Representative Albums: "The Godfather of Rap," "Godfather of Hip Hop," "Old and New Jams/The Godfather"
Representative Songs: "Spoonin' Rap," "Love Rap," "The Godfather"
Biography
Spoonie Gee was the nephew of veteran R&B producer Bobby Robinson and one of the earliest rap artists. He was known as the "love rapper," an image that was established by his first record, "Love Rap," released on his uncle's Enjoy label as the flip side of the Treacherous Three's "The New Rap Language." The bulk of early rap records reproduced an MC's party routine with a loose sequence of narrative, boasting, and call and response. Spoonie's initial outing, however, organized a hip-hop styled record around a romantic theme, coming closer to the lyrical norms of pop music. The intimate "Love Rap" was accompanied only by drum set and congas, and Spoonie's next record continued in a similarly minimalist vein. The voice-over on 1979's "Spoonin' Rap" stuck to more conventional old-school boasting but looks forward to the gangsta attitude in its jailhouse references. "Spoonin' Rap" was also prophetic in its use of flexatone and heavily echoed voice, suggesting the Jamaican connection that was denied in early interviews by some of the rap originators. In 1980, Spoonie collaborated with Sequence on a classic single, "Monster Jam," probably the last word on the series of "Good Times"/"Another One Bites the Dust" variations and a classic in the Sugar Hill vein, complete with a bone-crushing bassline and ecstatic crowd noises. In the mid-'90s, the Ol' Skool Flava label issued a compilation, Godfather of Hip Hop, and over a decade after that, Spoonie issued an EP entitled The Boss Is Back. ~ Richard Pierson, All Music Guide
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He recorded for Bobby Robinson's Enjoy! Records and Peter Brown's Sounds Of New York, USA imprint. He sometimes performed and recorded as part of Spoonie Gee & Treacherous Three. There is some controversy over the spelling of his nickname. In "Spoonin' Rap" he is heard spelling his own name as S to the p-double o-n-y. In interviews he says his nickname is correctly spelled with a 'Y', but he later spelled it with an 'IE'. The bulk of early rap records reproduced an MC's party routine with a loose sequence of narrative, boasting, and call-and-response. Spoonie's initial outing, however, organized a hip-hop styled record around a romantic theme, coming closer to the lyrical norms of pop music. Spoonie Gee is considered to have developed a unique rap style. "Love Rap" was accompanied only by drum set and congas, and the rapper's next record continued in a similarly minimalist vein. The voice-over on 1979's "Spoonin' Rap"
stuck to more conventional old school boasting but looks forward to the gangsta attitude in its jailhouse references. "Spoonin' Rap" was also prophetic in its use of flexatone and heavily echoed voice, suggesting the Jamaican connection that was denied in early interviews by some of the rap originators. In 1980, Spoonie collaborated with The Sequence on a classic single, "Monster Jam", probably the last word in the series of "Good Times" / "Another One Bites the Dust" variations, and a classic in the Sugar Hill Gang vein, complete with a heavy bass line and crowd noises. His album "Godfather of Rap" was released on Tuff City Records in 1987.