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Squirrel Bait

 
Artist: Squirrel Bait
Squirrel Bait

Group Members:

Clark Johnson, Benjamin Daughtrey, Brian McMahan, Peter Searcy, David Grubbs, Britt Walford

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  • Formed: 1983, Louisville, KY
  • Disbanded: 1988
  • Genres: Rock
  • Representative Albums: "Skag Heaven," "Squirrel Bait/Skag Heaven"
  • Representative Songs: "Sun God," "Tape from California," "Kid Dynamite"

Biography

Adored by critics and a small cult following, the seminal Squirrel Bait remain consistently underrated in terms of their influence on post-hardcore punk and alt-rock. A big part of that is due to their unfortunately scant recorded legacy: two albums, both under half an hour, both only sporadically available. Their visibility certainly wasn't helped by the lack of a bustling scene in their native Louisville, KY, at the time (though they helped kick start one), nor by the high-school-age members' youth, which made it difficult to tour and to make the transition to college. Furious and melodic, Squirrel Bait's music was most often compared to Hüsker Dü and the thrashier side of the Replacements, but that only began to capture the essence of their high-tension dynamics and angst-riddled mania. Their sensibility was often compatible with the emerging Dischord stable, yet indebted to heavy metal as well, and their musical chops foreshadowed the intense prog-punk that would become one wing of the emo movement. Most of Squirrel Bait's members remained active musicians after the band's dissolution, playing in bands that ranged from grunge and indie rock to experimental math rock and post-rock. Squirrel Bait were formed in Louisville circa 1983 by vocalist Peter Searcy, guitarists David Grubbs and Brian McMahan, bassist Ethan Buckler, and drummer Britt Walford. Buckler left early on and was replaced by Clark Johnson, and Walford's place would later be taken by Ben Daughtrey. In 1985, the group released a self-titled debut EP on the Homestead label, which received highly complimentary reviews in spite of its relatively poor distribution. A slightly longer follow-up, Skag Heaven, appeared in 1987, documenting the band's musical growth and greater variety. However, by that time, the band -- all teenagers when they started out -- was growing up, and with both Grubbs and Johnson having departed for college, Squirrel Bait disbanded. The list of bands whose personnel included former members of Squirrel Bait is a daunting one. Peter Searcy recorded several albums as leader of the alt-metal group Big Wheel. Ben Daughtrey played briefly with the Lemonheads before forming a lounge-revival band called Love Jones. Brian McMahan reunited with original Squirrel Bait rhythm section Ethan Buckler and Britt Walford in the equally influential Slint; Buckler and Walford later moved on to King Kong, while McMahan formed the For Carnation and moonlighted with Will Oldham's Palace project. David Grubbs was the most prolific, however: after Squirrel Bait's dissolution, he formed two challenging new bands in Bitch Magnet and Bastro, the latter of which also included Walford for a short time. In the early '90s, Grubbs moved farther into avant-garde rock with Gastr del Sol, a project with multi-instrumentalist and producer extraordinaire Jim O'Rourke. Grubbs also briefly joined O'Rourke in Brise-Glace, and played with a reorganized version of Mayo Thompson's Red Krayola. When Gastr del Sol disbanded in the mid-'90s, Grubbs released a number of increasingly experimental solo recordings, usually spotlighting his spare, improvisational guitar work. ~ Steve Huey, All Music Guide
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Wikipedia: Squirrel Bait
Top
Squirrel Bait
Origin Louisville, Kentucky, USA
Genres Hardcore punk, emocore
Years active 1983-1988
Labels Homestead Records
Associated acts Bitch Magnet, Bastro, Gastr del Sol, Lemonheads, Love Jones, King Kong, Slint, Evergreen, The Breeders, Big Wheel, Starbilly, The Glasspack
Members
Peter Searcy
David Grubbs
Brian McMahan
Ethan Buckler
Britt Walford
Clark Johnson
Ben Daughtrey.

Squirrel Bait was an American punk band from Louisville, Kentucky. They were in existence from 1983 to 1988. Squirrel Bait's metallic hardcore sound, featuring pronounced tempo shifts, foreshadowed the grunge sound of the late 1980s as well as math rock. Squirrel Bait, along with Hüsker Dü, are often noted as precursors to the emocore ("emotional hardcore") sound that arose from the D.C. hardcore punk scene with bands like Rites of Spring and Beefeater.

"Squirrel Bait signaled the second coming of American punk - bands of little brothers and sisters who got to grow up on Black Flag and Hüsker Dü without a preparatory course in Supertramp. ... Like a hundred other little Düs across the country, Squirrel Bait managed to make a couple of records before spintering off to form five more bands. Unlike most of that punk rock loam, the members of Squirrel Bait chewed up their legacy and shat out something curious and consequential." [1]

The first Squirrel Bait record, an eight song EP, Cover Art by Steve Albini.

Contents

Personnel

The original lineup included Peter Searcy (vocals), David Grubbs (guitar), Brian McMahan (guitar), Ethan Buckler (bass), and Britt Walford (drums). Buckler soon left, and was replaced by Clark Johnson, and Walford by Ben Daughtrey.

Guitarist David Grubbs was subsequently a member of Bitch Magnet, Bastro and Gastr del Sol and has released a number of solo projects. Drummer Ben Daughtrey played with the Lemonheads and then with Love Jones. McMahan, Buckler, and Walford later formed the highly influential Slint, after which the latter two played with King Kong, and McMahan with The For Carnation and Palace Music. Searcy played with Big Wheel and Starbilly before embarking on a solo career. Walford would later play in Evergreen and The Breeders (as Shannon Doughton). Johnson now works as a high-powered litigator for the Louisville, KY-based law firm of Stites & Harbison.[1]

Discography

References

  1. ^ Weisband, E & Marks,,C (editors) 1995. Spin Alternative Record Guide 1st ed. Vintage books, ISBN 0-679-75574-8

External links


 
 
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