translator, journalist, and broadcaster. He was a Dadaist and the co-author with Breton of the first Surrealist text, Les Champs magnétiques (1920). He published his first collection of poems, Aquarium, in 1917, followed by Rose des vents (1920), Westwego (1922), and Georgia (1926), all marked by a febrile modernism. Also in the 1920s he embarked on a succession of novels, including Le Bon Apôtre (1923), Les Frères Durandeau (1924), and Les Dernières Nuits de Paris (1928), where, as in many of his other writings, there is an almost obsessive oscillation between movement and immobility. During roughly the same period he produced a series of studies devoted to the Douanier Rousseau, Apollinaire, Lautréamont, Blake, Lurçat, Uccello, Charlie Chaplin, and Baudelaire.
After his expulsion from the Surrealist group in 1926 his wanderlust was partly satisfied by a new career as an international reporter, especially in the 1930s. In 1938 he was appointed director at Radio-Tunis and during the war he held a similar post with the Free French station in Algiers, where his contributions to the review Fontaine included the poem ‘Ode à Londres bombardée’. After the war he combined his radio work with writing.
[Keith Aspley]




