Having acquired a small cult following with its first album, Budgie offered a second dose of abrasive, forceful heavy metal that, like its predecessor, drew on influences ranging from Cream to Black Sabbath and Led Zeppelin. Budgie was a band that loved contrasts -- the folk-ish qualities of "Make Me Happy" and the Beatlesque "Rolling Home Again" make hard-driving classics like "Hot as a Docker's Armpit," "Drugstore Woman," and "Rocking Man" seem all the more intense. For all its strengths, Squawk didn't turn Budgie into the well-known outfit it should have been. Budgie's followers were a devoted bunch, but unfortunately, there weren't nearly enough of them. ~ Alex Henderson, All Music Guide
Budgie (Main Performer), Roger Dean (Artwork), Roger Dean (Design), Roger Dean (Cover Model), Roger Dean (Cover Painting), Roger Dean (Drawing), Rodger Bain (Producer), Tony Bourge (Guitar (Acoustic)), Tony Bourge (Guitar), Tony Bourge (Vocals), Ray Phillips (Drums), Burke Shelley (Bass), Burke Shelley (Guitar (Bass)), Burke Shelley (Vocals), Ray Dorsey (Liner Notes), Martyn Dean (Cover Design), Richard Sacks (Photography), Chris Welch (Liner Notes)
Squawk can also refer to another aviation-related meaning concerning maintenance problems, such as: "The plane has three
squawks." - where there are three problems that require repair or attention.
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