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Splendor in the Grass

 
Movies:

Splendor in the Grass

  • AMG Rating: starstarstarstar
  • Genre: Drama
  • Movie Type: Americana, Romantic Drama
  • Themes: Teen Angst, Sexual Awakening, Romantic Betrayal
  • Director: Elia Kazan
  • Main Cast: Natalie Wood, Warren Beatty, Pat Hingle, Audrey Christie, Barbara Loden, Zohra Lampert
  • Release Year: 1961
  • Country: US
  • Run Time: 124 minutes

Plot

1961's premiere "date" movie represented the screen debut of Warren Beatty. Set in the 1920s, William Inge's screenplay concerns the superheated romance between working-class high schooler Natalie Wood and rich kid Beatty. Trying their best to keep their relationship from going "all the way," Beatty and Wood go through a series of unsatisfying interim romances. The troubled Wood attempts suicide and is sent to a mental institution, while Beatty impregnates freewheeling waitress Zohra Lampert. Wood and Beatty still carry a torch for one another, but circumstances preclude their getting together -- and besides, Wood suddenly realizes that she's outgrown the still-floundering Beatty. Scriptwriter William Inge shows up as a minister in Splendor in the Grass, while comedienne Phyllis Diller does a cameo as famed nightclub entertainer Texas Guinan; also, keep an eye out for Sandy Dennis, making her first movie appearance. ~ Hal Erickson, All Movie Guide

Review

As florid and overwrought as the teen scandal it dramatizes, Elia Kazan's lush melodrama may not withstand the test of time very well, but its glamorous histrionics and martyred-lover plot line make it perhaps the quintessential breakup film. Audiences today may have trouble believing that anyone would literally go crazy over losing Warren Beatty to another woman, but Natalie Wood's Wilma does just that, and her eventual tranquility at the insane asylum is hardly the sort of satisfying ending the filmmakers might have intended. But, as with much of the rest of the film, it works on another, more bitterly enjoyable level: the look-what-you've-done-to-me school of Hollywood catharsis (see also Douglas Sirk, Tennessee Williams). Viewed through this prism, the film's earlier half is the most effective, with Audrey Christie supplying the same kind of maternal, puritanical repression Piper Laurie would channel 15 years later for her role in Carrie. Beatty and Wood accurately convey the sort of hormonally induced confusion and angst that most teenagers experience, the former playing the role of the taciturn stud as if he invented it (which, in a way, he did), and the latter turning in perhaps her finest impersonation of a dewy, weepy adolescent (in a career full of them). Her money shot -- in which a post-breakup Wilma interprets the Wordsworth poem that gives the movie its title -- is full of the kind of righteous self-pity that only Splendor in the Grass can provide. ~ Michael Hastings, All Movie Guide
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Splendor in the Grass

Movie poster by Bill Gold
Directed by Elia Kazan
Produced by Elia Kazan
Written by William Inge
Starring Natalie Wood
Warren Beatty
Pat Hingle
Audrey Christie
Barbara Loden
Zohra Lampert
Music by David Amram
Cinematography Boris Kaufman
Editing by Gene Milford
Distributed by Warner Bros.
Release date(s) October 10, 1961
Running time 124 min
Language English

Splendor in the Grass, an American movie from 1961, tells a story of sexual repression, love, and heartbreak. Written by William Inge, who appears briefly as a Protestant clergyman, the film was directed by Elia Kazan.

Contents

Inspiration

The film is based on people whom Inge knew while growing up in Kansas in the 1920s. He told the story to director Elia Kazan when they were working on a production of Inge's play The Dark at the Top of the Stairs, in 1957. They agreed that it would make a good film and that they wanted to work together on it. Inge wrote it first as a novel, then as a screenplay.

The film's title is taken from a line of William Wordsworth's poem "Ode on Intimations of Immortality from Recollections of Early Childhood":

What though the radiance which was once so bright
Be now for ever taken from my sight,
Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
We will grieve not, rather find
Strength in what remains behind...

Plot

Deanie Loomis (played by Natalie Wood), a teen-aged girl living in a small town in Kansas in 1928, follows her mother's advice to resist her desire for sex with her boyfriend, Bud Stamper (Warren Beatty), the scion of the most prosperous family in town. In his turn, Bud reluctantly follows the advice of his father (Pat Hingle), who suggests that he find another kind of girl with whom to satisfy his sexual desires.

Bud's parents are disappointed by, and ashamed of, his older sister Ginny—she is sexually promiscuous, smokes, drinks, and has had an abortion—and accordingly "pin all their hopes" on Bud, pressuring him to attend Yale University.

Bud does find a girl who is willing to become sexually involved with him, and when Deanie finds out, she is driven close to madness and institutionalized. Bud's family loses its fortune in the Great Depression, which leads to the father's suicide; and Bud takes up farming, which he had postponed because of his father's aspirations for him.

In the final scene, Deanie, home from the asylum after two and a half years, goes to meet Bud. He is now married to the daughter of Italian immigrants; he and his wife, whom he met while complying with his father's desire that he attend Yale, have an infant child. After their brief reunion, Deanie and Bud see that they must continue their lives separately.

Analysis

The different mindsets motivating Deanie's mother, who is relatively poor, and Bud's father, who has made a great deal of money in the oil industry, to hold back their children's sexuality are evident in two adjacent scenes early in the story.

In the first, Deanie's mother encourages her not to give up her virginity to Bud, telling her "Boys don't respect a girl they can go all the way with; boys want a nice girl for a wife". Having bid her daughter a good night, Mrs. Loomis then talks with her husband, enthusiastically informing him that their daughter and the son of the richest family in town are in love and that Bud would "be the catch of a lifetime".

In the next scene, Bud's father encourages him to abstain from sex with Deanie, because, if the two of them were to conceive a child, they would have to marry.

Deanie's mother believes that sex would ruin her daughter's chances of marrying Bud. Bud's father believes that sex, especially pregnancy, would force his son to marry Deanie. One parent wishes for such a marriage, while the other seems to warn against it.

In their discussion of what kind of girl a boy wants as a wife, Mrs. Loomis also tells Deanie that "No nice girl" has sexual desires for a boy. When Deanie asks her mother whether she was ever sexually attracted to Mr. Loomis, the answer is "Your father never laid a hand on me until we were married. And, then, I—I just gave in because a wife has to. A woman doesn't enjoy those things the way a man does. She just lets her husband come near her in order to have children." This enhances Deanie's inner struggle—about whether to give Bud what she and he both seem to want, or whether to behave in a more socially acceptable way, avoid the risk of pregnancy, and follow her mother's advice about how to retain Bud's respect, which eventually drives her to madness.

Production

Scenes of Kansas and the Loomises' home were shot in the Travis section of Staten Island, New York City. Exterior scenes of the high school campus were shot at Horace Mann School in the Bronx.

Warren Beatty and Natalie Wood were to be paired also for the film adaptation of West Side Story, which was released eight days after Splendor. (Contenders other than Beatty for West Side's Tony role included Elvis Presley, Bobby Darin, and Anthony Perkins; but Richard Beymer won the part.)

Splendor in the Grass was re-made in 1981, with Melissa Gilbert, Cyril O'Reilly, and Michelle Pfeiffer.

Awards and accolades

Inge won the Academy Award for Best Writing, Story and Screenplay—Written Directly for the Screen; Natalie Wood was nominated for Best Actress in a Leading Role.

The movie ranked number 50 on Entertainment Weekly's list of the 50 Best High School Movies.

References in popular culture

External links



 
 

 

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